Broadcasting
For the Record” Podcast Spotlights Fast-Growing African Music Scene, ft. DaVido, Burna Boy, Others

The next episode of Spotify: For the Record, a podcast sharing fresh, illuminating insights from the music industry in a way only Spotify can, is out now.

Following on from Spotify’s recent launch into 39 new African markets, which was announced during the Stream On event on 22 February, the new episode titled “Afropop to Amapiano: African Music Ignites,” takes listeners on a journey across the continent from Nigeria to Kenya, spotlighting the diverse cultures and sounds of a musical hotbed for expanding genres like Amapiano and Gengetone, and popular collaborations between African artists and mainstream Western stars.
The episode features interviews with a roster of African stars, including recent Grammy-winner Burna Boy and fellow Nigerian DaVido, who shares how key collabs with Nas and Nicki Minaj were born in the bathroom and in his DM’s.
Also featured is Kenya’s celebrated musician-producer-DJ Blinky Bill, and South African RADAR artist Focalistic, whose track “Ke Star” is gaining worldwide attention. Listeners also hear from Nigeria’s RADAR artist Tems, who reveals how it feels to be featured on President Barack Obama’s playlists and gives a taste of “alté”.
In the podcast, Davido speaks about how he ended up collaborating with Nas: “When I was in L.A., you know, Hit Boy had a whole studio booked out and apparently him and Nas were working in one of the rooms.
I was in the other room working. And then I just had to pee. So, I went to the bathroom, and coming out the bathroom I see Nas. I’m like, ‘What??’ And then he chopped it up. And we did our record that same day. Very weird and crazy.”
Hosts Shanon Cook and Kevin Turner, along with Spotify’s Head of Music for Sub-Saharan Africa, Phiona Okumu, also share fascinating new insights into how Spotify listeners around the world are responding to music from Africa, one of the world’s fastest-growing music markets. They unveil some key data points from the first 30 days since Spotify launched in the new sub-Saharan markets, these include that:
- French-Malian singer Aya Nakamura was the most-streamed African artist globally in the past year (her song “Djadja” has been streamed more than half a billion times); Burna Boy was second.
- Four out of five of the top five most-streamed artists in Nigeria are from Nigeria: WizKid, Burna Boy, and DaVido top the list, followed by Drake, and then Nigeria’s Rema coming in fifth.
- In Kenya, one local artist made it into the top five – Sauti Sol – sandwiched between Drake, Pop Smoke, Justin Bieber and Juice WRLD.
- Ghana’s top five most-streamed artists is a mix: Drake takes the number one slot, followed by two Ghanaian rappers Sarkodie and Kwesi Arthur, with Nigerian neighbours Burna Boy and Davido rounding out the list.
Additional quotes from artists featured on the episode
- Focalistic on collaborating with Davido on a Pan-African “Ke Star” remix: “When we spoke, [Davido] was telling me about how they want to put you know, both worlds together and tell the story the- the way it’s supposed to be, as a Pan-African collaboration.
“And people understand these are two worlds colliding, Nigeria, South Africa, and creating such a beautiful masterpiece. And I’m super proud that, you know, we managed to do that with Ke Star.”
- Burna Boy on paving the way for future generations of talent: “As a kid I had dreams of becoming a proper rockstar. Like I didn’t know what it meant, I just saw it on TV. […] If the younger generation sees that the older generation is doing something and it’s successful, then they’re going to be interested in that thing. And they’re going to probably come out and do it better than their elders.”
- Blinky Bill on the East African music scene: “I don’t feel like there’s been a proper spotlight on what’s going on with the East African music scene, which is sad because I think that a country like Kenya, for example, has so much diversity and could add tons to like just push the envelope of where the sound is and where the sound is going. I feel like in the next few years that’s going to happen. So keep an eye out.”
- Tems on how the pandemic has impacted her work: “Being locked down helped me learn a lot about myself. I’m such a perfectionist. So it definitely increased the perfectionist side. But overall it doesn’t matter what’s going on in the world, I’m always able to express, so no matter what I am doing, as long as I have vocal chords, I’m still going to be able to create music.”
Broadcasting
NBC Sets 2028 Deadline for Full Digital Switch-Over

National Broadcasting Commission (NBC) has unveiled a new “Big Picture” strategy aimed at achieving full nationwide Digital Switch-Over (DSO) by December 31, 2028.

DSOis designed to provide Nigerians with superior picture and sound quality while unlocking an estimated N605.2 billion in advertising revenue and generating over $1 billion from digital spectrum auctions.
Charles Ebuebu, director-general of NBC, in a statement issued on Monday, said the revised strategy adopts a converged broadcasting model combining Direct-to-Home (DTH), Digital Terrestrial Television (DTT) and Internet Protocol (IP) systems to expand access to digital television services nationwide.
The Commission also announced June 17, 2026, as the official national launch date for the renewed rollout, describing the framework as a more practical pathway toward a sustainable and affordable digital broadcasting system after nearly two decades of delays.
Ebuebu, said that the transition is no longer being treated as a competition between technologies but as a unified access solution tailored to Nigeria’s geographic and infrastructure realities.
“The Big Picture strategy recognises convergence as the future of broadcasting and aligns with the 2012 DSO White Paper, which adopted both terrestrial and satellite standards including DVB-T and DVB-S2 technologies,” the statement said.
NBC said the Nigerian Communications Satellite Limited (NIGCOMSAT) would play a central role in national content distribution, particularly in underserved and remote areas where terrestrial infrastructure remains weak.
The Commission cited countries such as the United Kingdom, Australia, Kenya, South Africa and Morocco as examples of jurisdictions that successfully adopted hybrid digital broadcasting models to accelerate migration from analogue systems.
On affordability, NBC assured Nigerians that the proposed FreeTV platform would remain subscription-free for baseline access, adding that compatible DVB-S2 decoders currently cost between N15,000 and N25,000. It said discussions were ongoing on possible subsidy arrangements and financing options for low-income households.
The regulator also defended its plan to support both local manufacturing and transitional importation of set-top boxes, noting that Nigeria would require millions of devices over several years to complete the migration.
Beyond transmission, NBC disclosed plans to introduce a national audience measurement system under the GARB ratings framework to improve advertising transparency and broadcasting analytics.
It projected that the DSO programme could unlock Nigeria’s estimated N605.2 billion advertising market while also freeing up valuable digital dividend spectrum estimated at over $1 billion.
NBC further said Nigeria’s creative industry, valued at about N5 trillion and employing more than 4.2 million people, stands to benefit from expanded distribution channels and improved content monetisation.
Broadcasters, it added, would enjoy free carriage on the platform for 18 months, alongside wider national reach, indigenous language channels and improved commercial opportunities.
Broadcasting
STBMAN Warns of “Broadcasting Crisis”, Urges Tinubu to Halt NBC’s DSO

Association of Licensed Set-Top Box Manufacturers of Nigeria (STBMAN) has warned that the unilateral implementation transition from analogue to digital broadcasting, could trigger confusion, legal disputes, and disruptions capable of undermining the credibility of the 2027 general election.

STBMAN urged President Bola Ahmed Tinubu to urgently intervene and halt what it described as a unilateral implementation process, pending wider consultations with stakeholders in the broadcasting industry.
Sir Godfrey Ohuabunwa, chairman of the association in statement in Abuja, faulted the current implementation process by the National Broadcasting Commission’s (NBC).
STBMAN said that although it supports Nigeria’s digital migration programme, the approach currently being pursued by the NBC appeared rushed and inconsistent with the 2012 Digital Switchover (DSO) White Paper approved by the Federal Executive Council.
The association argued that the arrangement being presented as a Digital Switchover was merely the aggregation of channels on NigComSat platforms rather than a fully Digital Terrestrial Television (DTT) migration as originally envisioned under the national DSO framework.
According to the group, failure to carry critical stakeholders along could erode public confidence, weaken access to information, and create avoidable disruptions in the broadcasting sector at a politically sensitive period ahead of the 2027 elections.
It noted that millions of Nigerians still depend on free-to-air broadcasting for information dissemination, civic education, election coverage,e and public enlightenment.
The group stressed that any poorly coordinated migration process could result in signal disruptions, public confusion, and unequal access to information during the election season.
STBMAN also expressed concern that the NBC risked creating a conflict of interest by acting simultaneously as regulator and content aggregator, contrary to the spirit of the 2012 White Paper and global best practices guiding digital broadcasting migration.
The association, therefore, called for an urgent national stakeholders’ roundtable, an independent legal and technical review of the DSO process, review and update of the 2012 DSO White Paper, nationwide public sensitisation on the implications of digital migration, and measures to protect local broadcasting and public interest.
It maintained that it was not opposed to digital migration but insisted that the process must be transparent, inclusive, lawful, and technically sound.
The group warned that failure to properly manage the transition could weaken democratic communication structures, waste public resources, and negatively affect national cohesion and the credibility of the 2027 elections.
“Mr. President, Nigeria cannot afford confusion in its broadcasting system at a time the nation is preparing for another critical democratic transition. The time to act is now,” the statement added.
Association of Licensed Set-Top Box Manufacturers of Nigeria, represents domestic electronics manufacturers responsible for producing the decoder boxes needed for the country’s transition from analogue to digital broadcasting.
Broadcasting
FG to Launch Nationwide Free Digital TV Platform June 17

Federal government, yesterday, said that it will now launch the so-called FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages on June 17.

National Broadcasting Commission (NBC) had initially scheduled for May 15 for the launch.
But the new date was announced by Mohammed Idris, minister of Information and National Orientation, on Wednesday during a facility tour of NIGCOMSAT, alongside Dr Charles Ebuebu, director general of the National Broadcasting Commission (NBC) and other stakeholders.
Idris said the long-awaited migration from analogue to digital broadcasting had finally become a reality after years of failed attempts and delays, describing the project as a major breakthrough for Nigeria’s broadcasting industry.
“I have been grappling with this idea of the DSO for many years. Moving our transmissions from analogue to digital has now happened and is ready to be commissioned by June 17,” the minister said.
He revealed that several channels had already been bundled onto the platform, adding that the digital transition would transform broadcasting, advertising and television consumption across Nigeria and Sub-Saharan Africa.
According to him, the new platform introduces scientific audience measurement tools capable of tracking viewership patterns in real time, thereby giving advertisers reliable data for targeted campaigns.
“Now science is at play. If you are viewing a station, we know who is watching what and how many people are watching. Advertisers can now take informed decisions about the kind of programming Nigerians want to watch across all demographics,” Idris stated.
The minister said the collaboration between NIGCOMSAT, NBC, the Ministry of Communications and the Ministry of Information had made the digital transition possible, while commending President Bola Tinubu for providing the necessary support and resources.
He described previous DSO efforts as limited and expensive due to encrypted set-top boxes but noted that the new system would be free and accessible to millions of Nigerians.
“In the past, the boxes were encrypted and costly. Now this is free. Government has taken off some of those costs on behalf of Nigerians,” he said.
Idris stressed that unlike earlier pilot phases restricted to a few cities, the new digital platform would have nationwide and regional reach through NIGCOMSAT’s satellite infrastructure.
“Everybody can now watch whatever he wants in real time and painlessly. Free TV everywhere for everybody”, he declared.
The minister also hinted that the platform would challenge the dominance of existing pay-TV operators by offering Nigerians wider viewing options at no cost.
“I don’t want to always use the word ‘substitute’, but this offers opportunities you didn’t get before. You no longer have that monopoly again. Competition is going to set in. Content will grow and viewership will grow,” he said.
He added that the platform would initially launch in standard definition, SD, before quickly transitioning to high definition, HD, bringing Nigerian broadcasting in line with global standards.
“Soon after the launch, we are moving to HD. Nigeria will now compete globally. What you watch here is what you get anywhere,” Idris said.
The minister further disclosed that the service was already available via mobile application and had successfully undergone testing ahead of the official unveiling.
Also speaking during the tour, managing director and chief executive officer of NIGCOMSAT, described the collaboration between NIGCOMSAT and NBC as a strategic partnership that has strengthened service delivery and raised operational standards within Nigeria’s digital broadcasting ecosystem.
According to her, ongoing investments and satellite expansion plans under the current administration will guarantee reliable and continuous service delivery.
“The work has only just started. The work has only just begun,” she said.
Among those who accompanied the Honourable Minister on the tour were Salihu Abdullahi Dembos, director-general, Nigerian Television Authority (NTA); Jibrin Baba Ndace, director-general, Voice of Nigeria (VON); Mohammed Bulama, director-general, Federal Radio Corporation of Nigeria (FRCN); and Lanre Issa-Onilu, director-general, National Orientation Agency (NOA), alongside other senior government officials and dignitaries.
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