Broadcasting
Four Cool Features for Podcasters on Clubhouse

The size of the global podcasting market is estimated to reach USD 94.88 billion by 2028, expanding at an estimated compounded annual growth rate of 31.1% from 2021 to 2028, according to data from ResearchAndMarkets.com.

In Africa, podcast consumption is fast becoming a growing trend in many countries, including Nigeria, as it allows the listener to multitask.
Spotify data shows that Nigeria has over 2.9 million podcast titles available to listeners in the country – though people are listening to a mixture of local and foreign podcasts.
Whilst the podcast industry in Nigeria is growing, there’s a consensus that resources are required for Nigerian podcasts to match the quality and consistency of global standards. Currently, podcasts backed by media houses have access to such resources.
Enter live social audio platforms – made popular during the pandemic when audiences desired interacting with the rest of the world. These platforms may well be the work around that podcasters need.
Live social audio platforms do not only have the passive listening capability of podcasts, but also the exposure that comes with social media across the globe.
Live social audio platform, Clubhouse, is leading the charge in this area. Clubhouse is an audio platform with enhanced features for content creators. So, creators do not have to worry about costly equipment set up in the first instance.
These audio features include Clips, Replays, Spatial Audio and Pinned Links. With over 700,000 rooms created daily, the platform offers creators an opportunity to promote their work with a global audience.
These four features will give your podcasts a professional feel and get you on your way to monetising your craft.
Spatial Audio
Spatial Audio is a feature that makes Clubhouse members feel more immersed in the conversation or room they’re listening to by making the speakers sound like they’re spaced throughout the room.
Clips
Clips makes it easier for creators to share great moments and grow their audiences on Clubhouse by allowing you to share 30-second clips of public rooms. This is done so more people can discover the room by sharing a preview of the room with others or capture an incredible moment that just happened .
When you start a room, you can choose whether you want clips enabled but it will be on by default for open/public rooms, and creators can toggle them off anytime.
The feature is not available for private, social or club rooms. When enabled, users will be able to grab a Clip of the past 30 seconds. People can share Clips of a show to Instagram, Twitter, Facebook, iMessage, or WhatsApp — and even save them to their camera rolls for quick editing first.
Clubhouse also added stereo support to Clips, so any snippets you share from performers using Music Mode will also sound great!
Replays
Podcasters can choose whether they want Replays enabled when they start a room. If the feature is on, the room will be discoverable on Clubhouse for as long as the creator likes — and available for them to download and share anywhere. Replays make it easy to create great audio content, get discovered by others, and grow audience over time.
Pinned links
Pinned Links allow creators to pin a link to the top of their room. For creators, the benefit of Pinned Links is that it allows them to pin important links to the top of a room to give listeners context or to promote their latest work (i.e. book, article, song, etc). For users, the feature gives more context about the room without having to go to a creator’s bio for additional information.
Pinned Links help room creators drive people to subscribe to their Substack, download their podcasts, read their books, discover their new single, buy their product, and support their Patreon page.
If you’re a regular podcaster or aspiring one, these features could well take you from a John Doe, to the next superstar.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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