Broadcasting
N2.5Bn DSO Project: Lai Mohammed Fails to Appear in Court

Lai Mohammed, former minister of Information, on Wednesday, failed to appear before Justice Folashade Ogunbanjo Giwa of the Federal High Court Abuja, to explain his role in the approval of N2.5bn to Pinnacle Communications Ltd, for the purpose of the Federal Government Digital Switch Over (DSO) project.
Wednesday’s sitting was in continuation of the trial of Ishaq Kawu Modibbo, director general, National Broadcasting Commission (NBC), Pinnacle Communications Ltd and two others.
The former Information Minister was among the persons listed by the prosecution counsel, Henry Emore in ICPC’s list of additional witnesses and was expected to be in court to give testimony being the Minister who approved the payment of N2.5bn to Pinnacle.
However, after calling two witnesses, the prosecution counsel informed the court that he was to call the former Information Minister but for his absence.
Umore said Prof Lai Mohammed had travelled out of the country but is being expected back into the country on or before July 31.
In addition, the court was told that Mohammed had finally made statement before ICPC, as a former Minister.
The prosecution also informed the court that the other witness he wished to call, was still in Saudi Arabia.
However, Alex Izinyon SAN, counsel to Onifade Oladipupo (2nd defendant) and Sir Lucky Omoluwa (3rd defendant) told the court that he had already filed an application to oppose the list of additional witness filed by the prosecution counsel.
Izinyon said the defence team had already joined issues with the prosecution on the failure of ICPC to call the Information Minister who approved the payment of N2.5bn to Pinnacle as well as join him as a defendant in the case.
A witness called by the ICPC told the court that the then Information Minister had refused to make statement to the ICPC, claiming that he needed to get clearance from the Secretary to the Government of the Federation.
Earlier, upon cross examination by Izinyon, a prosecution witnesss Olugbemi Abraham Osanoto told the court that “During investigation, we could not interview the then minister of Information because he said he needed clearance from the Secretary to Government of the Federation”.
Abraham however revealed that they later took statement from Lai Mohammed during the pendency of this case, admitting that “Really, we did not bother to get in touch with the SGF to enable him allow the Information Minister to make statement”.
Abraham admitted that, NBC, based on the provision of the White Paper that government should provide condition for a level playing field for signal distributors, is the one that would determine the level playing field.
Under further cross examination by Amah Etuwewe, counsel to the 4th defendant (Pinnacle Communications), the witness said upon investigation, they did not value the facility put in place by Pinnacle at the Abuja DSO site.
Furrher more, the witness admitted that the N2. 5bn was released under the supervision of the Information Minister, adding that “To the best of my knowledge, the Presidency that released the N10bn to the NBC for the purpose of DSO has not complained of how the fund was used, and I am not aware if the Minister had withdrawn his approval.
Meanwhile ,Justice Ogunbanjo Giwa has adjourned to July 1st, ruling on a motion by the 2nd and 3rd defendant seeking the release of their international passports to enable them travel abroad for official function. END.
Broadcasting
NCC Warns DJs: Playing Music Without License Could Lead to 5-Year Jail Term

Nigerian Copyright Commission (NCC) has warned disc jockeys (DJs) against publicly playing music without proper authorization or a valid license.
NAN reports that John Asein, NCC director-general, gave the warning in an advisory issued in Abuja.
He said the commission’s attention had been drawn to the growing practice of DJs playing music in public spaces without obtaining copyright licences from their approved collective management organisations (CMOs).
Asein said under sections 9 and 12 of the Copyright Act, 2022, only the owner of copyright in a musical work or sound recording has the exclusive right to reproduce, perform, or communicate it to the public.
The NCC threatened to prosecute defaulters in a case that could lead to a N1 million fine or a 5-year jail term upon conviction.
“Engaging in any of these acts without the owner’s authorisation constitutes an infringement under the Act,” he said.
“Such infringement may constitute a civil wrong or a criminal offence under section 44 (7), punishable upon conviction by a fine of not less than N1 million or imprisonment for a term of not less than five years or to both.”
Asein advised DJs to obtain the necessary licences and pay royalties to the approved CMO before performing music publicly.
The NCC director-general added that the commission will arrest and prosecute anyone found violating the law.
“For the avoidance of doubt, the approved CMO for musical works and sound recordings in Nigeria is the Musical Copyright Society, Nigeria (MCSN),” he said.
“The Commission is aware that the Disc Jockey’s Association of Nigeria (DJAN), as the umbrella body representing DJs in Nigeria, has entered into a Memorandum of Understanding with MCSN.
“Under the arrangement, DJAN is authorised to work with MCSN to facilitate the payment of royalties by DJs nationwide, based on the tariff that DJAN had negotiated with MCSN.”
Broadcasting
Netflix Hikes Subscription Fees Again in Nigeria over “Market Conditions”

Netflix has increased its subscription fees in Nigeria for the third time since 2024, with the Premium Plan rising by 21.43%, from ₦7,000 to ₦8,500 per month.
This marks the streaming platform’s first price adjustment in 2025.
Other subscription tiers have also been affected.
The Standard Plan now costs ₦6,500, up from ₦5,500—a hike of 18.18%.
The Basic Plan has increased from ₦3,500 to ₦4,000, while the Mobile Plan moved from ₦2,200 to ₦2,500, reflecting increases of 14.29% and 13.64% respectively.
The latest adjustment aligns with Netflix’s broader global pricing strategy, which the company has linked to its ongoing investment in content and platform development. In a previous communication to investors, Netflix stated, “As we invest in and improve Netflix, we’ll occasionally ask our members to pay a little extra to reflect those improvements. Which in turn helps drive the positive flywheel of additional investment to further improve and grow our service.”
While the company did not explicitly cite inflation in its most recent update, its website indicates that local economic factors influence its pricing structure.
“Price changes are made to respond to local market changes, such as changes to local taxes or inflation,” the statement read.
The move mirrors similar pricing shifts among other major digital and entertainment services in Nigeria.
Companies including Google, DSTV, GOtv, and Microsoft have also raised subscription rates, attributing their decisions to continued inflationary pressures and a weakening naira.
Broadcasting
NBC, Nigcomsat Launch Satellite Plan to Transform Broadcasting

National Broadcasting Commission (NBC) and Nigerian Communications Satellite Limited (NIGCOMSAT) have jointly introduced “The Big Picture’, a flagship initiative under Nigeria’s renewed Digital Switchover (DSO) project.
Under the project, Nigerian households will for the first time, gain access to high-quality digital broadcasts via affordable satellite dishes, hybrid devices, and internet-enabled set-top boxes.
Backed by President Bola Ahmed Tinubu and in line with his Renewed Hope Agenda, this strategic shift marks a significant step toward transforming Nigeria’s broadcasting landscape by leveraging the country’s sovereign satellite infrastructure.
At the heart of the initiative is NigComSat-1R, Nigeria’s only communications satellite in orbit, which will play a critical role in delivering Direct-to-Home (DTH) broadcasts across the entire Nigerian territory.
This satellite-first approach eliminates the traditional dependence on terrestrial transmission towers, accelerating the nationwide rollout of digital broadcasting by over 65%.
It also offers a scalable, cost-effective, and future-ready model for expanding digital access and promoting national storytelling.
Key figures, including: Charles Ebuebu, director-general, NBC; and Jane Nkechi Egerton-Idehen, managing director, Nigcomsat, have welcomed this forward-thinking strategy, emphasising its importance in maximising the use of national satellite assets and ensuring inclusive access to digital content.
An estimated 10 million homes equipped with DVB-S2-compatible televisions or decoders will have immediate access to free-to-air channels, while others will benefit from next-generation hybrid devices that combine satellite feeds with online streaming capabilities.
These new branded devices are designed with the country’s youth-dominated demographic in mind over 60% of the population is under the age of 25.
They will feature pre-installed apps, voice search functionality, parental controls, and seamless integration with NigComSat’s Electronic Programme Guide (EPG), offering an intuitive and engaging user experience.
In a data-driven upgrade to Nigeria’s broadcasting ecosystem, NBC is also partnering with global analytics firm GARB to introduce real-time audience measurement technology.
This will enable broadcasters, advertisers and content creators to analyse viewership trends across regions and devices, helping to tailor content more effectively and drive higher audience engagement. The introduction of this system is expected to boost advertising revenue by as much as 300% by 2026.
The success of “The Big Picture” will rely on robust collaboration between public and private stakeholders.
The Broadcasting Organisation of Nigeria (BON) and other content partners are expected to supply 60% of programming for the new 120-channel platform, using both original and repurposed content.
Meanwhile, local manufacturers will contribute by producing around 5 million compliant devices annually, a move projected to create over 20,000 jobs in assembly plants nationwide.
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