Broadcasting
Flavour Preaches Honesty, Humility in Episode 5 of Glo’s Professor Johnbull

The fifth episode of the hilarious television drama series, Professor Johnbull, entitled “A Good Flavour”, would probably be the most interesting so far to followers of the series, as it featured one of Nigeria’s most adored music star, Chinedu Okoli, widely known as Flavour.
It was, as usual, an episode with one major plot supported by several other sub-plots, all aimed at preaching the same message of humility, integrity, honesty, diligence and transparency.
The episode opened with the entry of Flavour into the residence of Professor Johnbull, in his bid to seek the retired don’s insight in giving a ‘one-word title’ to his album.
The appearance of the superstar in the residence of Professor Johnbull expectedly attracted lots of excitement right from the gate, with the gate-keeper, Abadnego (Martins Neboh), ushering in Flavour with lots of hailing and fanfare.
The excitement continued in the house as the star met with Professor Johnbull (Kanayo O. Kanayo) and his utterly star-struck housemaid, Caro (Mercy Johnson Okojie) who fainted upon confirming it was indeed ‘Fle’ in flesh and blood in their humble abode.
Flavour was to go on to meet other members of the professor’s household, such as his son, Churchill (Jnr Pope), and daughter, Elizabeth (Queen Nwokoye).
Flavour’s general conduct and mien during his visit aroused the interest of the entire household, who generally were expecting to see some haughtiness around the successful musician. Caro, whose duty it was to clean after everyone in the house has eaten, was, for instance, surprised that the star opted to wipe the dining table by himself after having a meal.
She expressed her surprise that he was ‘doing things for himself’ in spite of being so successful. This allowed Flavour to educate her that some of the things he did on television or on stage were just ‘show business’. At home, he is a simple, quiet and even shy person.
The musician seized the opportunity to advise up and coming musicians and the youths generally to embrace honesty and simplicity in their bid to make it in life.
Subsequent scenes established the subject further, with a particular scene showcasing Churchill refusing to clean the table after enjoying some peanuts with his girlfriend. The musician-to-be felt it was beneath him to pick a few of the nuts that fell on the floor and instead called Caro to do the work.
Elizabeth told off his brother and chided him for his haughtiness. She was supported by Prof. Johnbull who ordered his son to take the broom and sweep the floor.
False lifestyles were flayed generally, even if comically, in other scenes in the episode. It was a thoroughly thrilling episode.
The series which is sponsored by grandmasters of data, Globacom, runs on Tuesdays at 8.30 p.m. on NTA network, NTA International on Channel 251 on DSTV and Startimes, with a repeat broadcast on Fridays at the same time on the same stations.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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