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NCC To Partner ANA to Boost Creativity in Schools

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The Nigerian Copyright Commission (NCC) is set to revive its youth and schools programme with the establishment of more Copyright and Creativity Clubs in schools to develop creativity and creative talents, promote respect for copyright and enhance the Commission’s delivery on its statutory mandates.

Dr. John O. Asein, Director-General of NCC, made this known at the 40th Anniversary of the Association of Nigerian Authors (ANA) and the commissioning of the ANA International Conference Centre at the Mamman Vatsa Writers’ Village, Mpape, Abuja on 5th November 2021.

Dr. Asein disclosed that, for a start, the 40 schools that recently benefitted from the donation of 40,000 books by ANA would form the pilot project of the Commission’s new enlightenment campaign as part of its collaboration with ANA to promote creativity amongst school children.

“The Commission will partner with ANA and work with the various State Chapters to encourage our children to invest more of their time in realising their creative talents. This would ensure continuity and the sustainable growth of the creative industry in Nigeria while helping the children to put their energies to fruitful pastimes”, he stated.

Commenting on the theme of the programme, Resilience and Nation Building: The Contributions of Nigerian Literature, the Director-General said, “Nigeria’s investment in the creative and knowledge economy would ultimately define its future; hence, the campaign of the NCC slogan for the 40th anniversary celebration of ANA, “Our Creativity; Our Future!”

The Director-General commended ANA for putting the 40,000 books in the hands of children in the 40 schools chosen and charged all stakeholders in the book sector to support the efforts of the Association and do whatever they could to help Nigerian children discover themselves.

He also urged them to encourage the coming generation to better appreciate Nigerian values, restore hope where there was hopelessness and help them in contributing their best for the good of the country.

“We will work together with ANA and every other stakeholder who believes in the future of this country to rebuild the character, passion and vision of these children”, he assured.

Also speaking in an interview during the anniversary, the ANA President, Dr. Camillus Ukah, said, “Creative literature is a very important tool for nation building, it is the missing link between our nation and development”.

He, therefore, called for the promotion of creative literature in view of its importance to the nation’s security and development.

Citing the dogged efforts of writers like Chinua Achebe and Professor Wole Soyinka, the ANA President emphasised that creative literature and its intellectual capital were vital to the sustenance of nation building.

In his words: “The story in literature is symbolic because it guides, corrects and shapes your mind. It is a product of resilience and key to the security of any nation because it grooms the mind and a groomed mind cannot get involved in untidy violence.“

Dr. Uka noted that the theme of this year’s ANA Convention, Resilience and Nation Building: The Contributions of Nigerian Literature, underscored the cardinal position of literature in the advancement of human cause.

He added that the Association donated the 40,000 books, comprising different titles of its members, to serve as basic materials to set up 40 ANA literary creativity centres in secondary schools across the country.

According to him, the donation was part of ANA’s literary campaign, The Book-A-Child-A-Week Project, designed to encourage every Nigerian school child to read at least one general interest and character-defining creative literature text every week. He thanked the NCC for its partnership and commitment to realising the objectives of the project.

The Secretary-General, Pan African Writers Association (PAWA), Dr. Wale Okediran, in his remarks, called for adequate funding and support for the operations of the NCC in view of the institutional and financial challenges facing it.

Dr. Okediran stated that the relevance of copyright at this crucial time in the creative sector could not be over emphasized.

“Most of the creative works are in the public space and available online which gives room for piracy. The Commission needs to be empowered for effective copyright protection and antipiracy measures”, he added.

Commending the ongoing review of the Copyright Act at the National Assembly and the renewed energy being injected into the operations of the NCC, the PAWA Secretary-General enjoined all stakeholders to support the Commission for effective implementation of its statutory mandates.

The Chairman, Nigerian Advisory Prize for Literature, Prof. Ezechi Adimora Ezigbo, delivered the keynote address on the theme: “Resilience and Nation Building: The Role of Nigerian Literature”.


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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