Broadcasting
MTN Faces N112.5Bn Suit over Use of Comedy Brand

Femi Edwards, a content producer who specializes in the business of events productions, promotions and marketing with particular focus on comedy, has dragged telecommunications firm, MTN Nigeria Limited before a Federal High Court in Lagos demanding account of N112.5 billion revenue allegedly generated from the wrongful use of a comedy brand.
According to the suit, the plaintiff is accusing MTN of illegally using his comedy content without recourse to him, and generating whooping revenue from the said copyright infringement.
Edwards, who is trading under the name and style of Mayphem International, recalled that in 2009, he started a platform that promotes the comedy industry called ‘KomicRELOUDED’ which according to him, was a print magazine widely accepted by the industry.
The plaintiff, in the suit with reference number FHC/L/CS/18/18, averred that in the following year, he rebranded to ‘Comedy+’, adding that he had been maintaining the brand ever since with sales outlets across Nigeria.
He said leveraging on the success of the brand ‘Comedy+’, he went into the business of organizing comedy shows and concerts throughout the country, and that over the years, the brand ‘Comedy+’ and ‘ComedyPlus’ have come to be associated with him as signifying publications, comedy shows, entertainment and other events produced, promoted or marketed by him or with his collaboration in both physical and digital platforms, print and electronic media, with substantial reputation by the use of same.
However, the plaintiff said on March 17, 2017, MTN launched a digital platform tagged ‘Comedy+’ where it advertised the intent to and where it has continued to wrongfully produce, promote, market and pass off comedy shows and other entertainment without recourse to him as the copyright owner of the brand.
Edwards said to his surprise, several comedy artists and members of the public had called to congratulate him on the launch of the digital comedy platform of MTN under the belief that he was the person behind it, adding that being a huge commercial enterprise, MTN wrongfully acquired mileage from a popular brand which he created, to launch into the budding comedy sector in Nigeria.
He said the comedy industry had been in its developing stages in Nigeria, and that the brand which he struggled to create, was wrongfully leveraged on by MTN to generate a whooping N112.5billion.
According to him, “The stand-up comedy industry in Nigeria has been in its developing or budding stages and the brand ‘Comedy+’ which the plaintiff has built, has become synonymous with the promotion of comedy and entertainment in general in the country and has a reputation of being one of the pioneer stand-up comedy, general comedy and general entertainment promotion brands in the country that have helped to build the art of stand-up comedy into an industry.
“The defendant has profited from the passing off of the services and the products of the plaintiff in the excess of N112.5billion as presently known to the plaintiff until search, discovery and inspection.”
Giving details of how the figure was arrived at, the plaintiff said his ‘Comedy+’ brand was passed off by MTN to its subscribers which number up to 59 million, while from the defendant’s subscription price list, at the cheapest rate of N250 per month, MTN made N112.5 billion in nine months between March to December 2017 with the number of subscribers limited to 50 million and discounting 9 million.
Dissatisfied with the development, the plaintiff said he wrote to MTN through his lawyer on September 12, 2017 complaining of the passing off of his brand, and that the company replied on September 18, 2017 promising to look into the complaint.
After waiting for some time without response, the plaintiff said he wrote again to the firm, while on October 23, 2017, MTN responded and denied absolutely any liability, but without denying its use of the brand or trade name ‘Comedy+’.
The plaintiff, according to the suit filed on his behalf by Chuks Nwachukwu of Indemnity Partners Law Firm, is therefore seeking an injunction restraining MTN whether by itself, servants, agents or otherwise howsoever from producing, promoting or marketing under the brand name ‘Comedy+’ any comedy related or other entertainment shows or content not produced, promoted or marketed by the plaintiff or with his collaboration.
The plaintiff also wants an injunction mandating MTN to render account of profits and receipts so far made using the brand ‘Comedy+’, as well as damages for the wrongful use of the brand.
Already, the matter has been assigned to Justice Chuka Obiozor who has fixed hearing of an application for interlocutory injunction in the suit against MTN to October 29, 2018.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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