Broadcasting
GEM, COSON Partner on Intellectual Property Rights

In a bid to properly educate and enlighten the Nigerian populace and the entertainment industry in particular, the Growth and Empowerment Project, GEM, funded by the World Bank and domiciled in the Federal Ministry of Industry, Trade and Investment, has entered into a new partnership with Copyright Society of Nigeria, COSON, Nigeria’s wave making collective management organization.
In the partnership, GEM has domiciled at COSON House, a just developed tool kit for education in intellectual property with emphasis on copyright, aimed at ensuring a well-rounded, global understanding of the subject in Nigeria.
At a meeting held at the boardroom of COSON House, Ikeja, on Thursday, during which the partnership was sealed, Mr. Bello Abba Yakasai, Cluster Manager, GEM Project, said that the initiative was borne out of the need to engender a culture of respect for intellectual property rights among practitioners in the industry and users of intellectual property in the country.
This, he said appeared to have been difficult in the past, owing to the ambiguous nature of the subject.
Yakasai said: “What we aim to achieve with this tool kit is to simplify the grey areas with respect to Intellectual Property so as to make it understandable by everyone.
“The IP manual, we are certain, will bring about a reorientation amongst everyone; be it the owners of the intellectual property or the end users”.
The tool kit developed under the GEM project by Mr. John Asein, an internationally respected expert on copyright and a former Director of the Nigerian Copyright Institute will be formerly presented to the intellectual property community at a special event, “Let’s Talk Copyright” (LTC) which will hold at the COSON House Arena on September 1, 2018.
Let’s Talk Copyright will be the climax of the 2018 No Music Day celebration.
As has been the practice over the last eight years, different representatives of COSON, in a Media Blitz, will simultaneously be at key broadcast stations across the country on September 1, the annual No Music Day, to discuss with Nigerians the intriguing subject of intellectual property which is shaping the new global economy.
After the Media Blitz, various artistes, performers, movie makers, broadcasters, legal practitioners and the media are expected to descend on COSON House for “Let’s Talk Copyright” (LTC) where the new Tool Kit will be unveiled by the creator, Mr. John Asein supported by officials of GEM and the World Bank.
According to Mr. Yakasai, the decision to partner with COSON on the project is in recognition of the unassailable impact that COSON has made across the continent with respect to intellectual property.
In the words of Mr. Yakasai , “COSON, more than any other institution in Nigeria, has shown that it has the capacity to manage such an important resource and to put it to good use for the larger society” Responding to Mr. Yakasai, COSON Chairman, Chief Tony Okoroji thanked the GEM team for their continued confidence in COSON.
He said that with COSON as custodian of the IP tool kit, GEM and its partner agencies can rest assured that the tools will be properly deployed and that the message will get to every stakeholder in the industry In attendance at the meeting were the COSON General Manager, Mr. Chinedu Chukwuji, Head of Public Affairs, Mr. Chibueze Moses Okereke and COSON Head of Legal, Ms. Simi Wash-Pam.
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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