Broadcasting
Furera Isma Jumare, Florence Chikezie, Ayanda More, others Join the Lineup of Speakers for PMI’s Africa Conference
Project Management Institute (PMI), the world’s leading association for project professionals, has announced its lineup of speakers to include Furera Isma Jumare, Director-General, Jigawa State Investment Promotion Agency; Florence Chikezie, Founder, ReDahlia & Entrepreneurs.ng, Eloy Young Entrepreneur Award; Ayanda More, Founder & CEO, Apara Global Africa; and Ananth Natarajan, CEO, Cybereum for its Africa Conference set to return to an in-person format for the first time since the pandemic.
Now in its seventh year, the 2022 edition is themed Sustainable Growth for Social Good: Connecting Ideas, People and Projects. The conference will bring over 400 delegates from across the continent to discuss how to optimise the delivery of Africa’s development and business transformation projects.
Florence Chikezie
Conference delegates will meet and hear from some of the most influential people shaping Africa’s future. Among the growing list of confirmed speakers are Joseph Cahill, Chief Customer Officer, PMI; David Pilling, Africa Editor, Financial Times; Henry Coco-Bassey, Music NFT pioneer; Daneil Yu, Founder & CEO, Wasoko; Chikezie Nwosu, CEO, Waltersmith Petroman Oil; Ebo Richardson, Group Director, Transformation & Enterprise Programmes, Equity Group; and Simi Nwogugu, CEO, JA Africa.
This year’s agenda comprises a dynamic mix of lively panel discussions, keynote interviews, in-depth peer-to-peer conversations, inspiring talks, and plenty of networking opportunities. In addition, the Tony Elumelu Foundation will be hosting a ‘pop-up’ mentoring station. The event is open to senior business executives and those involved in the project economy keen to learn how changemakers and project professionals in Africa are seizing the region’s incredible growth opportunities.
Joseph Cahill
This year’s event places an emphasis on the importance of women, youth and education in Africa’s sustainable growth trajectory and will cover a wide range of topics, from new ways of working in the Metaverse and pioneering NFT projects, to spotlights on Africa’s emerging music, film, and tech industries.
George Asamani, Business Development Lead, Africa, PMI said, “The world has undergone some seismic shifts over the past two years and not one sector was left completely immune, including project management. The line-up of speakers reflects our view on how the profession will transform and how projects will be delivered across sectors that contribute majorly to the economy”.
“Necessity is the mother of all invention and now innovation. We are thrilled that the Africa Conference has grown in influence and is able to attract such an exceptional panel of speakers and at the same time drive the narrative around social good and sustainability forward. We look forward to sharing new learnings and perspectives with the PMI community as we look for ways to make ideas a reality.”
Taking place in partnership with the Financial Times, the PMI Africa Conference is one of the most highly anticipated gatherings of change leaders in project management, bringing rising leaders, lawmakers and businesses from across the continent under one roof for three days of lively discussion, community building and knowledge sharing.
The conference brings together captains of industry, government, and stakeholders from the project management sphere – project, programme, and portfolio managers with similar career goals to share best practices, earn professional development units (PDUs), meet like-minded professionals, learn and retain valuable skills and knowledge.
Furera Isma Jumare
Project Management Institute (PMI) is the leading professional association for project management and the authority for a growing global community of millions of project professionals and individuals who use project management skills. Collectively, these professionals and “changemakers” consistently create better outcomes for businesses, communities and society worldwide.
PMI empowers people to make ideas a reality. Through global advocacy, networking, collaboration, research, and education, PMI prepares organisations and individuals at every stage of their career journey to work smarter so they can drive success in a world of change.
Building on a proud legacy dating to 1969, PMI is a not-for-profit for-purpose organisation working in nearly every country around the world to advance careers, strengthen organisational success, and enable project professionals and changemakers with new skills and ways of working to maximise their impact. PMI offerings include globally recognized standards, certifications, online courses, thought leadership, tools, digital publications, and communities.
National Broadcasting Commission (NBC) has said that Nigerians will no longer pay annual Digital Access Fees under the renewed Digital Switch Over (DSO) project.
Charles Ebuebu, director-general, NBC, disclosed this in an exclusive interview with the News Agency of Nigeria (NAN) on Wednesday in Abuja,
Ebuebu said viewers only need to purchase an approved decoder and satellite dish which cost below N20,000 to enjoy free television permanently.
“Previously, users paid an annual digital access fee of about N1,500, described as an administrative charge.
“The new system removes that annual fee. It provides free access to free-to-air television channels without any payment.
“Premium channels will be introduced later. Viewers who want those additional channels will be able to access them through paid services.
“Nigerian content on free-to-air channels remains free to watch. Unlike Pay TV, this platform does not require monthly subscriptions for its basic service,” he said
Ebuebu said approved decoders for the FreeTV will cost less than N20,000 and authorised sales outlets will soon be announced.
He urged Nigerians to wait for official information on approved dealers for the DSO decoders, warning that unauthorised sellers are exploiting growing public demand.
He reiterated that people only need a free-to-air decoder, along with a satellite dish instead of the old antenna system to receive the DSO signal.
“Once the equipment is installed, viewers can access all available channels across the country without paying any subscription fees,” he stressed
The DG dismissed claims by some retailers that there are different categories of decoders sold at varying prices, stressing that such sellers are not authorised by the commission.
According to him, the NBC will soon publish the list of approved dealers, official prices, and locations where genuine decoder boxes and accessories can be purchased.
The NBC boss said the DSO project is designed not only to improve television broadcasting but also to stimulate economic growth by creating jobs, attracting investment, and opening up opportunities for businesses that support the broadcasting industry.
Ebuebu noted that content producers and broadcasters stand to benefit significantly from the nationwide reach of the DSO platform.
Unlike the previous system, where many stations had limited regional audiences, he said the new platform will make their channels available to viewers across Nigeria.
He added that the introduction of audience measurement technology will provide scientific and reliable data on television viewership.
Ebuebu added that audience measurement technology will give advertisers greater confidence in placing adverts and enable broadcasters to demonstrate the true size and reach of their audiences nationwide.
Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.
Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
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