Broadcasting
Ford Foundation Appoints Catherine Chinedum Aniagolu-Okoye as Regional Director W/Africa

The Ford Foundation, on Thursday announced the appointment of Catherine Chinedum Aniagolu-Okoye as its new Regional Director for its office serving West Africa.

Catherine Chinedum Aniagolu-Okoye, new Regional Director, West Africa.
The foundation, in a statement said Aniagolu-Okoye would lead the foundation’s office of West Africa and oversee its grantmaking, external relations and local operations based in Lagos.
Aniagolu-Okoye succeeds the late Innocent Chukwuma who served as regional director from 2013 to 2021, and helped the foundation to build its brand in the region and to establish solid partnerships with donors, civil society, public and private sector leaders.
With over 20 years in the social change sector, Aniagolu-Okoye is a respected leader on the African continent and brings many years of extensive experience leading diverse international development organisations, managing country programmes, donor projects and country strategies in West Africa and across Africa.
As regional director, she will oversee the foundation’s local team, external relations and administrative operations in West Africa.
She will also lead on programme strategy development and implementation in the region, with a focus on advancing democracy, human rights and social inclusion for all, especially youths, women and people with disabilities.
“I am delighted to welcome Aniagolu-Okoye to the foundation. Her international experience and leadership, and her expertise in navigating civil society circles will be invaluable as our work in West Africa grows,” said Darren Walker, President of the Ford Foundation.
“Aniagolu-Okoye’s reputation as a strong operational leader and an African feminist will bring a critical perspective to our work to help address some of the region’s most pressing opportunities and challenges.”
Throughout her career, the new regional director has designed and implemented strategies at regional and global organisations on key social issues such as improving governance.
She has also implemented strategies on reducing poverty, advancing transparency in the extractives sector, and furthering women and girl’s empowerment – all through engaging civil society as well as the public and private sectors.
Before Ford, Aniagolu-Okoye was most recently the Country Director of Technoserve, an international NGO that provides business solutions to poverty with women at the heart of the work.
Prior, she was the Country Director for WaterAid in Nigeria where she provided grants to civil society organisations advocating for improved access to water, sanitation and hygiene services, and strengthening civil society networks, including one focused on journalists dedicated to telling more accurate water, sanitation and hygiene (WASH) stories.
Before WaterAid, she led Girl Effect, an initiative of the Nike Foundation focused on girls’ empowerment, and also served as Country Director for Oxfam/Nigeria.
At Oxfam, she led strategies on reducing inequalities through initiatives on tax and gender justice, including the VOICE programme that addressed gender-based violence and transparency in the extractives sector.
Earlier in her career, Aniagolu-Okoye was Deputy Programme Director of a European Union project focused on reforming public sector service delivery with more efficient management of public finances, budget reform and accountability in six Nigerian states.
Prior to that, she was the West Africa Director for ASHOKA Innovators for the Public, focusing on advancing social entrepreneurs in Nigeria, Ghana, Côte d’Ivoire and Mali.
“I am very excited to be joining a team and a foundation so passionately focused on building a world where everyone has the power to shape their own lives and live with dignity,” says Aniagolu-Okoye.
“The Ford Foundation successfully promotes social justice and reducing inequality in West Africa – a vision I am fully aligned with and honoured to help shepherd and grow in the regional office.”
Aniagolu-Okoye holds a Ph.D in Sociology specialising in Gender and Development from University College Cork in Ireland, and a B.Sc in Sociology and Anthropology from the University of Nigeria Nsukka.
She is a founder of the South Saharan Social Development Organisation (SSDO), a member of the Advisory Board of the Civil Society Legislative Advocacy Centre (CISLAC), and an Africa Policy Advisory board member of The One Campaign.
The Ford Foundation is an independent, non-profit grant-making organisation.
For more than 80 years it has worked with courageous people on the frontlines of social change worldwide, guided by its mission to strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement.
With headquarters in New York, the foundation has offices in Latin America, Africa, the Middle East and Asia.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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