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Ebuka, Edoho Fans Fight on Social Media over Choice of Host for BBNaija

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Ebuka and Frank
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Fans of Big Brother Naija, the popular television reality programme are fighting in the social media over who to host the show later in the year.

   Ebuka, Edoho Fans Fight on Social Media over Choice of Host for BBNaija

Ebuka and Frank

This is coming as the sixth season of the Big Brother Naija show returns.

While some fans want an alumnus of the Big Brother Naija maiden edition in 2006, Ebuka Obi-Uchendu, to retain his seat as the host of the show, other devotees of the programme desire a fresh wine in the person of Frank Edoho, who was host of popular Nigerian TV show, ‘Who wants to be a Millionaire’.

BBNaija, which makes a return for a sixth season later this year, has already topped previous seasons as MultiChoice Nigeria announced a grand prize of N90m.

BBNaija hopefuls, who are 21 years or older and of Nigerian nationality with valid passports, will get an early audition when they pay for the DStv Premium, Compact Plus, Compact, Confam, Yanga package or on GOtv Max or Jolli package between March 24 and March 31, 2021, MultiChoice said.

The #BBNaijaEarlyAccess online auditions will also require interested participants to make a two-minute video stating why they should be picked to be housemates, the company added.

But prior to the auditions, lovers of Edoho and Ebuka, on Friday, clashed on social media, calling on the organisers of the event to bring their man in as host for the 2021 show.

A tweep, @iamkelgrin, seemed to have ignited a social media war when the user wrote, “Ebuka don eat small, make him allow another person chop! Frank Edoho as BBNaija host for this season won’t be a bad choice though. Eviction night go choke gan!”

A barrage of criticisms and divergent views thus followed the tweet with Edoho urging fans to let Ebuka remain as the presenter of the show.

Edoho, who replied to @iamkelgrin’s tweet, wrote, “What did Ebuka do to deserve all this? Why would you want to change someone that has done a show successfully for only 3 years and have him replaced with one who did WWTBAM for 13 years? Leave Ebuka alone! Please.”

A tweep, @UncleMaazi, also wondered, “The sudden hate on Ebuka is what I don’t get!”

If Ebuka stops hosting BBN, I don’t think the show would ever remain the same anymore,” @Preciouschee submitted.

@Chines_zoe sent “thunder to fire” those who want the fashionable Ebuka replaced while @OluSaltz said Edoho was right but “deep down I prefer you over Ebuka due to your suspense.”

We are not saying he (Ebuka) did something wrong. All we are saying is we just want to get another flair. Ebuka is good no doubt,” @chykeobrain stated.

@Daddy_Nomso, however, agreed with the ex-presenter of ‘Who wants to be a Millionaire’, saying, “Frank worked for 13 years without being replaced and we still miss him on our screens, why would anyone want to replace Ebuka who is doing a good job and is just three years into it? Allow him enjoy his reign for as long as it lasts.”

 


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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