Broadcasting
Hopefuls Scramble for Naija Sings 2 Lagos Slots
Hundreds of young Nigerian musical talents attended the Lagos audition of M-Net’s music reality talent hunt, Naija Sings, which held at Frame 24 Studio, Philips Building, Ojota, Lagos last Thursday.
Biola Alabi, managing director, M-Net Africa, expressed satisfaction at the turn out of hopefuls at the audition. She described it as a sign of many good things to come.
“This large number of Nigerians at the first leg of Naija Sings Season Two audition is a confirmation of our long-held belief that Nigeria has got talents. That is why we created a platform to give these budding talents the opportunity to realize their dreams and ambitions.” She added that some of the hopefuls will make it to the Lagos Regional Finals on Monday, August 9.
Pamela Ofoegbu, Commissioning Editor, M-Net Africa, opined that Naija Sings has come to stay judging from the attendance and performance. “The second season promises to be far more interesting than the previous one given the performance I have seen demonstrated by some of the participants that have been auditioned so far.”
Karl Raccah, lead judge at the Lagos audition of Naija Sings 2 said: “What I look for in the hopefuls first is the way they entered into the audition venue. It says a lot about their ability to make it to the regional final. Then comes their voice, their confidence and the manner they performed their chosen songs. From what I have seen here today, I look forward to a hugely entertaining show, and I hope new Nigerian singing stars will emerge after the season.”
Some of the young people at the Lagos audition expressed optimism that they will make it to the Regional Finals in August.
M-Net’s production crew will move to Enugu on Tuesday, July 20, Wednesday, July 21 and Thursday, July 22 for the Enugu auditions and finals.
From Enugu, the crew moves to Port-Harcourt on Friday, July23, Saturday, July 24 and Sunday, July 25 for the Port-Harcourt Regional auditions and finals. Calabar Regional auditions will take place on Monday, July 26; Tuesday, July 27 and Wednesday, July 28.
Auditions will take place in Kano on Saturday, 31st, and Sunday, August 1 while the Kano Regional finals take place on Monday, August 2nd. The crew will be in Abuja on Tuesday, August 3rd, Wednesday 4th and Thursday 5th before returning to Lagos on Monday, August 9 for the Lagos Regional Finals.
Segun Fayose, head, Corporate Communications, MultiChoice Nigeria said: “It is a busy schedule for everyone involved in the production. This is to ensure that interested Nigerians are given the opportunity to showcase their talents, and possibly, make it to the finals.”
The first season of Naija Sings held in 2009 with the then 17-year-old Jon Ogar winning the ultimate prize of 100,000 US Dollars. He also won a music contract with Storm 360, one of M-Net’s partners on the show and an appearance at the 2009 Channel O Music Video Awards in South Africa.
The live screening of Naija Sings Season Two begins on DStv M-Net West on Sunday, September 19.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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