Broadcasting
ICPC Fails to Produce Lai Mohammed as Witness, Closes Its Case in DSO Trial

Independent Corrupt Practices and other related Offences Commission (ICPC), on Tuesday failed to produce Alhaji Lai Mohammed, minister of Information, in court, to testify as prosecution witness in the on going trial of Ishaq Kawu Modibbo, director-general of National Broadcasting Commission (NBC), Pinnacle Communications Ltd, and two others.

ICPC
On October 21, the last adjourned date, Justice Folashade Ogunbanjo- Giwa, trial Judge, had threatened to close the case of ICPC against the defendants if it fails to produce Mohammed and a subpoenaed bureau de change operator in court as witness on December 3.
Despite failure of the ICPC to produce the Information Minister to testify in court, a statement he made to the agency, tendered in court, indicated that he gave the approval for the release of N2.5 billion to the National Broadcasting Corporation as seed grant for the Digital Switch Over project of the Federal Government.
When the matter came up on Tuesday, the prosecution counsel, Henry Emoreh informed the court that though the case was for continuation of trial, however, he said, “we intend to close the case of the prosecution and we are not calling any more witnesses”.
Reacting to the sudden decision of the prosecution to close its case, Akeem Mustapha SAN, counsel to the 1st defendant (Kawu Modibbo) said he would not be calling any witness.
Mustapha said pursuant to section 303 of the Administration of Criminal Justice Act 2015, he would be asking for the maximum 14 days to file the 1st defendant’s no-case-submission.
Similarly, Alex Iziyon SAN, counsel to the 2nd and 3rd defendants, said he would not be calling any witness, and therefore requested for the maximum 14 days period allowed by ACJA to file a no-case-submission.
On his part, counsel representing the 4th defendant, Amah Etuwewe, applied for the maximum 14 days to file a no-case-submission.
Reacting, the prosecution counsel told the court that he needed 21 days to reply to all the proposed applications for no-case-submissions of the defendants.
Similarly, the defendants informed the court that they would need 7 days to reply on points of law.
In a short ruling, Justice Ogunbanjo- Giwa noted that it would take forty-two days for counsel to file and exchange processes in respect of the application for no-case-submissions.
Consequently, the court adjourned the matter to January 30, 2020 for adoption.
Meanwhile, Justice Ogunbanjo-Giwa has granted leave to Sir Lucky Omoluwa (3rd) and Dipo Onifade (2nd) defendants leave to travel abroad for an international conference.
The court therefore ordered the registrar of the Federal High Court to release the international passports of the defendants to enable them embark on the abroad trip.
The court directed them to travel between December 16-18, and January 14-16, 2020.
As part of the conditions, the court directed that one of the sureties of the defendants must deposed to an affidavit that they will return to face their trial, or be made to stand trial should the defendants abscond.
However, Justice Ogunbanjo-Giwa said that the defendants’ passports must be returned back to the court on January 24, 2020.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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