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For the Record” Podcast Spotlights Fast-Growing African Music Scene, ft. DaVido, Burna Boy, Others

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The next episode of Spotify: For the Record, a podcast sharing fresh, illuminating insights from the music industry in a way only Spotify can, is out now.

Following on from Spotify’s recent launch into 39 new African markets, which was announced during the Stream On event on 22 February, the new episode titled “Afropop to Amapiano: African Music Ignites,” takes listeners on a journey across the continent from Nigeria to Kenya, spotlighting the diverse cultures and sounds of a musical hotbed for expanding genres like Amapiano and Gengetone, and popular collaborations between African artists and mainstream Western stars.

The episode features interviews with a roster of African stars, including recent Grammy-winner Burna Boy and fellow Nigerian DaVido, who shares how key collabs with Nas and Nicki Minaj were born in the bathroom and in his DM’s.

Also featured is Kenya’s celebrated musician-producer-DJ  Blinky Bill, and South African RADAR artist Focalistic, whose track “Ke Star” is gaining worldwide attention. Listeners also hear from Nigeria’s RADAR artist Tems, who reveals how it feels to be featured on President Barack Obama’s playlists and gives a taste of “alté”.

In the podcast, Davido speaks about how he ended up collaborating with Nas: “When I was in L.A., you know, Hit Boy had a whole studio booked out and apparently him and Nas were working in one of the rooms.

I was in the other room working. And then I just had to pee. So, I went to the bathroom, and coming out the bathroom I see Nas. I’m like, ‘What??’ And then he chopped it up. And we did our record that same day. Very weird and crazy.”

Hosts Shanon Cook and Kevin Turner, along with Spotify’s Head of Music for Sub-Saharan Africa, Phiona Okumu, also share fascinating new insights into how Spotify listeners around the world are responding to music from Africa, one of the world’s fastest-growing music markets. They unveil some key data points from the first 30 days since Spotify launched in the new sub-Saharan markets, these include that:

  • French-Malian singer Aya Nakamura was the most-streamed African artist globally in the past year (her song “Djadja” has been streamed more than half a billion times); Burna Boy was second.
  • Four out of five of the top five most-streamed artists in Nigeria are from Nigeria: WizKid, Burna Boy, and DaVido top the list, followed by Drake, and then Nigeria’s Rema coming in fifth.
  • In Kenya, one local artist made it into the top five – Sauti Sol – sandwiched between Drake, Pop Smoke, Justin Bieber and Juice WRLD.
  • Ghana’s top five most-streamed artists is a mix: Drake takes the number one slot, followed by two Ghanaian rappers Sarkodie and Kwesi Arthur, with Nigerian neighbours Burna Boy and Davido rounding out the list.

Additional quotes from artists featured on the episode

  • Focalistic on collaborating with Davido on a Pan-African “Ke Star” remix: “When we spoke, [Davido] was telling me about how they want to put you know, both worlds together and tell the story the- the way it’s supposed to be, as a Pan-African collaboration.

“And people understand these are two worlds colliding, Nigeria, South Africa, and creating such a beautiful masterpiece. And I’m super proud that, you know, we managed to do that with Ke Star.”

  • Burna Boy on paving the way for future generations of talent: “As a kid I had dreams of becoming a proper rockstar. Like I didn’t know what it meant, I just saw it on TV. […] If the younger generation sees that the older generation is doing something and it’s successful, then they’re going to be interested in that thing. And they’re going to probably come out and do it better than their elders.”
  • Blinky Bill on the East African music scene: “I don’t feel like there’s been a proper spotlight on what’s going on with the East African music scene, which is sad because I think that a country like Kenya, for example, has so much diversity and could add tons to like just push the envelope of where the sound is and where the sound is going. I feel like in the next few years that’s going to happen. So keep an eye out.”
  • Tems on how the pandemic has impacted her work: “Being locked down helped me learn a lot about myself. I’m such a perfectionist. So it definitely increased the perfectionist side. But overall it doesn’t matter what’s going on in the world, I’m always able to express, so no matter what I am doing, as long as I have vocal chords, I’m still going to be able to create music.”

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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

Drone

The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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Aig-Imoukhuede Foundation Wrapped Up 2025 with Real Change in Governance, Health, Media Across Africa

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Aig-Imoukhuede Foundation has announced its 2025 achievements, marking a year of accelerated impact, systemic reforms and innovation in public leadership and service delivery across Africa.

Aig-Imoukhuede Foundation Wrapped Up 2025 with Real Change in Governance, Health, Media Across Africa

Aig-Imoukhuede Foundation

A statement issued on Wednesday in Lagos said the foundation strengthened governance, improved primary healthcare, drove digital transformation and elevated media’s role in promoting public sector accountability.

It said the AIG Public Leaders Programme (PLP) trained 72 public sector leaders from Nigeria, Egypt, Tanzania, Cameroon, Zambia, Malawi and Kenya—its fastest growth to date—bringing the alumni network to 309.

These alumni are driving 237 reform projects to enhance public institutions, from faster decision-making to greater transparency, with nine promoted to higher roles for their contributions.

On civil service modernisation, the foundation accelerated digitalisation at the Office of the Head of the Civil Service of the Federation (OHCSF), streamlining 19 processes and achieving a 75 per cent increase in work speed through automated workflows.

It also trained over 400 officials from the Federal Ministry of Justice, Federal Civil Service Commission and Federal Ministry of Innovation, Trade and Investment in digital skills to support the FCCSIP 25 initiative and ongoing digital rollouts.

In healthcare, the Adopt-A-Healthcare-Facility Programme renovated four primary healthcare centres in Edo State, boosting antenatal visits by 73 per cent, immunisation coverage over 100-fold and fully vaccinating 554 children, while supporting 6,788 patients.

The foundation recognised 18 outstanding public servants with ₦500,000 each via the Emily Aig-Imoukhuede Endowment Awards and received a partnership award from the OHCSF for civil service reform efforts.

To empower media, it trained 50 journalists from top Nigerian media houses in impact storytelling, data analysis, visual and ethical reporting to better inform citizens on public sector changes.

Over five years (2021–2025), the foundation invested £2.6 million in PLP, saved ₦2.38 billion for the public sector through capacity building, trained 1,500+ civil servants, upskilled 660 digitally, trained 40 permanent secretaries and awarded 33 scholarships driving seven policy changes.

Other milestones include digitising 5,000 files, automating 333 processes, a 61 per cent efficiency gain, 60 per cent digital file creation at OHCSF, 128 excellence awards, 116 process reforms, 23 advocacy projects, 25 capacity initiatives, 18 podcasts, four healthcare articles, three policy papers, 23 adopted PHCs (four renovated) and 878+ fully immunised children aged 0–9 months.

Executive Vice Chair, Mr Aigboje Aig-Imoukhuede, said: “2025 was a year of real, measurable impact. From training hundreds of public servants to improving healthcare, helping ministries go digital, and equipping journalists to tell stories that matter, our work is making governments work better for citizens and communities across Africa.”


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