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Etisalat-Sponsored ‘Kids Say the Darndest Things’ Begins Season 2 Broadcast

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The broadcast of the season two of Nigeria’s leading family TV series, Kids Say the Darndest Things sponsored by most innovative telecommunications operator, Etisalat Nigeria, took off at the weekend on both terrestrial and satellite TV stations.

The season two premiere broadcast was full of wits, comic, surprises and excitement as the host, Tony Okungbowa, took the children through different segments of the show.

The Outstanding Kids Segment which is powered by Cliqlite, the bespoke educational product from Etisalat Nigeria, featured eight years old pianist, Joshua Akinotan.

His knowledge of music and mastery of the instrument could not be ignored, thus prompting a question about his years of experience playing the instrument. His claim of seven years visibly jolted the host who insisted on a duet with him. Tony’s efforts to perform a duet with him did not end well as he fell off from his seat.

In the Ask the Experts Segment, which focused on Old Technology featuring the trio of Akinwumi and Samuel, both 10 years of age and 11 years old Tiffany, their seeming inability to either identify or connect with the usage of some old appliances like the celluloid camera, stereo box and radio and video cassettes speaks to the evolvement of technology and how the younger generation are becoming victims of lack of historical education.

Seven years old Ireoluwa hugged the headlines in the Panel segment which also featured two other children, nine years old Eyita and Oluwatise, a 10 years old.

Her preference for Nigerian singer, D’banj set the tone for what was to be a hilarious session for the host and audience. Show host, Tony, had asked her which of the music star’s songs was her favourite and went on to suggest the hit track ‘Oliver twist’. This sparked off some debate over ‘Oliver Twist’ being the title of a song or a book.

Though the three children had agreed it was the title of a book, Eyita reasonably explained that it was the title of a book as well as a song. The audience appreciated her display of intelligence with rounds of applause.

Ireoluwa’s outspokenness was an electrifying point as she did not hold back her opinion when asked what has been the worst part of being a kid. Oluwatise was not going to spare his mother of perceived unequal treatment she gives him. He accused her of taking care of her needs first before considering his despite having ‘plenty money’.

For Eyita, being the third child out of four children has not been a completely pleasant experience as she risks being bullied by her older siblings. She could only respond with a nod when asked what her experience has been like, but not without some humour. These revelations kept the audience reeling with laughter.

Subsequent episodes of the TV series will be aired on both terrestrial and satellite TV Stations. These include NTA Network (Sat.9 am), STV (Sat. 9.30am) and Africa Magic, Channel 154 (Sun. 4 pm and 5pm on Wednesday). Others are WAPTV (Sat. 9.30 am) OGTV (Sat. 5.30pm), PRTV (Sat. 7.30pm), ABS (Sat. 5.30 pm) and Royal Roots TV (Sat. 9 am & 4 pm on Sunday).

 

 


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Court Stops NBC From Punishing Broadcasters over On-Air Opinions

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A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

Court Stops NBC From Punishing Broadcasters Over On-Air Opinions

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Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).

The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.

SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.

The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.

The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.

The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.

However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.

The matter was adjourned until June 1, 2026, for hearing of the motion on notice.


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EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

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Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

EFCC Arraigns Metro Digital Over Alleged Illegal Access to Multichoice Signals

Metro Digital

The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.

According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.

However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.

The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.

One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.

Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.

The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.

Metro Digital Limited, through its representative, pleaded not guilty to all four charges.

Following the plea, prosecution counsel prayed the court to fix a date for trial.

Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.


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ipNX Powers SPAN’s Queen Esther Musical

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ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.

As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.

“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”

For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.

“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”

The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.

By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.


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