Broadcasting
MRA Inducts Voice of Nigeria into FOI ‘Hall of Shame’

Media Rights Agenda (MRA) has named the Voice of Nigeria (VON) into its Freedom of Information (FOI) Hall of Shame, accusing it of failing to promote the FOI Act and ensuring its effective implementation as a public service media organisation as well as non-compliance with its obligations under the Act as a public institution.
In a statement in Lagos, Mr. Ayode Longe, MRA’s director of Programmes, noted that the Voice of Nigeria, as a national radio station established to inform the world on national issues and developments, should ordinarily be at the forefront of promoting the FOI Act and seeking compliance with the provisions of the Law by other public institutions as this would evidently enhance its performance of its statutory functions as well as enable it discharge its duties with greater ease and effectiveness.
He, however, expressed disappointment that the station not only failed to promote the Act or advocate compliance by other public institutions, but has itself refused to comply with its obligations under the Act.
The Voice of Nigeria is the second Federal Government-owned media institution to be inducted into the FOI Hall of Shame since the inception of the programme in 2017, following the conferment of the dubious award on the Nigerian Television Authority (NTA) on September 11, 2017 for similarly failing to promote the Act, ensure its effective implementation and for its non-compliance with its obligations under the Act as a public institution.
The objectives of the Voice of Nigeria, as provided in the Act establishing it, are to project Nigeria’s positive image externally, to inform the world on national and African issues and developments, to change the perspectives of the world on Nigeria and the black world, to unite Africa and the black world and to engender positive contribution of Africans in the Diaspora to the growth and development of the continent.
Mr. Longe said there was no doubt that the institution’s lack of transparency and accountability had eroded public trust and confidence in it, which would affect its credibility and ultimately, its ability to deliver on its statutory mandate.
According to him, “being a national radio network broadcasting in seven languages, including English, Yoruba, Hausa, Igbo, French, Arabic, Kiswahili and Fulfulde, the Voice of Nigeria is uniquely positioned to overcome the language limitation that most other media organizations have and be able to promote the Act among Nigerians of different linguistic backgrounds. Instead, this national broadcaster has itself been consistently in blatant disregard of its statutory duties and obligations as a public institution covered by the Act, thereby undermining its implementation and effectiveness.”
Mr. Longe stressed that “all public institutions established by Law, including the Voice of Nigeria, are expected to proactively disclose certain types of information listed in Section 2(3) (a) to (f) of the FOI Act, by various means including print, electronic and online sources. But the Voice of Nigeria has not fulfilled its proactive disclosure obligations under Section 2 of the Act as it has not published the itemized categories of information either on its website or anywhere else, as it is required to do by the FOI Act.”
He described the failure of the Voice of Nigeria to designate an official of the institution to whom requests for information by members of the public should be sent as well as its failure to proactively publish the title and address of such an officer as an inexcusable breach of the provisions of the FOI Act, particularly in the light of repeated demands by the Office of the Attorney-General of the Federation issued to all public institutions to appoint such officials and send their details to the Federal Ministry of Justice, which is the coordinating institution for matters related to the implementation of the Act.
Mr. Longe also noted that although Section 13 of the FOI Act requires all public institutions to ensure the provision of appropriate training for their officials on the public’s right to access information and records held by the government or public institutions as well as to ensure the effective implementation of the Act, the Voice of Nigeria had not organized any such training for its officials since the Act was passed into Law.
He observed that over the last seven years, the Voice of Nigeria has consistently failed to comply with its obligation under Section 29 of the FOI Act, which requires each public institution to submit to the Attorney-General of the Federation, on or before February 1 of each year, a report covering the preceding fiscal year of its implementation of the Act. He stressed that the Voice of Nigeria had not submitted any such report for any year since 2011.
Mr. Longe said: “Such egregious violation of the clear provisions of the Law by a public institution which should know better is certainly unacceptable. The relevant authorities of the Federal Government must make clear that they do not condone such acts of impunity and take urgent steps to rein in public institutions such as the Voice of Nigeria, which disdainfully disregard the Laws of the Land.”
Launched on July 3, 2017, the FOI Hall of Shame spotlights on a weekly basis public officials or institutions that are undermining the effectiveness of the FOI Act through their actions, inactions, utterances and decisions.
Broadcasting
Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.

Fela
This is coming after he was posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.
Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.
The honorees were revealed on Monday night in the US, during an airing of American Idol.
Sade Adu, Nigerian-born British singer, will be honoured in the performance category.
However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.
Over 1,200 artists, historians and music industry professionals voted to decide the honorees.
The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.
Broadcasting
FG to Gift Nigerians over 100 Free TV Channels from May 15

National Broadcasting Commission (NBC) is set to launch so-called FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages.

The launch is scheduled for May 15.
Charles Ebuebu, director-general, NBC, who disclosed this, said the new platform will offer free-to-air access with no carriage fees, leveraging hybrid satellite and internet delivery via NigComSat-1R.
The new plan is not an upgrade, the NBC stressed. This is a rebuild, according to Ebuebu .
FreeTV will be true free-to-air – no encryption, no set-top box barrier.
Any DVB-T2/S2 television will work. A mobile app will extend reach to phones and tablets.
The platform will launch with over 100 national, regional and state channels across sports, news, children’s programming, education, entertainment and cultural content in Hausa, Yoruba, Igbo, Tiv, Ijaw, Edo, Fulfulde, Ibibio, Efik and Nupe – all in HD.
Crucially, the NBC has partnered with a Bulgarian firm, GARB (operating since 2006 and recognised by the European Broadcast Union), to deliver a 94 per cent-accurate audience measurement system using return-path data, app analytics, demographic panels, and Artificial Intelligence (AI).
To qualify broadcasters, must commit their channels, produce a minimum of 60 per cent local content, and promote FreeTV until January 2029.
After that, a regulated tiered rate card takes effect.
According to NBC, the strategic rationale is simple: build viewers first, monetise later.
The document further revealed that six regional production hubs in Lagos, Abuja, Port Harcourt, Enugu, Kano and Benin would function as local content factories, expected to generate 500 to 1,000 jobs per zone within two years.
Broadcasting
What Adekunle Gold’s Support Means for ‘The Gathering on 100

Popular Nigerian artist Adekunle Gold has lent his support to the growing youth-driven movement behind The Gathering on 100, further amplifying conversations around what is fast becoming one of the most talked-about upcoming experiences among young Nigerians.

Adekunle Gold
Known for his music and his strong connection with youth culture and evolving creative expression, Adekunle Gold’s involvement signals a deeper alignment between the event and the kind of audience it is attracting, a generation that is bold, expressive, and constantly redefining what community looks like.
While details of his involvement remain understated, his visible support adds a new layer of support and cultural relevance to the movement. In a landscape where attention is currency, endorsements from artists of his stature often act as a signal, drawing more eyes, more curiosity, and ultimately, more participation, but beyond visibility, the significance lies in what it represents.
The new father has, over the years, built a reputation for embracing creativity in its many forms, from music to visual storytelling, fashion, and digital engagement. His brand has consistently resonated with young Nigerians navigating similar spaces of self-expression and identity.
From interactive experiences like live music sessions and open performance moments to fashion runways and content creation spaces, the event is designed to blur the lines between audience and participant. It invites attendees to move beyond observation and become part of the moment.
This is a concept that closely mirrors the kind of cultural shift Adekunle Gold has been part of, one where boundaries between creator and consumer continue to dissolve.
His support also reflects a broader trend within Nigeria’s entertainment industry, where artists are increasingly engaging with youth-led initiatives that go beyond traditional performances. Rather than simply appearing on stage, they are aligning with movements that foster community, creativity, and shared experience.
For fans and attendees, this adds another dimension to what The Gathering on 100 represents.
As registrations increase and conversations expand across social platforms, the movement is gradually taking shape through the collective interest of those drawn to it.
Head to gathering.com to register.
Telecom2 days agoAirtel Nigeria Suspends Airtime and Data Credit Services
E-Financial2 days agoCourt Suspends Enforcement of FCCPC’s Reform on Loan Apps
Telecom2 days agoFCCPC Denies Banning Airtime Borrowing, Blames Cartel for Misinformation
E-Financial2 days agoFG Rules Out Borrowing from IMF’s $50Bn Support Fund
E-Financial2 days agoCBN Introduces Overnight Financing Rate to Compete with US, EU
General News2 days agoAfriStakes Unveils Platform to Connect SMEs with Investors
News2 days agoNITDA, CAC Activate Cybersecurity Measures Amid System Concerns
General News2 days agoNigeria’s Human Capital Key to Global Competitiveness – NITDA DG













