Broadcasting
ICPC: Corrupting the N2. 5Bn News

By Hamid Hendrix
The ICPC should have learnt lessons on the ills of trial-by-media by now, but the contrary is evident. It all began when it put out a press release in November last year announcing that it had uncovered a N2.5 billion fraudulent payments by the National Broadcasting Commission (NBC) to Pinnacle Communications Limited under the Digital Switch Over (DSO) from analogue television broadcasts in Nigeria.
Such a sensational statement on a major national media project immediately went viral but it almost instantly also turned out to be so infected with viruses of unpardonable errors and utter falsehood that the image of the ICPC as an anti-corruption investigative body got comprehensively corrupted.
Imagine ICPC “investigating” the DSO and declaring it to be about switching over “telephone lines” !#
The records are there so we will not delve into the distasteful details of that episode. Suffice it to recall that till date the ICPC has not found the decorum or rectitude to own up to its inadequacies by means of a humble retraction in the public interest.
Instead it has stuck to its stigma of an unstoppable loose cannon, firing from all the wrong cylinders, but still firing on!
Amazingly, the ICPC persisted to the extent of framing charges and arraigning its “culprits” before an Abuja court, all the while revving up the media hype on the N2.5 billion fraudulent payment by NBC to Pinnacle Communications Limited for DSO.
One would have expected the ICPC to end the trial-by-media after the court opened hearings on the matter and to thereafter base its press releases on an accurate reflection of proceedings or to let the free press report the proceedings to the end.
But, ICPC has turned its website to a parallel court where it picks and chooses incomplete testimonies and disjointed extracts of documents to propagate in its now unscrupulous determination to misrepresent proceedings and mislead the public about its prosecution of the case of its self-declared N2.5 billion fraudulent payment by NBC.
This is in sharp contrast to the hapless surrender of the arraigned “culprits” to the free press reportage of proceedings in the same court of public opinion to which the ICPC has now clearly shifted its focus in an extra-judicial bid to give them a bad name long before the temple of justice determines their fate.
It was perplexing to observe the tone and content of ICPC reportage of proceedings in the matter in comparison to most newspaper and on-line reports following the first two days of hearings after the defendants pleaded not guilty to the charges.
You can still find the two ICPC press releases under reference on its website titled Kawu’s payment of 2.5bn DSO fund to Private Company Fraudulent– ex director and N2.5bn DSO fund was shared to Family, Friends, Politicians-ICPC Witness respectively just as you can browse reports on the same proceedings, quoting the same witnesses, by the free press under headlines such as Modibbo Kawu’s Payment of N2.5b to Pinnacle didn’t violate DSO white paper-ICPC Investigator (ThisDay), DIGITAL SWITCH OVER: ICPC INVESTIGATOR ADMITS ERROR, SAYS PAYMENT OF N2.5BN TO PINNACLE DIDN’T VIOLATE FG WHITE PAPER (ALTERNATIVE AFRICA, LONDON, ONLINE), Alleged N2.5 bn Scam: Payment didn’t violate FG White Paper-ICPC ( Nigerian Pilot) as well as FG approved N2.5bn for DSO project-witness tells court (Leadership), Information Minister approved payment of N2.5bn to Pinnacle for Digital Switch Over-witness (Vanguard), National DSO Launched with Pinnacle facilities, equipment-Witness (Newsdiaryonline) and NBC trial : No petition over N2.5bn DSO payment-ICPC investigator (Daily Trust).
Haba ICPC ! From these headlines, you don’t need an ICPC investigator to know that there is a world of difference in fact and projection between what the ICPC dished out on its website and what actually transpired in court during the same proceedings involving the same witnesses.
Obviously, the ICPC has deliberately propagated incomplete versions of the proceedings to mislead the public into latching onto its pre-meditated agenda of incriminating the “culprits” not by due process, but by the hook-and-crook orchestration of a media “trial”.
The ICPC’s focus is now on what Sir Lucky Omoluwa did with his money in his account since the issue of “fraudulent payment of N2.5 billion” has lost steam in court !
Why a supposedly independent federal government anti-corruption agency should be so brazen in embarking on a campaign of calumny by abusing its mandate against some individuals is itself a N2.5 billion question that will certainly be answered sooner or later.
Since the hearings are still at an early stage and the leopards in ICPC are unlikely to change their spotted suits, it will be interesting to see how far the trial-by-media can go in courting public opinion by deceptive manipulation of court proceedings and whether, at the end of it all, the temple of justice will prevail over the theatre of the absurd.
Meanwhile those of us who can only wait and wonder are obliged to consider the counsel of Voltaire, the French writer, historian and philosopher, who declared “ those who can make you believe absurdities, can make you commit atrocities,” very apt in the circumstances– if no petition, why the investigation?
HAMID HENDRIX, a public affairs analyst, wrote from Kaduna
Broadcasting
Obi, NDC Presidential Candidate Faces N50Bn Defamation Claim over Alleged Podcast Remark

Abayomi Arabambi, national vice chairman (South-West) of the Labour Party, has demanded a public apology, a retraction, and N50 billion in damages from Peter Obi, presidential candidate of the Nigeria Democratic Congress (NDC), over an alleged defamatory statement made during a podcast interview.

The demand was contained in a letter issued by the law firm Neplus Ultra Attorneys and signed by Anderson U. Asemota, Peter O. Asimegbe, and Stanley C. Eziefulle on behalf of Arabambi.
According to the letter, the legal dispute arose from comments allegedly made by Obi during the interview, where he reportedly stated that Arabambi “does not have an address.”
Arabambi’s legal team described the statement as false, malicious, and defamatory, arguing that it portrayed their client as a faceless individual without legitimacy, credibility, or standing in public life.
The lawyers further claimed that the interview was widely circulated on television stations and digital platforms, exposing Arabambi to public ridicule and damaging his reputation.
“Our client has had a known residential and business address, maintains professional and political affiliations within Nigeria, and has never been a person whose whereabouts or identity were unknown,” the letter stated.
The legal team maintained that the alleged publication caused embarrassment and harmed Arabambi’s public image and political standing.
As part of their demands, the lawyers called for an unreserved public apology to be aired on national television, published on Obi’s verified social media platforms, and carried as full-page apologies in national newspapers.
They also demanded the payment of N50 billion as compensation for the alleged injury to Arabambi’s reputation, dignity, political standing, and public image.
Broadcasting
Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home – Steve Babaeko

When Nigerians began arriving back home on emergency flights following an ultimatum from anti-migrant groups in South Africa, Steve Babaeko, alongside The Nigerian Institute of Hospitality and Tourism (NIHOTOUR), saw an opportunity to step up for his fellow citizens.

Steve Babaeko
The CEO of X3M Ideas explains that he saw a deep obligation, one that had nothing to do with advertising and everything to do with hospitality. For Babaeko, it was a reminder that an agency owes a duty of care to the community it exists within.
That conviction shaped the creative agency’s partnership with the Nigerian Institute of Hospitality and Tourism (NIHOTOUR) for the newly launched ‘Welcome Home’ pilot programme at Murtala Muhammed International Airport (MMIA) in Lagos. Rather than simply crafting a messaging campaign around the crisis, X3M Ideas helped design a tangible, physical system.
“This wasn’t built as a campaign about a crisis,” Babaeko said. “It was a hospitality agency deciding what it owes its own citizens the moment they land.”
For Babaeko, what X3M has built is infrastructure, something returnees can physically walk through, use, and benefit from the instant they clear the arrival gate.
With the MMIA pilot now officially running, NIHOTOUR directs returnees to immediate support services and issues them a Returnee Card. This card grants individuals a free first night at partner hotels, immediate transport assistance from the airport, and fast-tracked business registration support.
Furthermore, the initiative features a dedicated Restart Desk to assist returnee entrepreneurs and tradespeople with job placement referrals and business registration. This operates alongside a public Homecoming counter that tracks the cumulative number of returnees welcomed, businesses restarted, and jobs facilitated.
Broadcasting
Spotify partners Afro Nation Portugal to expand African music experience

Spotify has announced a partnership with Afro Nation Portugal as the festival’s official sponsor and exclusive streaming partner for the 2026 edition, in a move aimed at bringing African music and festival experiences to a wider global audience.

The collaboration will provide fans with a dedicated Afro Nation destination on Spotify, featuring official festival playlists, participating artists and selected performance videos after the event.
The 2026 edition of Afro Nation Portugal is scheduled to hold from July 3 to July 5 in Portimão, Portugal.
Spotify said the partnership would enable fans to engage with the festival before, during and after the live event, regardless of their location.
The streaming platform noted that the initiative aligns with its continued investment in promoting African music and supporting its growing international audience.
Speaking on the partnership, Spotify’s Content Marketing Manager for Sub-Saharan Africa, Mr Rifumo Mdaka, described Afro Nation as a global showcase for African music and culture.
“Afro Nation is more than a festival; it is a global expression of African music, fan culture and creative influence.
“Our partnership is about helping that moment travel further through our first collaboration with Afro Nation of this nature.
“By bringing the festival to Spotify, we are giving fans a place to connect with the artists, performances and stories that define the festival long after the final set,” he said.
According to Spotify, the collaboration will also include exclusive festival content, artist discovery features, curated playlists and fan-focused storytelling.
The company said it would document the journey of a selected fan travelling to the festival as part of efforts to showcase the growing global appeal of African music.
Also speaking, Director of Global Partnerships at The Malachite Group and Afro Nation, Ms Clémence Blum, said the partnership represented a major step in expanding the festival’s global reach.
“Afro Nation has always been more than a festival. It is a platform built to celebrate African music, support artist breakthroughs and connect a global community through culture.
“Our partnership with Spotify reflects the shared role we both play in helping artists reach new audiences and giving fans deeper ways to engage with the music they love,” she said.
Spotify said selected live performances from the festival would be made available on the platform after the event, allowing fans around the world to relive the performances on demand.
The company added that the partnership reinforces its commitment to promoting African music, supporting artists and strengthening connections between creators and audiences across the globe.
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