Broadcasting
BBA 4: A Revolution in Reality TV Hits Screen
“Everyone who passes through this door brings happiness, some by entering, some by leaving.” (Words on the door of the Big Brother house).
The long awaited ‘Big Brother Africa 4: The Revolution’ hit the screen on Sunday September 6, and was welcome with excitement across the continent and beyond. This time it has taken various dimensions and twists, leaving viewers on edge while they yearn for more drama and intrigue on the show which can well be classified as a thriller!
The revolution has taken a course, manifesting on September 6th when the Big Brother house was unveiled and the housemates admitted. The house is an architectural masterpiece on the cutting-edge of avant garde; a technological accomplishment which includes over 14,000 metres of cabling – renovating and rebuilding the existing structure took 70,000 bricks, 6 tonnes of cement and 4 tonnes of structural and reinforcing steel!
Polished stainless steel elements sit alongside warm wood tones and rugged stone, whilst canvas drawn paintings share space comfortably with unique graffiti artwork. Bold colours against a backdrop of neutrals provide key focal points throughout the house while wide open spaces allow for a feeling of space and tranquility. Add one gleaming kitchen which could be termed a chef’s dream, with all the modern conveniences, plus an open plan lounge accentuated in leather and luxurious throws, and the house fuses classic design ethics with a fun, easygoing twist.
Other rooms include an elegant bathroom, dormitory styled bedroom, polished dark wood dining area, and the always powerful diary room, which hovers between stern and soothing – the feathery cover of the “hot seat” makes you want to sink further but the framework allows no room for comfort. Meanwhile outside, a decked patio offers cool comfort while the lush garden is offset by the sparkling plunge pool, which is every good diver’s delight (from first-hand experience).
According to Biola Alabi, managing director, M-Net Africa, “whilst this is the Big Brother house, we understand that it’s also home to our housemates so we wanted a space where they would feel welcome, relaxed and at ease. It’s challenging to be in the Big Brother house and the aim with this season was to provide an oasis, to make the house as pleasant on the eye and as accessible as possible. The vision of the show’s design team was clear from the start and, with their creativity and passion, they have made it reality.”
In this revolutionary season of Big Brother Africa, there are 100 microphones and 40 cameras, including manned, remote and miniature ‘lipstick’ cameras, at work.
At the inauguration of BBA 4: The Revolution, DStv viewers across Africa witnessed curious happenings in the Big Brother house. First was the admittance of four ‘mystery guests’ who got viewers thinking the real housemates had arrived. Then came a bout of shock – only male contestants were going to be in the house! Just when everyone was grumbling about the lack of female presence, the host IK Osakioduwa announced that the female housemates were going to be joining them the upper week, much to the relief of the viewers who could not imagine a groovy Big Brother house without African beauties.
Another twist in the entire ‘maze’ was the presentation of two identical twin brothers, Edward and Erastus Mongoo from Namibia, as housemates. But their identities were going to be hidden in the house, and both stand to be evicted should their cover be blown by three housemates. In other words, they both will be existing as an individual, at least from the housemates’ perception.
Within the first 24 hours, the wind of eviction had begun to blow. Big Brother told the housemates in the Diary Room that they had to nominate people for eviction, much to everyone’s surprise. When the confusion had cleared up, Edward had received the most nominations – 6, followed by Hannington and Kaone with 5 apiece. The housemates struggled to recall everyone’s names as they stumbled through the nomination process, shocked at the prospect of losing their newfound friends so soon. The nominations also brought discussions of alliances to the fore, with conspiracy allowed for the first time in the Big Brother competition.
The general format of Big Brother provides interesting demographic and sociological perspectives on human behaviour. Confining 14 people from different backgrounds and countries, with the only connection being the English language, to a house for three months, they are forced to interact with one another. Living together under continuous observation, the programme relies on four basic props for providing these perspectives: the stripped-bare back-to-basics environment in which they live; the evictions; the weekly tasks set by Big Brother and the Diary Room in which the housemates individually convey their thoughts, feelings, frustrations and of course their nominees for eviction. Forced to live with total strangers for three months, Big Brother helps viewers see how people react when they are removed from their usual environment and placed among total strangers. Without the aid of cameras and microphones and the television and the internet, it is not normally possibly to observe such interactions vividly. But with the aid of technology, insights are gained into the motivations and actions of people when removed from their comfort zones and forced to put up with strangers for a lengthy period of time.
BBA housemates this season are drawn from Nigeria, Angola, Botswana, Ghana, Kenya, Malawi, Namibia, South Africa, Tanzania, Uganda, Zambia, Zimbabwe, Mozambique and Ethiopia – a collection of diverse people from countries with different cultures, creating a melting pot of personalities, tempers, and ambitions.
This time you vote to keep your favourite contestants in the house, and not otherwise as in previous seasons. You can do this via www.mnetafrica.com/bigbrother, via the www.mnetafrica.com/bigbrother WAP site on your WAP-enabled phone or via MXIT; and also by texting your favourite housemate’s name to the appropriate number. To vote via text message, send the word ‘Vote ‘followed by the name of your favourite housemate to 34350 for MTN, 34350 for Zain, 34701 for ZOOMmobile, 3435 and 34701 for Glo. Each SMS costs N75, and you can vote 100 times by text per mobile number during each voting period.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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