Broadcasting
MultiChoice Converges Futuristic Technologies at Command Centre
MultiChoice Africa proves its mettle by taking up cutting-edge technologies in digital broadcasting converged in its Command Centre, which enable the company beam clear signals to subscribers around Sub-Saharan Africa.
The Command Centre is the heartbeat of MultiChoice’s African operations, constantly monitoring the pulse of every channel on DStv and ensuring that subscribers in all the countries receive clear and uninterrupted signals. The centre’s most critical role is to ensure that things stay in sync with the complex satellite broadcasts that bring DStv channels to the continent.
Nested in the imposing MultiChoice complex located in Johannesburg, South Africa; the centre has rows upon rows of monitors simultaneously displaying all of the channels being broadcast on DStv. A massive central plasma screen can display four channels at once for closer viewing, with another six slim LCD screens flanking it. All the screens are fed from a rack of satellite decoders (more than 100 different types and models) which decipher signals, ensuring that what viewers at home see are well monitored, and down times mitigated.
In addition to these are large suspended plastic domes used to beam sound to individual operators so that they can check the sound quality of any broadcast, at the push of a button.
According to Llewellyn Pillay, manager, “the Command Centre is the centralized administration and monitoring point that ensures that MultiChoice Africa provides the best quality service to its customers. We make sure that everything goes on air as it should, and if anything goes wrong, we ensure that it gets fixed very quickly.”
The centre uses a collection of both machine and human monitors to watch video and sound quality. Any distortion or unwanted sound triggers an alert, and immediate action is enforced.
The Command Centre also monitors the Extended Electronic Programme Guide (EEPG), which is a detailed listing of every programme on all the DStv channels. For example, a movie on Movie Magic channel would have listed its start and end times, a summary of the movie’s plot, main cast and year of release.
Given the array of programming on the DStv bouquet, the EEPG helps viewers to get the most out of their subscription. The Comand Centre contributes by ensuring that the EEPG is always accurate for the programmes being broadcast at a particular time.
In addition to all these technological achievements, MultiChoice uses four different satellites to cover all of Africa alone. It was recently reported that the company reserved a space in Intelsat’s IS-20 scheduled for launch in the first quarter of 2012, which will replace the Intelsat 10 satellite and will provide services to Africa, Europe, the Middle East and Asia.
The Eutelsat W4 satellite for example, broadcasts programmes first uploaded in South Africa to be received in West and Central Africa through a satellite uplink facility in Spain. More so, the signals of the SuperSports channels face a round trip of around 70,000km to reach a subscriber in southern Africa – a distance covered in just seconds.
Broadcasting
QEDNG Summit 2026 set for August 11 in Lagos

QEDNG Creative Powerhouse Summit will hold its second edition on August 11 in Lagos, bringing together leaders across the creative, business and policy spaces.

Convened by Mighty Media Plus, publishers of online newspaper QEDNG, the summit brings together conversations at the intersection of creativity, enterprise and influence, with a focus on strengthening Nigeria’s creative economy.
Reflecting on the inaugural edition, Iyanda said the summit drew participation from respected figures across sectors, including group managing director of SO&U Udeme Ufot as chairman and founder of The Africa Soft Power Group Dr Nkiru Balonwu as keynote speaker, alongside panellists such as filmmaker Kunle Afolayan, All Africa Music Awards (AFRIMA) founder Mike Dada and executive director of the National Film and Video Censors Board (NFVCB) Dr Shaibu Husseini who contributed to discussions on the direction of the creative economy.
“The first edition showed that there is a strong interest in serious engagement around the creative economy. We had contributions from experienced voices who helped set the tone for the kind of platform we are building,” Iyanda said.
Building on the success of its inaugural edition, the summit continues to expand its scope, attracting a diverse mix of industry leaders, entrepreneurs, policymakers and emerging talents.
“This summit is designed as a meeting point for ideas, influence and execution. It is not just about conversations, but about outcomes that strengthen the creative economy,” Iyanda added.
He noted that the timing of the summit is significant as the country’s creative sector continues to evolve.
“Nigeria’s creative sector has grown in visibility, but the structures that support it are still evolving. The QEDNG Creative Powerhouse Summit is part of the effort to bring clarity, direction and serious engagement to that growth,” he said.
The 2026 edition will feature keynote addresses, panel discussions and curated sessions addressing themes around innovation, growth, funding and the global positioning of Nigerian creative talent.
According to Iyanda, the long-term goal is to build a platform that remains relevant across generations.
“Our goal is to build a platform that remains useful over time, one that documents progress, connects stakeholders and contributes meaningfully to policy and practice,” he said.
Further details on speakers, partners and the full programme will be announced in the coming weeks.
Broadcasting
NUJ Accuses NBC of Attempting to Gag Media, Demands Dialogue

Nigeria Union of Journalists (NUJ) has criticised the National Broadcasting Commission (NBC) over a recent directive to broadcast stations, describing it as a threat to free speech and press freedom.

In a press release signed by Achike Chude, national secretary, the union said it viewed the NBC’s notice released on 17th April with “grave concern and utter disappointment.”
It said the directive, which warned broadcasters to ensure “strict and uncompromised compliance,” was “nothing short of a veiled attempt to gag the media and institutionalise censorship.”
The union argued that the NBC’s warning against anchors expressing “personal opinions” interferes with newsroom decisions.
“Journalism, particularly in the realm of current affairs and political analysis, requires robust engagement,” the NUJ said.
It added, “To strip presenters of their right to analyze and contextualise news is to reduce the Nigerian media to a mere mouthpiece.”
The NUJ also faulted what it called vague rules and harsh penalties.
It said classifying such actions as offenses punishable by fines or suspension creates “a chilling effect.”
According to the statement, “This regime of fear encourages self-censorship, where journalists are too afraid to ask tough questions.”
Citing Section 39 of the 1999 Constitution, the union stressed that freedom of expression includes “the freedom to hold opinions and to receive and impart ideas and information without interference.”
It added, “The NBC Code cannot and must not be used to override the supreme law of the land.”
The NUJ called for dialogue instead of threats and urged journalists to remain “resolute, professional, and fearless.”
It said, “The media is the watchdog of society, not the lapdog of the government.”
Broadcasting
Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.

Fela
This is coming after he was posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.
Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.
The honorees were revealed on Monday night in the US, during an airing of American Idol.
Sade Adu, Nigerian-born British singer, will be honoured in the performance category.
However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.
Over 1,200 artists, historians and music industry professionals voted to decide the honorees.
The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.
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