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BBA3: More than just a reality show

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By Sunday, November 23, the curtain will be drawn on Big Brother Africa season 3 (BBA3). Described as “the biggest show on earth”, the Big Brother reality show has a global appeal with variants of this epic reality TV hosted in several countries of the world. The African edition, which premiered in 2003, had a second season in 2007. The third season, which began on Sunday, August 24 when DStv subscribers across Africa watched the live screening of the unveiling of BBA3 housemates stepping into the Big Brother House situated in Johannesburg, South Africa, winds down on November 23 when the winner is expected to be announced.
Prior to the BBA3 debut in Nigeria, a serious debate raged over whether the show should be made available to Nigerians or not. Analysts and commentators argued for and against the programme. Some of the issues bordered on the value of the show and what lessons it hoped to impart to its numerous followers across the continent. While some believed the Big Brother show has got the potential to bring Africa together by acting as a potpourri of cultures, some others believed otherwise, citing the voyeurism-focused aspect of its production, which they claimed, tends to corrupt young minds. Rave reviews of the two previous editions dwelt so much on sexuality of the housemates and their unrestricted liberty to alcohol, cigarette, etc, points which threatened to take away the immense credit Big Brother reality show has as a fusion of African cultures and a barometer to measure our response to one another across the continent as one big African family.
Undaunted by the clamour to ban BBA3, a spirited campaign to sustain the show was mounted by those who enjoyed the “reality” in reality shows being served spontaneously and uncensored. This set of people did many opinion articles to tackle those who agitated against the show, believing that the latest season will pull surprises given its “wild, wicked and wacky” label prior to the debut.
These supporters argued that Nigeria has got more problems to contend with than bothering herself with a mere entertainment program on pay-TV, which is accessible to only a handful of Nigerians who could afford the ‘high’ subscription rate out of a population of about 150 million. Nevertheless, both the enthusiast and the doubters looked forward to incidents that would help strengthen their position or crush the opposition’s argument once the show kicked off.
Over 80 days in the BBA3 House now, media reports have confirmed that the lessons to be derived from the show are many. There has been an opportunity for cultural exchange; a quick reminder of the BBA1 Ugandan housemate, Gaetano Juko Kagwa, who was swapped with a Briton, Cameron Stout, from the Big Brother UK House. Gaetano spent four days in UK, an experience which he relished deeply. In the current season, Zimbabwean Munya Chidzonga swapped places with Finnish Johan Grahn, giving viewers an insight into the Finnish way of life while Munya went to Finland to showcase African culture.
These supporters of BBA had also argued that the Big Brother Africa reality show is the only show currently in the continent that connects all African nations 24/7. They said, though it allows us a sneak peek into the various low and high turns in the lives of the individuals chosen to ‘represent’ Africa, as is true with reality shows, it is discovered that these are human beings like all of us with flesh and blood, who might make mistakes and might seek a chance to correct the mistakes as they move on with their lives outside the Big Brother House. Of course, not all housemates would spend a total of 91 days in the house but most of these ordinary Africans have turned celebrities overnight, and now have to summon courage to take their individual careers and dreams to the next level.
The intrigues in the BBA3 House so far have led to a new wave of interest in the show, as viewers now ask, “whether Big Brother Africa is a mere reality show or a long-lasting training ground for the participants who have been drilled through weekly creative tasks to gauge team work and individual talent?” Big Brother introduced a number of dynamics this season to rev up excitement in both housemates and viewers. The anxiety started mounting right from the first day until all those considered real threats were being gradually evicted from the show. Even at that, viewers’ excitement has been sustained by the quality of programming and content, as Big Brother tasked housemates on global warming, the future of Africa, United Nations’ effort at peace-keeping, sustaining African tradition and value system, parenting, honing individual skills, intergalactic exchange conference, etc.
Overall, viewers have declared the current edition as an unusual expedition for both participants and viewers through comments in the papers and on the Internet. Many who had expected the show this season to concentrate on voyeurism as a selling point have been thoroughly disappointed. Shifting the shower hour to 11:00pm in Nigeria as opposed to the initial 5:00am became necessary to avoid controversy. Yet, that what was considered an integral feature of BBA1 and BBA2 had been tacitly cut out and did not affect the quality of the show so far is a testimony to the fact that the Big Brother reality show is not really about sex but people.
Nigerians were privileged to watch homeboy Uti Nwachukwu play the game with fellow Africans for over 40 days. While some felt he did not fare well, especially when he broke things in the house after Lucille’s eviction, a large number of followers expressed satisfaction that Uti did not disgrace Nigeria in the BBA3 House. He paraded himself as the real ‘big brother’ Nigeria is to other African countries.
Unlike many other reality shows, the Big Brother has brought a lot of innovation into reality television. Reality television, as reality show is also known, is a genre of television programming which presents purportedly unscripted dramatic or humorous situations, documents actual events, and usually features ordinary people instead of professional actors. The term ‘reality television’ started to gain currency in Africa since 2000 with the first season of Big Brother US, although the genre has existed in one form or another since the early years of television dating back to the 1940s. Big Brother Africa show came to inspire many other reality TV shows across the continent.
The Big Brother it was that introduced the cinema verite feel of many of today’s reality shows. It adapted and finetuned the concept of putting strangers together in the same environment for an extended period of time (91 days in the case of BBA) and recording the drama that ensued. It interspersed events on screen with after-the-fact confessionals during a daily Diary Session. Big Brother added to reality television template the idea of competition and elimination, in which contestants battle against each other and are removed from the show through weekly eviction until only one winner emerges. The Big Brother has had a global impact, having been successfully syndicated in dozens of countries across the world. The Nigerian version dubbed Big Brother Nigeria (BBN) held in 2006.
Analysts of reality television have critically observed that viewers of reality television watch the show because of its ability to provide schadenfreude – satisfaction or pleasure felt at someone else’s misfortune or humiliation. They argued that viewers do not watch reality television for precious insight into the human condition but for those awkward scenes that make us feel a smidge better about our own little unfilmed lives.
BBA3 viewers have derived immense pleasure through housemates’ scheming, which helps generate tension in the House. Big Brother adds to the intrigue by introducing twists and changing the rules of the game as he pleases. Some say they have gained a lot from the various tasks assigned the housemates. Some of the tasks stretched their imagination, compelling viewers to rate the housemates and judge them based on their cooperation with one another, establishing an age-old wisdom that team work is a critical factor necessary for survival in life. Viewers are quick in identifying those who are team players and those who are not.
BBA3 housemates danced together, cooked together, shared traditional African folklore together, just the way we love it African-style. These hitherto total strangers tried conscientiously to tolerate each other in the rather unusual environment Big Brother had confined them in. It was a total package; the Big Brother reality show is a lifetime lesson in endurance, patience, tolerance, determination and focus.
BBA reality show affords viewers an insight into the minds of other viewers in distant places, availing them of an opportunity to interact on regular basis on the Oboma network where you can make friends and boost your chances for future social and economic partnerships. The show has justified its rating by giving viewers more than they desired, and in spite of the whittling down of instantaneous actions with new rules and restrictions for the housemates, Nigerians (both on the right and the left wings of the argument for its ban) became the eventual winners when the ‘sanity’ the newly-introduced rules have brought to bear on the screening of the current edition is considered.
The current BBA3 is a great improvement in terms of intrigue, which brings us back to the “wild, wicked and wacky” slogan of this edition. Right from the word go, the 12 housemates made it point-clear they were in the house for the ultimate prize. Though alliances were quickly formed, it was part of the strategies to prevent housemates from nominating each other, especially when a bond of friendship had been tacitly signed.
Nigerian housemate, Uti Nwachukwu (the third BBA3 housemate to be evicted) bestrode the house like the lord of the manor, commanding respect from all other mates. He bullied, cajoled and did pull a few other stunts to register his presence and personality. For all his efforts, he got the Ghanaian Mimi terrified to the point that she sought relief in getting him out of the house at all cost. She eventually achieved her aim.
With just a few days to go in the BBA season 3, viewers have begun to analyze how truly “wild, wicked and wacky” the show has been. And how truly it has been reflective of Africa’s mood towards one another. Whether as a people, our much-touted unity in diversity is a ruse or reality? Through the housemates, we are reminded that Africa is not just about 12 countries, only that these 12 countries are the ones that have representatives in the show. Other African nations support with their comments and votes, thus affirming we are one big family.
Viewers now seem to have a clear indication of who the eventual winner of the $100,000.00 cash prize might be. Angolan Ricco remains the only one on whom every African is willing to stake their money. The young man has been nominated repeatedly without being evicted. His mates who got evicted told Africans he is a strong character without pretensions. Africa loves him and they have demonstrated this love repeatedly by returning him to the House every time he came up for eviction.
Though they range in size, age and character, the housemates, each with his or her uniqueness, have consistently reminded us of our diversity and the need to find unity, peace and economic prosperity in the things that join us together as one people with a common African destiny. BBA3 has been more than a reality show, it is a statement confirming Africa’s destiny as one indivisible entity which must rise together against all odds and emerge soon as world’s super-power.


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NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

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Nigeria Data Protection Commission (NDPC) has refused to release details of the data and privacy rights violation for which it fined MultiChoice Nigeria, despite receiving a Freedom of Information (FOI) request from FIJ.

NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

FIJ otherwise Foundation for Investigative Journalism, is an independent, not-for-profit organisation that combats injustice, holds power to account and speaks for the voiceless.

In its announcement on July 6, the NDPC said it had fined MultiChoice Nigeria N766,242,500 for breaching the data and privacy rights of subscribers and even those who are not necessarily subscribers.

FIJ emailed the data protection commission an FOI request on July 9.

The commission acknowledged the receipt of the email that same day and added: “It has been forwarded to the relevant department and we would respond soon.”

Fifteen days later, FIJ got no other response from the NDPC.

In Nigeria, FOI requests have a seven-day timeframe, and it starts counting as soon as a public institution receives a request for public information.

FIJ understands that holidays, which include a Sunday and a public holiday, are to be excluded in the computation of the timeframe.

The receiving institution is mandated, within those seven days, to either provide the requested information or explain in detail why it is unable to do so based on the provisions of the FOI Act.

Established under the Nigeria Data Protection Act 2023, the NDPC’s tasks include safeguarding data privacy, enforcing regulations and promoting responsible data handling in the country.

When the Commission announced the N766.2 million fine against MultiChoice Nigeria, it said the company had violated the privacy rights of subscribers and allowed the illegal cross-border transfer of personal data of Nigerians.

MultiChoice Nigeria operates through various subsidiaries, such as DStv and GOtv. The NDPC said it launched an investigation into the company in the second quarter of 2024.

“NDPC found, among others, that Multichoice violated the data privacy rights of subscribers and their friends who are not necessarily subscribers,” the statement issued by NDPC read in part.

“The Commission also found that Multichoice carries out illegal cross-border transfer of personal data relating to data subjects in Nigeria. The depth of data processing by Multichoice is patently intrusive, unfair, unnecessary and disproportionate.”

FIJ’s FOI request aimed to understand the extent of the data and privacy breaches committed by MultiChoice Nigeria, the remedial measures directed by the NDPC and the specific channels through which the company collected the personal data of Nigerians.

Two weeks after the request was submitted, the NDPC has refused to respond.

Section 7, sub-section 4, of the Freedom of Information Act (2011) states, “Where the government or public institution fails to give access to information or record applied for under this Act or part thereof within the time limit set out in this Act, the institution shall, for the purposes of this Act, be deemed to have refused to give access.”

According to the Act, where a case of wrongful denial of access is established, the defaulting officer or institution commits an offence and is liable on conviction to pay a N500,000 fine.

At the time of this report, there was no publicly documented case of the NDPC granting an FOI request to share more details after an investigation.

In 2023, FIJ detailed how the Nigerian government often violated the FOI Act. Journalists at top newspapers in the country noted that government agencies had a habit of disregarding FOI requests, despite being legally obligated to respond.


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Spotify RADAR Africa Turns the Volume Up on FOLA and Thakzin

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Spotify is turning the spotlight toward the next wave of African music innovators with its latest RADAR Africa picks: Nigerian Afrobeats talent FOLA and South African Afro House DJ and producer Thakzin. As part of Spotify’s ongoing commitment to discovering and amplifying emerging voices across Sub-Saharan Africa (SSA), RADAR continues to champion boundary-pushing artists shaping the sound of tomorrow.

FOLA, born Folarin Odunlami, first caught attention with his freestyles on social media, quickly making a name for himself with his blend of Afrobeat rhythms and soulful storytelling. His breakout EP What A Feeling, featuring the Bella Shmurda-assisted hit “Who Does That,” laid the foundation for a fast-rising career that now includes collaborations with BNXN, Magixx, and BhadBoi OML. “Looking at where I’m coming from, I see every opportunity as a blessing. So, it’s a blessing to have been selected, just like others before me,” says FOLA. “I want my fans to know that in the midst of all the noise, I made something they could truly connect with, feel and share with those who mean something to them. I want everyone who listens to at the very least, recognise that they’re witnessing the early days of something truly special.”

On the southern tip of the continent, Thakzin’s journey began in Ivory Park, Johannesburg, where early jazz and kwaito influences, plus a deep respect for traditional percussion, shaped his signature sound. With co-signs from Black Coffee and international tastemakers like Laurent Garnier, his genre-defying approach to Afro House, heard in his 2023 anthem “The Magnificent Dance,” is setting global dance floors alight. Following the release of Magnificent Dance, his version of Horns In The Sun by DJ Kent became a viral hit across South Africa and gained global traction, potentially surpassing the success of Magnificent Dance itself. Thakzin’s sound is rooted in African spirituality and healing, inspired by the rhythmic power of traditional drums. Shaped by a musical upbringing and guided by his father, a keyboardist, he blends rich harmonies with percussive elements to create an immersive Afro-house experience. His music evokes emotion, movement, and ancestral energy, anchored in freedom and African expression. In recognition of his role in shaping 3-step, Thakzin was the first cover artist of Spotify’s 3 STEP playlist.

Spotify RADAR isn’t just a platform, it’s a launchpad. It reflects Spotify’s commitment to empowering local artists across SSA and delivering the best listening experience in the region. From Lagos to Johannesburg, RADAR celebrates the diversity of talent on the continent, offering artists equal access to global audiences.

“At Spotify, we believe in the power of African storytelling through music. FOLA and Thakzin are both incredibly unique artists who represent the spirit of RADAR—fresh voices with global potential,” says Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa. “By amplifying their journeys, we hope to inspire more creators across the continent to believe in their vision and reach for bigger stages.”

With FOLA and Thakzin stepping into the spotlight, one thing is clear: Africa’s future sound is already here, and Spotify is where you find it first.


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Paradigm Initiative Applauds Malawi’s Judiciary for Outlawing Criminal Defamation

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Paradigm Initiative (PIN) commends the decision by the High Court of Malawi, sitting as the Constitutional Court (ConCourt), which finds that section 200 of the Penal Code of Malawi, criminalising defamation, is unconstitutional. This follows a unanimous ruling by Justices Chifundo Kachale, Fiona Mwale, and Mzondi Mvula.

The decision by the three-judge bench concludes a case brought by Joshua Chisa Mbele against the Director of Public Prosecutions and the Attorney General, where the latter leveled charges against Mbele for alleged defamatory statements made regarding a public official in Malawi. In his defence, Mbele challenged the constitutionality of section 200 of the Penal Code of Malawi, which criminalised defamation, arguing that this provision infringed the right to freedom of expression as provided for under section 35 of the country’s Constitution, as well as running counter to Malawi’s obligations under regional and international human rights law.

In its commendable ruling, the ConCourt upheld the right to freedom of expression enshrined in the Malawian Constitution and described the punishment of imprisonment, as outlined in Section 200 of the Malawi Penal Code, as having a “chilling effect on public discourse and democratic participation.” In a ruling delivered on July 16th, 2025, the court said it did not find Section 200 of the Malawi Penal Code reasonable or necessary in light of the civil remedies available to deal with defamation.

PIN celebrates this win, having expressed concerns in the past over Malawi’s repressive laws through the Londa report on the state of digital rights and inclusion in Malawi and a joint advocacy statement calling for the repeal of laws infringing on freedom of expression.

PIN hopes that this decision will stir the legislature in Malawi to repeal laws that have a bearing on freedom of expression such as the Electronic Transactions and Cybersecurity Act 2016, which is increasingly being deployed as a weapon to criminalise freedom of expression and media freedom in Malawi with broad provisions such as section 87 that criminalises publication of offensive communications and an overly broad section 91 of the Act (prohibiting cyber spamming) which has been used to target individuals for insulting the President.

Acknowledging the judiciary’s vital role in promoting fundamental rights and freedoms and ensuring that repressive laws are outlawed, PIN applauds the progressive decision. The Malawi judiciary has demonstrated this leadership with a landmark case that can lead to further legislative reforms in Malawi and inspire other African judiciaries to adopt a human rights-based approach to adjudicating over such cases.


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