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Netflix Takes K-Content to New Heights with 2023 Slate

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The global fandom for K-content is continuing to grow, with over 60 percent of all Netflix members watching Korean titles last year. Looking ahead at 2023, Netflix is debuting a diverse array of Korean TV series, films and unscripted shows.

Today, we’re showcasing 34 upcoming titles, including eye-popping original productions alongside returning fan favorites, in our biggest-ever lineup of Korean films and series.

New series and returning favorites

Survival has become a recurring theme across some of the top series, whether it’s battling monsters during the dark days of 1945 in Gyeongseong Creature, struggling to breathe in the dystopian future of sci-fi series Black Knight, or fighting to protect Joseon during Japanese colonial rule in action drama Song of the Bandits.

Fans are set to rejoice with the return of highly anticipated series Sweet Home, D.P., and The Glory this year. Part 2 of revenge drama The Glory will be released in March, with Part 1 being the most-watched non-English TV show during the week of January 2 with 82.48 million viewing hours.

Sweet Home, which set new benchmarks for the creature genre in Korea, will return with an expanded world and story while D.P. brings back the cast from the first season to continue chasing after deserters.

“The global popularity of K-content has continued apace over 2022, with Netflix bringing a wider variety of stories and genres to fans around the world. Over the last year, Korean series and films have regularly featured in our Global Top 10 list in more than 90 countries, and three of Netflix’s most-watched shows ever are from Korea.

“This year, we’re pushing the envelope even further with the stories we tell and how we tell them. With this lineup of Korean titles, Netflix will continue to be the ultimate destination for compelling, diverse and must-watch Korean storytelling,” said Don Kang, VP of Content (Korea).

Other new series this year run the gamut of romance (A Time Called You, Behind Your Touch (WT), Crash Course in Romance, Destined With You, Doona!, King the Land, Love to Hate You, See You In My 19th Life), social commentary and intrigue (Bloodhounds, Celebrity, Mask Girl), drama (Daily Dose of Sunshine, Queenmaker, The Good Bad Mother),and apocalyptic (Goodbye Earth).

More films, more unscripted shows, more choice

The past year has seen Korean movies and unscripted shows becoming increasingly popular with global audiences. Action thriller Carter was one of the top 10 most-watched non-English films last year, while dating reality show Singles Inferno is currently sitting in the Global Non-English Top 10.

This year, Netflix is expanding its film offering with six Korean movies, kicking off with sci-fi thriller JUNG-E on January 20, followed by Kill Boksoon which depicts a professional killer with conflicting maternal instincts, and Believer 2, a sequel to a crime action thriller revolving around drug gangs. Other films explore the topics of revenge (Ballerina), teacher-student rivalry (The Match), and hacking (Unlocked).

Meanwhile those who love living vicariously will be spoilt for choice with a dazzling lineup of reality shows, spanning endurance (Physical:100, Siren: Survive the Island), zombie survival (Zombieverse) coming of age (Nineteen to Twenty), and mind games (The Devil’s Plan).

There are also two new documentaries coming out. Yellow Door: Looking for Director Bong’s Unreleased Short Film (working title) traces the quest for Oscar-winning director Bong Joon-Ho’s debut film while true-crime documentary In the Name of God: A Holy Betrayal explores the self-proclaimed ‘messiahs’ in modern Korean history.

“We are very excited over the variety of the titles that we’re sharing with our members,” said Kang. “There’s truly a series, a film or an unscripted show for everyone, and we look forward to our Korean shows connecting to fans both overseas and at home.”


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Broadcasting

NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

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Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.

Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.

According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.

“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.

She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.

Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.

She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.

While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.

“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.

Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.

James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.

Solafunmi Laelle, media strategist,  added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.

According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.

Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.

She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.

The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.

They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.


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Four Must-Watch African Films Debut Free on Glo TV

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Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.

“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.

Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.

Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.

The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.

Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.

Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.


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Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.

PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.

A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.

“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”

The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.

In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.


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