Broadcasting
Hitv Commends NCC on Piracy War
As the Nigeria Copyrights Commission (NCC) opens a new front in the war against piracy with the recent raiding of Metro-Digital Cable Television, leading Nigerian pay-television platform, HITV, has urged the industry regulator to intensify its drive to eliminate the menace completely.
Nigeria, rated at over 80 per cent, has one of the highest piracy rates in the world, and it is estimated that the country loses billions of dollars to unauthorized manufacture and sale of a patented works.
Jolayemi Abayomi Simeon, director general, NCC said the commission carried out a raid of the satellite television cable network in Onitsha and Port Harcourt, and seized offensive contrivances as decoders, smart cards of other service providers, and arrested nine employees of the company as part of its effort to implement the Strategic Action Against Piracy (STRAP).
Abayomi said Metro-Digital Cable Television was suspected of involvement in broadcast piracy, which was a violation of the copyright Laws of Nigeria, adding that the commission is poised to reduce the incidence of piracy to zero level for both local and international works.
Speaking in Lagos, Mr Toyin Subair, managing director, HiTV said the prevalence of piracy has become frightening as the scourge has crept from music and videos to virtually all sectors of the economy, including the internet, technology, manufacturing, media and films, pharmacy, medicine, fashion, arts and publishing.
Subair urged the commission not to relent in the anti-piracy war, as protection of intellectual property is central to any creative endeavor, without which substantial amounts of money are lost, besides the fact that investment and research are adversely affected.
Last year HITV publicly joined the anti piracy war with the donation of a bus to the regulatory agency (NCC).
Benjamin Zida, HiTV’s head of operations said at the occasion that the company recognized the fact that NCC is incapacitated in its activities and that one of such incapacities is the ability to move from one point to another. "It’s just something to make sure that the job they are doing moves on as fast as possible and also to ensure that at least the response to complaint are immediately dealt with that we donate this bus," he stated.
Receiving the Toyota Hiace bus, Mr Chris Nkwocha, manager of the Owerri zonal office who represented the director general admonished other stakeholders to join the quest for copyright protection.
"We expect more from other corporate bodies. If we must fight these pirates to a standstill, we need cooperative and collaborative effort from establishments. So we expect them to borrow a leaf what you (HiTV) have just done."
STRAP was designed to strengthen copyright protections through more strategic and focused enlightenment, enforcement and enablement programmes of action that are tailored to the needs of specific industries and it is with this, the NCC combats all forms of piracy and copyright abuses and also ensure that measures to protect copyright do not become a barrier in the industry.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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