Broadcasting
COVID-19: FG Plan Radio, TV School Classes and Exams

Authorities of the Federal Ministry of Education have met with the Federal Radio Corporation of Nigeria (FRCN) to fashion out modalities for the take-off of the nationwide school radio and television broadcast as a result of the closure of schools due to the ongoing coronavirus pandemic.

A ministry official said that the school teaching classes on air would follow a timetable which was already being worked on as well as the possibility of writing an examination after taking the lessons.
The school broadcast classes could commence by May if the modalities for getting operational licences and the purchase of transmitters were tidied up by the education ministry, the FRCN, the Nigerian Television Authority (NTA) and the National Broadcasting Commission (NBC) in April.
Adamu Adamu, minister of Education, had stated during the daily COVID-19 Presidential Task Force briefing in Abuja last week, that the Federal Government was going to commence the basic primary school classes on the national media to enable pupils learn during the COVID-19 pandemic break.
Adamu had said the government planned to sustain the audio-visual classes, even after the coronavirus pandemic break.
The minister had met with the FRCN authorities and the issuance of licence by the NBC was also underway.
Mr Ben Goong, director of Press at the ministry, said in an exclusive interview with the Punch that a timetable would be drafted as well as the possibility of writing an examination after the nationwide audio-visual classes.
Goong said, “We are taking the next step between Friday and Tuesday. There will be a radio component and a television component. We plan to create a different network on the FRCN so that we don’t break into the established listening schedules.
“The broadcast will run from morning to night, covering all subjects such as Mathematics and English. We will segment the programmes into classes. What we plan is to bring the best hands from our schools to take the subjects. We will use the best in specific subjects. The issue of inability to deliver well will not arise.
“Two, the broadcast will be uniform. What is being taught in Jigawa, Sokoto will be watched in Lagos. There will be series of subjects in a day for different classes. There will be nothing like, our teachers didn’t come to school today.
“When it is time for exams, you register in the centre nearest to you and you write your exams, class by class. It will be impossible with these broadcasts for children to still be regarded as out-of-school children. We are likely to bring the request letter formally from the ministry in the coming week to FRCN. Due process must be followed.”
The ministry’s spokesman noted that the broadcasts would eradicate the problem of rising out-of-school children currently put at about 10.2million as well as bridge the gap that was created due to the closure of schools during the pandemic.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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