Broadcasting
Mercy Johnson is Nigeria’s Highest Paid Actress, Earns N2m Per Movie

Mercy Johnson made her acting debut in the movie ‘The Maid’ in which she played the role of a possessed house help.
Net reported that Mercy Johnson Okojie is the highest paid actress in Nollywood right now.
Besides being one of the most sought after actresses, the dark skinned actress has placed herself on a pedestal where she now charges up to N2million fee for a movie.
In the last few years, films with Mercy Johnson’s name and face in it, have some what become an indication that the film will turn-out a best-seller.
Recognising this fact, it is no wonder the actress has pushed up her fees high up for marketers and producers who request her to feature in their flicks.
A few months ago, the Film and Video Producers and Marketers Association of Nigeria (FVPMAN) threatened to ban the actress for allegedly becoming exorbitant with her fees, which have shot up as high up as N2m for a movie role, while the rest of her peers are paid between N700,000 and N1.2million.
In her response, Johnson answered her critics to go for less payable actresses, if they are unable to pay her by saying, ‘Wats wrong when u keep quiet till u no wats up? no petition, no complain just fees those who can’t afford Heineken should stick with ‘Kai kai’.
According to the Net, the 28year old actress made her acting debut in the movie ‘The Maid‘ in which she played the role of a possessed house help.
Her performance in the movie shot her into the limelight and has acted in other major movies ever since.
With all her talents and assets, it is no wonder some media pundits have agreed that she is the most exceptional actress for the year 2013.
When Nollywood filmmaker, Charles Novia drew up his list of the ‘Best 5 Nollywood Actresses for 2013′, it was not surprising to find Mercy Johnson’s name on the top of the list.
‘There’s something ultra-natural and organic about Mercy Johnson which confounds even her critics’, Novia said. ‘In four movies I watched in 2013, which she starred in, she was the epitome of delightful characterisation. Watch her in the ‘Dumebi’ spawn of movies and you would appreciate how her talent has evolved since she came back from her maternity break’.
Last week, MJ as the actress is fondly called became the subject of discussion on twitter when Rubbin’ Minds host and Ebony Life TV presenter, Ebuka Obi-Uchendu tweeted his admiration for the actress’ work. ‘Mercy Johnson makes a lot of ‘leading ladies’ in Nollywood look like amateurs. Yes, I’m talking about all your favorite divas and A listers’ Uchendu tweeted.
‘I’ve seen her do everything VERY WELL. Diva, runs girl, villager, corporate chick, mother, grandmother, villain, hero. All!’, Uchendu continued.
Early this year when she returned back from the US where she went to deliver her baby girl, MJ had several scripts waiting for her.
NET sources had confirmed that between March and July, MJ had no less than 20 scripts waiting for her being sent by marketers and producers in Nigeria and Ghana.
Already, since her return to Nollywood, she’s featured in about six productions, including the Tchidi Chikere produced comedy, ‘Dumebi Goes to School‘, a sequel to the hilarious ‘Dumebi The Dirty Girl’ which won her the award for the Best Actress in Comedy Role’ at the 2013 Africa Magic Viewers Choice Awards (AMVCA).
Besides her acting skills, everybody just loves Mercy Johnson. She’s pretty much the ultimate girl crush right now. One thing for sure is that she isn’t planning to relinquish her position anytime soon as she tweeted, ‘Na God do am and only he can take it back. Not yet time gurls stay back‘.
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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