Broadcasting
ITU Standards to Enhance TV Viewing Experience

To mark World Television Day yesterday, ITU has said that the impact and influence of television on world public opinion and decision-making cannot be denied and today Television represents a symbol for communication and globalization in the contemporary world.
IU also said that Television is recognized as a major tool in informing, channelling and affecting public opinion.
The United Nations General Assembly proclaimed 21 November as World Television Day in 1996 in recognition of the increasing impact television has on decision-making by bringing world attention to threats to peace and security and its potential role in sharpening the focus on other key areas, including economic, environmental and social issues.
“ITU is currently working on developing new standards that will dramatically enhance the television viewer’s experience, in terms of both visual and audio quality,” said Hamadoun I. Touré, ITU secretary-general.
“ITU is developing industry-leading standards for the next generation of television that will be available in very high definition as well as high performance dynamic video streaming.”
The first commercial services of Ultra High Definition Television have already begun. In coming years, ITU systems will allow television with four times the detail of the first UHDTV services.
The work of ITU today includes the study of techniques to produce a super wide range of contrast to the television image, bringing it closer to the real world.
The second edition of High Efficiency Video Coding (HEVC), Recommendation ITU-T H.265 | ISO/IEC International Standard 23008-2 approved in October 2014, includes enhanced format range extensions to improve video quality, general multi-layer support, scalability to cope with IP network congestion, and native 3D (multi-view) video encoding.
The new codec will considerably ease the burden on global networks where, by some estimates, video accounts for more than half of bandwidth use.
HEVC will unleash a new phase of innovation in video production spanning the whole ICT spectrum, from mobile devices through to Ultra-High Definition TV.
ITU standards also continue to examine ways to make television more accessible to those with disabilities and special needs, such as providing subtitles and audio channels describing the action in the image, as well as future options such as the capacity of the viewer to separate foreground and background sound, allowing the audio to be more intelligible to those with hearing disabilities.
Audio-visual media pervades nearly every aspect of modern life and ITU’s work to improve the accessibility of TV to persons with special needs is crucial in building an inclusive Information Society.
“ITU is striving for good and efficient future use of the radio-frequency spectrum to carry television broadcasting,” said Christoph Dosch, chairman of ITU-R Study Group 6, which deals with broadcasting issues.
“In order to continue to develop new and high-performance television standards, it is critical that we retain the currently used television spectrum which provides great value to the information society.”
ITU Membership will consider the spectrum requirements for television at the next World Radiocommunication Conference in November 2015
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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