Broadcasting
For the Record” Podcast Spotlights Fast-Growing African Music Scene, ft. DaVido, Burna Boy, Others

The next episode of Spotify: For the Record, a podcast sharing fresh, illuminating insights from the music industry in a way only Spotify can, is out now.

Following on from Spotify’s recent launch into 39 new African markets, which was announced during the Stream On event on 22 February, the new episode titled “Afropop to Amapiano: African Music Ignites,” takes listeners on a journey across the continent from Nigeria to Kenya, spotlighting the diverse cultures and sounds of a musical hotbed for expanding genres like Amapiano and Gengetone, and popular collaborations between African artists and mainstream Western stars.
The episode features interviews with a roster of African stars, including recent Grammy-winner Burna Boy and fellow Nigerian DaVido, who shares how key collabs with Nas and Nicki Minaj were born in the bathroom and in his DM’s.
Also featured is Kenya’s celebrated musician-producer-DJ Blinky Bill, and South African RADAR artist Focalistic, whose track “Ke Star” is gaining worldwide attention. Listeners also hear from Nigeria’s RADAR artist Tems, who reveals how it feels to be featured on President Barack Obama’s playlists and gives a taste of “alté”.
In the podcast, Davido speaks about how he ended up collaborating with Nas: “When I was in L.A., you know, Hit Boy had a whole studio booked out and apparently him and Nas were working in one of the rooms.
I was in the other room working. And then I just had to pee. So, I went to the bathroom, and coming out the bathroom I see Nas. I’m like, ‘What??’ And then he chopped it up. And we did our record that same day. Very weird and crazy.”
Hosts Shanon Cook and Kevin Turner, along with Spotify’s Head of Music for Sub-Saharan Africa, Phiona Okumu, also share fascinating new insights into how Spotify listeners around the world are responding to music from Africa, one of the world’s fastest-growing music markets. They unveil some key data points from the first 30 days since Spotify launched in the new sub-Saharan markets, these include that:
- French-Malian singer Aya Nakamura was the most-streamed African artist globally in the past year (her song “Djadja” has been streamed more than half a billion times); Burna Boy was second.
- Four out of five of the top five most-streamed artists in Nigeria are from Nigeria: WizKid, Burna Boy, and DaVido top the list, followed by Drake, and then Nigeria’s Rema coming in fifth.
- In Kenya, one local artist made it into the top five – Sauti Sol – sandwiched between Drake, Pop Smoke, Justin Bieber and Juice WRLD.
- Ghana’s top five most-streamed artists is a mix: Drake takes the number one slot, followed by two Ghanaian rappers Sarkodie and Kwesi Arthur, with Nigerian neighbours Burna Boy and Davido rounding out the list.
Additional quotes from artists featured on the episode
- Focalistic on collaborating with Davido on a Pan-African “Ke Star” remix: “When we spoke, [Davido] was telling me about how they want to put you know, both worlds together and tell the story the- the way it’s supposed to be, as a Pan-African collaboration.
“And people understand these are two worlds colliding, Nigeria, South Africa, and creating such a beautiful masterpiece. And I’m super proud that, you know, we managed to do that with Ke Star.”
- Burna Boy on paving the way for future generations of talent: “As a kid I had dreams of becoming a proper rockstar. Like I didn’t know what it meant, I just saw it on TV. […] If the younger generation sees that the older generation is doing something and it’s successful, then they’re going to be interested in that thing. And they’re going to probably come out and do it better than their elders.”
- Blinky Bill on the East African music scene: “I don’t feel like there’s been a proper spotlight on what’s going on with the East African music scene, which is sad because I think that a country like Kenya, for example, has so much diversity and could add tons to like just push the envelope of where the sound is and where the sound is going. I feel like in the next few years that’s going to happen. So keep an eye out.”
- Tems on how the pandemic has impacted her work: “Being locked down helped me learn a lot about myself. I’m such a perfectionist. So it definitely increased the perfectionist side. But overall it doesn’t matter what’s going on in the world, I’m always able to express, so no matter what I am doing, as long as I have vocal chords, I’m still going to be able to create music.”
Broadcasting
NITDA, NBC Explore Strategic Collaboration on Digital Transformation, Media Regulation

The Director General of the National Information Technology Development Agency (NITDA), Kashifu Inuwa CCIE, has reaffirmed the agency’s commitment to deepening inter-agency collaboration as he received the Director General of the National Broadcasting Commission (NBC), Mr Charles Ebuebu, on a courtesy visit aimed at exploring strategic partnerships in digital transformation and regulatory frameworks across Nigeria’s media and technology sectors.

Speaking during the meeting, Inuwa stated that digital transformation and regulation are inseparable in Nigeria’s rapidly evolving digital ecosystem. He also emphasised that digital transformation is not a one-off project but a continuous journey that requires constant improvement, periodic target-setting, and organisational adaptability to emerging realities.
According to the NITDA boss, the agency deliberately embarked on a transformational journey to reposition itself from a traditional civil service structure to a high-velocity, smart public sector organisation. He noted that when the agency began its transformation drive, a significant percentage of its workforce came from the mainstream civil service, bringing with it entrenched bureaucratic mindsets and rigid operational practices. This, he said, necessitated a conscious decision to change the narrative.
“More than 70 or 80% of our staff came from the mainstream public service, and we know the mindset of public servants, so we started changing that narrative by focusing on people, resetting mindsets, building capacity, and fostering a culture that supports innovation and accountability,” he noted.
Inuwa explained that NITDA’s approach to digital transformation was anchored on three core pillars: people, processes, and technology. He stressed that no matter how advanced technology may be, it cannot deliver value without the right people and efficient processes in place.
He further disclosed that the agency undertook a comprehensive cultural reorientation programme, supported by cultural audits and initiatives aimed at creating psychological safety within the organisation.
“This was critical to enabling staff at all levels to freely contribute ideas, challenge existing processes constructively, and engage in horizontal and vertical collaboration without fear of reprisal,” he stated.
He noted that culture remains the foundation upon which any successful strategy must stand, adding that “no matter how good a strategy is, without the right culture, execution will fail.”
Providing further insight into the transformation journey, he explained that NITDA adopted an integrated framework encompassing people, process, culture, content, and technology. Through this framework, the agency identified and addressed deeply rooted bureaucratic tendencies such as command-and-control structures, risk aversion, and excessive dependence on directives from senior leadership.
According to the DG, “these reforms paved the way for trust-based delegation, inter-departmental collaboration, and process optimisation”.
He further revealed that NITDA documented over 396 internal processes and subsequently streamlined them to eliminate inefficiencies and repetitive executive approvals. He cited examples where routine operational tasks that previously required multiple approvals at the Director General’s level were redesigned to empower departments as gatekeepers, allowing leadership to focus on strategic priorities.
This process optimisation, he said, also created the foundation for automation and the integration of digital tools.
On capacity building, the DG disclosed that all NITDA staff underwent mandatory artificial intelligence (AI) training, reinforcing the agency’s position that AI is a tool for enhancing productivity rather than replacing human capital.
He noted that staff across departments are now leveraging AI to improve workflows, generate ideas, and transition from manual administrative roles to AI-enabled system administration.
Inuwa added that technology deployment at NITDA is deliberately driven by business value rather than trend adoption, stressing that technology must support clearly defined processes and organisational objectives.
He announced that the agency has developed a comprehensive digital transformation playbook, capturing lessons learned from its journey, which it is willing to share with NBC and other government institutions.
To advance collaboration with NBC, Inuwa proposed concrete areas of partnership, including sharing the agency’s digital transformation playbook, delivering tailored training and capacity-building programmes, enrolling NBC staff in digital literacy initiatives developed with global technology partners such as Cisco, and providing technical support for modernising regulatory frameworks to align with the evolving digital and media ecosystem.
Earlier in this remark, Mr Ebuebu called for deeper collaboration between the NBC and NITDA, describing the partnership as long overdue in the face of rapid media and technology convergence.
He noted that although he has had several insightful interactions with the DG NITDA in the past, it was important to institutionalise cooperation between both agencies to address emerging developments in media, technology, data governance, and Nigeria’s digital future.
While calling for closer ties between the two agencies, he emphasised that a strategic partnership between NBC and NITDA is critical to effectively regulate the evolving media ecosystem, harness technology for content creation and distribution, promote the growth of local media, facilitate knowledge transfer, and protect Nigeria’s cultural and national interests.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
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