Broadcasting
COSON Calls for Removal of Jijiwa, VON Boss over Threat

Board of Copyright Society of Nigeria (COSON) has demanded for the removal of Malam Abubakar Jijiwa, director general of Voice of Nigeria (VON) over the recent threat by the Broadcasting Organisation of Nigeria (BON) to ban the broadcast of music of Nigerian artistes on Nigerian radio and TV stations.
The board which rose from a meeting in Lagos reassured all members and affiliates of COSON that Nigeria is not a banana republic and that no one can stop them from being heard in their country.
Present at the meeting which held at the board room of COSON in Opebi were Mr. Obi Asika of Storm 360, Mr. Audu Maikori of Chocolate City Music, Mr. Efe Omorogbe of Now Muzik, Mr. Banky Wellington (Banky W) of Empire Mates Entertainment, Mr. Dare Fasasi (Baba Dee) of Naija Ninja Entertainment and Ms. Azeezat Allen of More Money Music.
Also, present at the meeting presided over by COSON Chairman, Chief Tony Okoroji, were Hon. John Ewelukwa Udegbunam, National President, Music Label Owners & Recording Industries Association of Nigeria, Mr. Joel Ajayi of Gospel Choral Records and COSON General Manager, Mr. Chinedu Chukwuji.
They reiterated the commitment of the society to using the instruments of the law to fully defend the rights of creative people in Nigeria and to promote the Nigerian nation to the world.
Saying that COSON will not be intimidated and will never act outside the law, it declared that COSON will work night and day, without fear or favour, to continue to promote the spirit of the COSON slogan, ‘Let the music pay!’ and that COSON will not relent in its effort to ensuring that musicians walk tall in Nigeria and earn a decent living for their work.
On the repeated BON broadcasts that COSON has been engaged in incessant and continuous harassment, intimidation, blackmail and attack on broadcasting stations over un-negotiated payment of licensing fees, the Board directed that COSON solicitors be instructed to demand an immediate retraction of the blatantly false and unfounded broadcast aimed at tarnishing the image of COSON, from Malam Abubakar Jijiwa, the Director-General of Voice of Nigeria and Chairman of BON, failing which legal action should be commenced against Malam Jijiwa.
The Board recalled its earlier request upon the Attorney-General of the Federation to investigate how the leadership of BON led by a paid employee of the Federal Government, Jijiwa, is taking active steps to truncate the criminal trial of the unapproved MCSN and six of its officials which trial is being conducted by the Nigerian Copyright Commission (NCC), an agency of the Federal Government.
The COSON Board decided that the time has come to ask Jijiwa to step aside as Director General of VON as his open affront on the policies and decisions of the government paying his salaries are baffling and inexplicable and the fire he is allowing himself to be used to stoke can lead to consequences that the Nigerian nation will regret.
The board also reassured all public and commercial users of music in Nigeria that they have nothing to fear from COSON as long as they take the necessary steps to pay royalties for the music used in their operations just as it reminded the public that COSON does not have the power to impose a tariff on anyone and asked everyone who may disagree with any tariff issued by COSON to apply to NCC to set up a panel to review such tariff in accordance with the provisions in the Copyright (Collective Management Organization) Regulations, 2007.
Broadcasting
Obi, NDC Presidential Candidate Faces N50Bn Defamation Claim over Alleged Podcast Remark

Abayomi Arabambi, national vice chairman (South-West) of the Labour Party, has demanded a public apology, a retraction, and N50 billion in damages from Peter Obi, presidential candidate of the Nigeria Democratic Congress (NDC), over an alleged defamatory statement made during a podcast interview.

The demand was contained in a letter issued by the law firm Neplus Ultra Attorneys and signed by Anderson U. Asemota, Peter O. Asimegbe, and Stanley C. Eziefulle on behalf of Arabambi.
According to the letter, the legal dispute arose from comments allegedly made by Obi during the interview, where he reportedly stated that Arabambi “does not have an address.”
Arabambi’s legal team described the statement as false, malicious, and defamatory, arguing that it portrayed their client as a faceless individual without legitimacy, credibility, or standing in public life.
The lawyers further claimed that the interview was widely circulated on television stations and digital platforms, exposing Arabambi to public ridicule and damaging his reputation.
“Our client has had a known residential and business address, maintains professional and political affiliations within Nigeria, and has never been a person whose whereabouts or identity were unknown,” the letter stated.
The legal team maintained that the alleged publication caused embarrassment and harmed Arabambi’s public image and political standing.
As part of their demands, the lawyers called for an unreserved public apology to be aired on national television, published on Obi’s verified social media platforms, and carried as full-page apologies in national newspapers.
They also demanded the payment of N50 billion as compensation for the alleged injury to Arabambi’s reputation, dignity, political standing, and public image.
Broadcasting
Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home – Steve Babaeko

When Nigerians began arriving back home on emergency flights following an ultimatum from anti-migrant groups in South Africa, Steve Babaeko, alongside The Nigerian Institute of Hospitality and Tourism (NIHOTOUR), saw an opportunity to step up for his fellow citizens.

Steve Babaeko
The CEO of X3M Ideas explains that he saw a deep obligation, one that had nothing to do with advertising and everything to do with hospitality. For Babaeko, it was a reminder that an agency owes a duty of care to the community it exists within.
That conviction shaped the creative agency’s partnership with the Nigerian Institute of Hospitality and Tourism (NIHOTOUR) for the newly launched ‘Welcome Home’ pilot programme at Murtala Muhammed International Airport (MMIA) in Lagos. Rather than simply crafting a messaging campaign around the crisis, X3M Ideas helped design a tangible, physical system.
“This wasn’t built as a campaign about a crisis,” Babaeko said. “It was a hospitality agency deciding what it owes its own citizens the moment they land.”
For Babaeko, what X3M has built is infrastructure, something returnees can physically walk through, use, and benefit from the instant they clear the arrival gate.
With the MMIA pilot now officially running, NIHOTOUR directs returnees to immediate support services and issues them a Returnee Card. This card grants individuals a free first night at partner hotels, immediate transport assistance from the airport, and fast-tracked business registration support.
Furthermore, the initiative features a dedicated Restart Desk to assist returnee entrepreneurs and tradespeople with job placement referrals and business registration. This operates alongside a public Homecoming counter that tracks the cumulative number of returnees welcomed, businesses restarted, and jobs facilitated.
Broadcasting
Spotify partners Afro Nation Portugal to expand African music experience

Spotify has announced a partnership with Afro Nation Portugal as the festival’s official sponsor and exclusive streaming partner for the 2026 edition, in a move aimed at bringing African music and festival experiences to a wider global audience.

The collaboration will provide fans with a dedicated Afro Nation destination on Spotify, featuring official festival playlists, participating artists and selected performance videos after the event.
The 2026 edition of Afro Nation Portugal is scheduled to hold from July 3 to July 5 in Portimão, Portugal.
Spotify said the partnership would enable fans to engage with the festival before, during and after the live event, regardless of their location.
The streaming platform noted that the initiative aligns with its continued investment in promoting African music and supporting its growing international audience.
Speaking on the partnership, Spotify’s Content Marketing Manager for Sub-Saharan Africa, Mr Rifumo Mdaka, described Afro Nation as a global showcase for African music and culture.
“Afro Nation is more than a festival; it is a global expression of African music, fan culture and creative influence.
“Our partnership is about helping that moment travel further through our first collaboration with Afro Nation of this nature.
“By bringing the festival to Spotify, we are giving fans a place to connect with the artists, performances and stories that define the festival long after the final set,” he said.
According to Spotify, the collaboration will also include exclusive festival content, artist discovery features, curated playlists and fan-focused storytelling.
The company said it would document the journey of a selected fan travelling to the festival as part of efforts to showcase the growing global appeal of African music.
Also speaking, Director of Global Partnerships at The Malachite Group and Afro Nation, Ms Clémence Blum, said the partnership represented a major step in expanding the festival’s global reach.
“Afro Nation has always been more than a festival. It is a platform built to celebrate African music, support artist breakthroughs and connect a global community through culture.
“Our partnership with Spotify reflects the shared role we both play in helping artists reach new audiences and giving fans deeper ways to engage with the music they love,” she said.
Spotify said selected live performances from the festival would be made available on the platform after the event, allowing fans around the world to relive the performances on demand.
The company added that the partnership reinforces its commitment to promoting African music, supporting artists and strengthening connections between creators and audiences across the globe.
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