Broadcasting
Hopefuls Scramble for Naija Sings 2 Lagos Slots
Hundreds of young Nigerian musical talents attended the Lagos audition of M-Net’s music reality talent hunt, Naija Sings, which held at Frame 24 Studio, Philips Building, Ojota, Lagos last Thursday.
Biola Alabi, managing director, M-Net Africa, expressed satisfaction at the turn out of hopefuls at the audition. She described it as a sign of many good things to come.
“This large number of Nigerians at the first leg of Naija Sings Season Two audition is a confirmation of our long-held belief that Nigeria has got talents. That is why we created a platform to give these budding talents the opportunity to realize their dreams and ambitions.” She added that some of the hopefuls will make it to the Lagos Regional Finals on Monday, August 9.
Pamela Ofoegbu, Commissioning Editor, M-Net Africa, opined that Naija Sings has come to stay judging from the attendance and performance. “The second season promises to be far more interesting than the previous one given the performance I have seen demonstrated by some of the participants that have been auditioned so far.”
Karl Raccah, lead judge at the Lagos audition of Naija Sings 2 said: “What I look for in the hopefuls first is the way they entered into the audition venue. It says a lot about their ability to make it to the regional final. Then comes their voice, their confidence and the manner they performed their chosen songs. From what I have seen here today, I look forward to a hugely entertaining show, and I hope new Nigerian singing stars will emerge after the season.”
Some of the young people at the Lagos audition expressed optimism that they will make it to the Regional Finals in August.
M-Net’s production crew will move to Enugu on Tuesday, July 20, Wednesday, July 21 and Thursday, July 22 for the Enugu auditions and finals.
From Enugu, the crew moves to Port-Harcourt on Friday, July23, Saturday, July 24 and Sunday, July 25 for the Port-Harcourt Regional auditions and finals. Calabar Regional auditions will take place on Monday, July 26; Tuesday, July 27 and Wednesday, July 28.
Auditions will take place in Kano on Saturday, 31st, and Sunday, August 1 while the Kano Regional finals take place on Monday, August 2nd. The crew will be in Abuja on Tuesday, August 3rd, Wednesday 4th and Thursday 5th before returning to Lagos on Monday, August 9 for the Lagos Regional Finals.
Segun Fayose, head, Corporate Communications, MultiChoice Nigeria said: “It is a busy schedule for everyone involved in the production. This is to ensure that interested Nigerians are given the opportunity to showcase their talents, and possibly, make it to the finals.”
The first season of Naija Sings held in 2009 with the then 17-year-old Jon Ogar winning the ultimate prize of 100,000 US Dollars. He also won a music contract with Storm 360, one of M-Net’s partners on the show and an appearance at the 2009 Channel O Music Video Awards in South Africa.
The live screening of Naija Sings Season Two begins on DStv M-Net West on Sunday, September 19.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
E-Financial2 days agoKuda MFB Increases Kuda for Her Business Grants to ₦10 Million
Telecom2 days agoVitel Wireless Lures Subscribers with “Data that Never Expires” Campaign
News2 days agoNSIA Sign MoU with UK’s Asset Green Ltd to Develop $496M Integrated Dairy Livestock Production Platform in Nigeria
News2 days agoBoI, MTN Foundation Launch N1Bn Fund for Women Entrepreneurs
General News2 days agoOne SA Bank Equals Nigeria’s Entire Banking Sector – Why Recapitalisation Is Critical for Global Competitiveness
Broadcasting2 days agoNigeria tops global rankings for USDT, USDC ownership
General News2 days agoLuno Launches First Crypto Prediction Market in Nigeria
E-Financial1 day agoCBN Introduces Stricter BVN Rules to Curb Fraudulent Transactions













