Broadcasting
NCC Arraigns MCSN, 7 others for Performing Society Duties

Nigerian Copyright Commission (NCC) has arraigned the Musical Copyright Society of Nigeria (MCSN) and seven of its officials at the Federal High Court, Ikoyi, Lagos, for performing the functions of a collecting society without the approval of the Commission as required by law.
The officials of MCSN arraigned by the NCC before Honourable Justice Mohammed Nasir Yunusa on December 4, 2012 were Mayowa Ayilaran, Louis Udoh, Halim Mohammed, Banjo Omolara Biliqis, Yusuf Adogi Benson, Olakayode Ajayi and Njoku Gladys.
The accused persons pleaded not guilty to one-count each of three charges preferred against them and the MCSN in charges Nos. FHC/L/351C/2012, FHC/L/352C/2012 and FHC/L/353C/2012, all dated October 10, 2012 and signed by a Copyright Inspector and Prosecutor of the NCC, Obi Ezeilo, Esq
.
The first charge, FHC/L/351C/2012, states: “That you (1) Musical Copyright Society of Nigeria Ltd/Gte (2) Mayowa Ayilaran (M) (3) Louis Udoh (M) (4) Halim Mohammed (M) (5) Banjo Omolara Biliqis (F) (6) Yusuf Adogi (M) (7) Olakayode Ajayi (M) and (8) Njoku Gladys (F) all of No. 6 Olaribido Street, Ikeja, Lagos State on or between 2010 and 2012 within the Lagos Judicial Division of the Honourable Court, did perform duties of a Collecting Society by demanding royalties from Southern Sun 47 Alfred Rewane Road, Ikoyi Lagos and carrying on the business of soliciting and granting licences on behalf of copyright owners without the approval of the Nigerian Copyright Commission and thereby committed an offence contrary to and punishable under section 39 (4), (5) and (6) of the Nigerian Copyright Act Cap C28 LFN 2004.”
The second charge, FHC/L/352C/2012, stated that the eight accused persons performed the duties of a Collecting Society on or about April 2010 within the Lagos Judicial Division of Federal High Court by “demanding royalties from Scarlet Lodge 79 Younis Bashorun Street, Victoria Island, Lagos and carrying on the business of soliciting and granting licences on behalf of copyright owners without the approval of the Nigerian Copyright Commission and thereby committed an offence contrary to and punishable under section 39 (4), (5) and (6) of the Nigerian Copyright Act Cap C28 LFN 2004.”
The third charge, FHC/L/353C/2012, stated that the accused persons performed the duties of a Collecting Society on or about May 2012 within the Lagos Judicial Division of Federal High Court by “demanding royalties from Blow Fish of 17 Ojun Olobun Street, off Bishp Oluwole Street, Victoria Island, Lagos and carrying on the business of soliciting and granting licences on behalf of copyright owners without the approval of the Nigerian Copyright Commission and thereby committed an offence contrary to and punishable under section 39 (4), (5) and (6) of the Nigerian Copyright Act Cap C28 LFN 2004.”
Counsel to the accused, Mr Adewale Adesokan Esq. applied to the court for bail of the accused persons.
The prosecution counsel, Mr. Obi Ezeilo, opposed the bail application on the ground that the accused persons were likely to jump bail in view of the fact that they had failed on several occasions to honour the Commission’s invitations during investigations while the accused persons were also facing trial in another court for a similar offence.
Justice Yunusa, in his ruling, granted the accused persons bail in each of the charges in the sum of one million Naira (N1, 000,000.00) and two sureties in like sum with proof of landed property in Lagos.
The cases were adjourned as follows꞉ Charge No. FHC/L/315C/2012 to February 19, 2013; Charge No. FHC/L/352C/2012 to February 26, 2013 and Charge No. FHC/L/353C/2012 to February 27, 2013.
It will be recalled that the Commission had received several petitions against the unlawful operations of MCSN from industry stakeholders.
Investigation confirmed that MCSN has been operating as a collecting society without the mandatory approval of the Nigerian Copyright Commission, by illegally granting licenses for usage of musical works as well as collecting royalties from unsuspecting organisations.
The Commission’s operatives had carried out an antipiracy operation, on October 19, 2012, on the premises of MCSN at 6, Olaribiro, Street, Off Allen Avenue Ikeja, Lagos during which five senior officials of MCSN were arrested, namely; Halim Mohammed, Banjo Omolara Biliqis, Yusuf Adogi Benson, Olakayode Ajayi and Njoku Gladys.
The Commission reiterates its commitment to protecting creativity and ensuring that the rights of copyright owners are protected. The Commission further enjoins members of the public to desist from transacting business with the MCSN as any further dealings with the illegal collecting society will amount to aiding and abetting illegality.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
E-Financial2 days agoCBN Wins Central Bank of the Year Title @13th Global Awards
General News2 days agoTech Firms Sack over 45,000 so Far in 2026
News2 days agoMorney Launches in Nigeria as E-invoicing Drives Finance Digitisation
Telecom2 days agoFG Taps Quest Merchant Bank for Advisory on 90,000km Fibre Project
General News2 days agoJury Finds Elon Musk Liable for Misleading Twitter Investors
General News2 days agoRockefeller, Global Energy Alliance Cross $100 million Mark in Africa Electrification Push
E-Financial21 hours agoDLM SPV PLC Lists ₦9.00bn AAA-Rated Medium-Term Notes on FMDQ Exchange, Sets Benchmark in Corporate Bond Market
News2 days agoDr Krishnan Ranganath to Lead UniCloud Africa in Continental Digital Infrastructure Push













