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Google Partner Lagos State to Launch Eko for Show Initiative

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Google Arts & Culture has announced the launch of Eko for Show, an initiative to showcase and celebrate Lagos, one of the world’s most vibrant cities for youth, creativity and technology.

Profiling over 100 creatives across the spectrum of music, art, photography, fashion, musicals, literature and food, the online exhibition will shine a light on the city’s thriving creative communities and aims to inspire the next generation of creatives.

In partnership with seven of Lagos’s top cultural institutions, the Eko for Show online exhibition will enable audiences to virtually “meet” some of the city’s music makers, visual artists, trendsetters, storytellers and foodies.

The seven cultural institutions include the African Artists Foundation, Homecoming, Lagos Fashion Week, Nigerian Tourism Development Corporation, Rele Arts Foundation, Terra Kulture and the Centenary Project.

The partners have shared over 8000 photographs, 80 online stories, 3 Street View experiences and 175 videos, which is presented in one unified online experience.

Eko for Show can be explored via g.co/ekoforshow and by downloading the free Google Arts & Culture app.

Highlights include essays by ten women writers who share their personal reflections on Lagos, including Mọlará Wood and Lọlá Shónẹ́yìn. Watch behind-the-scenes interviews with Afrobeats stars Teni the Entertainer, Kizz Daniel and Reekado Banks. Explore an exhibition by artist Victor Ehikamenor and step inside the galleries at the African Artists Foundation, Rele Arts Foundation and Terra Kulture with Street View.

Let paintings of Lagos lagoon take your breath away with the Art Camera, and learn more about the thriving arts scene with curator Azu Nwagbogu, artist Nike Davies-Okundaye and creative director Bolanle Austen-Peters.

Learn more about Nigerian culture though its musicals, movies, Alté sounds and Homecoming festival with Grace Ladoja.

Amit Sood, Director, Google Arts & Culture, said “Google Arts & Culture’s mission is to preserve and promote the world’s art and culture online to everyone, anywhere in the world.

“With Eko for Show, we celebrate the creative industry of Lagos and share the buzz, even if virtually, through the works and stories of its incredible youth and culture”.

Lagos is one of Africa’s fastest growing cities and a major financial hub on the continent, boasting the fourth highest GDP.

In the past, it has garnered international attention for being a hub for creativity, thanks to the more than 25 million people who comprise this community of talent and excellence.

“The coronavirus regrettably resulted in the cancellation of many creative events in Lagos State, which is why I am so excited about the Eko for Show project, a continuation of the Nigerian Tourism Development Corporation’s partnership with Google Arts & Culture.

“It highlights the impressive body of creative talent to which Lagos is home, spreading the news across the world,” says Babajide Sanwo-Olu, Governor of Lagos State.

Folorunsho Coker, Director General of the Nigerian Tourism Development Corporation, said: “The Nigerian Tourism Development Corporation is committed to fuelling Nigeria’s economy by supporting creativity, youth and entrepreneurs.

“Since 2020, we have collaborated with Google Arts & Culture on a programme to shine a light on Nigeria’s rich and diverse cultural heritage, spectacular nature, bustling cities and our welcoming spirit.

“Our partnership with Google Arts & Culture has a crucial role to play in seeing us achieve our mission of accelerating growth of domestic tourism, and fostering economic development in Nigeria,” Coker says.

Juliet Ehimuan, Google Director West Africa, credited the Taste of Nigeria project, announced in 2019, for giving people across the world the chance to experience Nigerian arts and culture.

“The launch of Eko for Show further reinforces Google’s commitment to Nigeria’s art and creative industry, and its support for the recovery and growth of Nigeria’s tourism sector ,” she says.

Nigeria’s fast growing tech, music, film and fashion sectors have become strong exporters of culture, with music sales revenues estimated to reach $88 million by 2019.

The creative industry in Nigeria is teeming with the potential for economic growth, and the Eko for Show project is focused on spotlighting Lagos as home to some of Africa’s most brilliant creatives.

Google Arts & Culture is a new way to experience art, history, culture, and world wonders from over 1000 organisations worldwide.


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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HURIWA Demands Accountability from SEDC Over N140bn Budget Utilisation

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The Human Rights Writers Association of Nigeria (HURIWA) has challenged the South East Development Commission (SEDC) leadership to provide transparent details on achievements recorded in its inaugural year despite an approved budget of N140 billion for 2025.

HURIWA Demands Accountability from SEDC Over N140bn Budget Utilisation

SEDC

HURIWA’s National Coordinator, Comrade Emmanuel Onwubiko, disclosed that the group’s researchers found no concrete evidence of infrastructure projects executed in the South-East region for the benefit of the Igbo people since the commission’s inception.

Efforts to obtain specifics from Senate Committee Chairman on SEDC, Senator Orji Uzor Kalu, and Governing Board Chairman, Chief Emeka Wogu, yielded vague responses, with Wogu citing a mere “road map” and Kalu claiming no information was available.

The rights group recalled that the National Assembly approved N140 billion for SEDC in the N54.9 trillion 2025 budget passed on February 14, matching allocations for other regional commissions like South-West, South-South, and North-Central, while North-West received N145.61 billion and Niger Delta Development Commission (NDDC) got N626.53 billion.

President Bola Tinubu signed the SEDC Establishment Bill into law on July 24, 2024, with the board inaugurated on February 12, 2025, under Chairman Emeka Wogu and Managing Director Mark Okoye.

Okoye, in his inaugural address, quoted the World Bank estimating a $10 billion annual investment need over 30 years to bridge the region’s infrastructure gap, pledging collaboration with states, private sector, and partners to build a $200 billion economy by 2035.

Priorities outlined include security and investment infrastructure, agriculture, industrialisation, technology, innovation, and human capital development, amid challenges like insecurity, low ease-of-doing-business, unemployment, and 2,500 erosion sites displacing thousands.

HURIWA noted that while the commission’s creation sparked optimism to address post-Civil War neglect, bureaucratic hurdles, political meddling, and funding opacity threaten its potential, aligning with President Tinubu’s Renewed Hope Agenda for inclusivity.

The group described SEDC’s performance as a “spectacular failure,” urging Igbo youths and intellectuals to demand accountability to prevent elite capture of funds meant for roads, housing reconstruction, ecological remediation, agriculture, manufacturing, technology, railways, and energy projects in Abia, Anambra, Ebonyi, Enugu, and Imo states.

Onwubiko warned that pocketing the cash-backed N140 billion would betray the Igbo people’s development aspirations, calling for immediate disclosure of expenditures and verifiable outcomes.


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InsomniaQ Spotlights African Creativity in Lagos

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Quickteller successfully hosted the maiden edition of InsomniaQ recently in Lagos, delivering a 12-hour non-stop celebration of African music, culture, and creativity.

A statement from the firm on Sunday stated that the event attracted a diverse audience of music lovers, culture enthusiasts, and festive diaspora returnees, marking a strong debut for what organisers described as a potential signature December event.

InsomniaQ featured a dynamic mix of live performances and DJ sets, showcasing Africa’s rich musical diversity and creative depth. From soulful sounds to high-energy performances, the festival offered a thoughtfully curated journey designed to follow the natural rhythm of its audience’s circadian cycle, sustaining energy, connection, and excitement throughout the night.

Beyond the performances, InsomniaQ emerged as a platform for shared cultural expression, creating space for celebration, discovery, and community. The experience reinforced Lagos’ position as the heartbeat of Africa’s December entertainment season and highlighted the growing appetite for premium, culturally grounded experiences.

Commenting on the success of the event, the Executive Vice President, Group Marketing and Communications, Interswitch Group, Cherry Eromosele, described InsomniaQ as an organic extension of Quickteller’s place in everyday moments of connection, culture, and celebration.

“InsomniaQ was created as a space to celebrate African creativity in its full expression, the music, the energy, and the people who make our culture so powerful.

“Seeing that vision come to life, with thousands of people connecting through sound, movement, and shared experience, has been truly rewarding. This debut edition reinforces our belief in creating platforms that bring people together and spotlights the richness of African talent in meaningful ways,” Eromosele said.

The success of InsomniaQ, according to the organisers, reflects a broader commitment within the Interswitch ecosystem to support experiences that extend beyond transactions into everyday life. By championing platforms that blend culture, innovation, and community, Interswitch continues to shape how people connect, celebrate, and experience Africa’s evolving creative economy.

With its strong debut, InsomniaQ has set the tone for future editions and established itself as a new fixture in Africa’s December calendar, celebrating culture, driving connection, and creating memorable experiences.


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How Moniepoint’s Founders, Tosin Eniolorunda and Felix Ike are Redefining African Tech and Finance

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In an era where global tech giants dominate headlines, two Nigerian entrepreneurs are quietly revolutionizing financial services across Africa, proving that world-class innovation can emerge from homegrown talent and local institutions.

Tosin Eniolorunda and Felix Ike, co-founders of Moniepoint Inc, have built one of Africa’s fastest-growing fintech companies, not despite their exclusively Nigerian education, but in many ways, because of it.

Their journey from the lecture halls of Obafemi Awolowo University and the University of Lagos to the TIME100 Most Influential Companies list stands as a powerful testament to the caliber of talent nurtured within Nigerian universities and the transformative potential of locally-rooted vision.

Tosin Eniolorunda’s path exemplifies how Nigerian educational institutions can cultivate entrepreneurial excellence. After earning his degree in Mechanical Engineering from Obafemi Awolowo University, he didn’t follow the well-trodden path abroad but instead chose to build solutions for Nigerian challenges within Nigeria itself. This decision proved prescient.

Understanding the unique financial ecosystem and infrastructure gaps firsthand from the work at TeamApt Ltd where they were building from majority of the country’s banks, Tosin pioneered several industry firsts: introducing instant POS transfers to Nigeria, launching the country’s first virtual account services, and constructing a vertically integrated payments processing switch with full switching and processing licenses.

These feats and technological achievements must be viewed from the prism that these were deeply contextual innovations born from intimate knowledge of local needs, the kind of understanding that comes from being educated and embedded in the communities one serves.

Felix Ike’s contribution complements this vision with technical brilliance equally rooted in Nigerian educational excellence. Graduating with first-class honors in Computer Science from the University of Lagos, Felix brought to Moniepoint the kind of engineering rigor required to build mission-critical financial infrastructure.

As Chief Technology Officer, he has architected systems that are not just functional but scalable, resilient, and secure enough to serve over 10 million businesses and individuals across Nigeria and Africa. His work demonstrates that Nigerian universities are producing software engineering leaders capable of building world-class technology that can compete on the global stage with technology that processes millions of transactions daily and underpins the financial dreams of an entire continent.

Since its founding in 2015, Moniepoint has evolved into Africa’s largest distributor of financial services in Nigeria, with presence across all 774 local government areas. The company’s all-in-one financial ecosystem offering seamless payments, banking, credit, and business management solutions reflects a sophisticated understanding of what African businesses and individuals actually need to thrive.

The accolades have followed: recognition by TIME as one of the 100 Most Influential Companies in 2025, listing among CNBC’s top UK fintech firms, and ranking in the Financial Times’ Africa’s Fastest-Growing Companies for three consecutive years.

The Moniepoint story as an indigenously rooted but globally compliant player challenges prevailing narratives about where innovation must originate and what credentials are necessary for building transformative companies. Tosin and Felix’s success illustrates that Nigerian universities, when their graduates are empowered with vision, opportunity, and determination, can produce founders who don’t just participate in the global economy but reshape it.


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