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GEM, COSON Partner on Intellectual Property Rights

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In a bid to properly educate and enlighten the Nigerian populace and the entertainment industry in particular, the Growth and Empowerment Project, GEM, funded by the World Bank and domiciled in the Federal Ministry of Industry, Trade and Investment, has entered into a new partnership with Copyright Society of Nigeria, COSON, Nigeria’s wave making collective management organization.

In the partnership, GEM has domiciled at COSON House, a just developed tool kit for education in intellectual property with emphasis on copyright, aimed at ensuring a well-rounded, global understanding of the subject in Nigeria.

At a meeting held at the boardroom of COSON House, Ikeja, on Thursday, during which the partnership was sealed, Mr. Bello Abba Yakasai, Cluster Manager, GEM Project, said that the initiative was borne out of the need to engender a culture of respect for intellectual property rights among practitioners in the industry and users of intellectual property in the country.

This, he said appeared to have been difficult in the past, owing to the ambiguous nature of the subject.

Yakasai said: “What we aim to achieve with this tool kit is to simplify the grey areas with respect to Intellectual Property so as to make it understandable by everyone.

“The IP manual, we are certain, will bring about a reorientation amongst everyone; be it the owners of the intellectual property or the end users”.

The tool kit developed under the GEM project by Mr. John Asein, an internationally respected expert on copyright and a former Director of the Nigerian Copyright Institute will be formerly presented to the intellectual property community at a special event, “Let’s Talk Copyright” (LTC) which will hold at the COSON House Arena on September 1, 2018.

Let’s Talk Copyright will be the climax of the 2018 No Music Day celebration.

As has been the practice over the last eight years, different representatives of COSON, in a Media Blitz, will simultaneously be at key broadcast stations across the country on September 1, the annual No Music Day, to discuss with Nigerians the intriguing subject of intellectual property which is shaping the new global economy.

After the Media Blitz, various artistes, performers, movie makers, broadcasters, legal practitioners and the media are expected to descend on COSON House for “Let’s Talk Copyright” (LTC) where the new Tool Kit will be unveiled by the creator, Mr. John Asein supported by officials of GEM and the World Bank.

According to Mr. Yakasai, the decision to partner with COSON on the project is in recognition of the unassailable impact that COSON has made across the continent with respect to intellectual property.

In the words of Mr. Yakasai , “COSON, more than any other institution in Nigeria, has shown that it has the capacity to manage such an important resource and to put it to good use for the larger society” Responding to Mr. Yakasai, COSON Chairman, Chief Tony Okoroji thanked the GEM team for their continued confidence in COSON.

He said that with COSON as custodian of the IP tool kit, GEM and its partner agencies can rest assured that the tools will be properly deployed and that the message will get to every stakeholder in the industry In attendance at the meeting were the COSON General Manager, Mr. Chinedu Chukwuji, Head of Public Affairs, Mr. Chibueze Moses Okereke and COSON Head of Legal, Ms. Simi Wash-Pam.

 


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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