Broadcasting
Nigerian Idol: Faith Mac and Dotun Eliminated as Top 9 Emerge

Faith Mac and Dotun have been eliminated from the Top 11 stage of the Nigerian Idol competition after scoring the least votes in the first round of public voting.

During the live show on Sunday, May 16, show’s host IK Osakioduwa, reeled out the names of the contestants who made it through to the Top 9 stage of the competition, with each lucky contestant having the chance once again to prove their mettle with their song selection.
This week’s performances had the surviving contestants perform covers of songs composed by their music idols, while the judges – Seyi Shay, DJ Sose, and Obi Asika – watched in the capacity of audience members as the power to save and eliminate contestants had since left their hands.
Kingdom, who revealed that he idolised ‘Teni The Entertainer’, handed in a percussion-backed rendition of the hit song “Uyo Meyo”, which was well-received by the audience. DJ Sose remarked that he seemed very comfortable with the song and Seyi Shay noted that the performance was emotive.
Daniel went with a rendition of James Arthur’s “Empty Spaces”, which Seyi Shay criticized for lacking verve. Obi Asika was also critical of the song arrangement, but DJ Sose was of the opinion that he did a good job. Faith Jason, dressed in an all-red attire, performed a cover of Jon Bellion’s “All Time Low”, the same song that he had performed at the auditions, and the judges loved it even more this time around; Seyi Shay couldn’t contain her excitement.
Beyonce, who disclosed her admiration for the K-Pop band BTS, elected to perform a cover of the track “Dynamite”, with assistance from the live band. DJ Sose commended her for showing her playful side, and Obi Asika noted her growth through the stages of the competition.
Emmanuel, who had clearly become a fan favourite, rendered a soulful cover of Labrinth’s “Beneath Your Beautiful”, which was lauded by Obi Asika for the palpable emotion. Seyi Shay described it as “captivating”, and DJ Sose remarked that he would fare better as a live performer, in comparison to a studio recording.
The sixth contestant to be saved by the viewers was Akunna, the entertainment lawyer. Dressed in a glowing red gown, she took on the difficult task of covering Beyonce’s “XO”, but her strong voice carried the performance. The judges lauded her vocal range, as well as her stage presence.
The voters also appeared to show kindness to Clinton, who put his vocals to the test with John Legend’s “Tonight”, with some help from the live band. Seyi Shay felt that the delivery was not “natural”, but praised him for his vocals. On his part, DJ Sose felt that he “owned” the song.
There was a fleeting moment where IK Osakioduwa goaded the judges to disclose which of the remaining contestants would be saved, if it was up to them. Both Obi Asika and DJ Sose went with Francis and Comfort, but Seyi Shay decided to plead the fifth.
Also getting saved by the voting public was Francis, who chose to perform Sam Smith’s “Writing On The Wall”, the theme song for the James Bond film Spectre. It’s always difficult to match the energy of a Sam Smith song, but Francis pulled it off brilliantly, much to the applause of the judges: Obi Asika described his voice as a “lethal weapon.”
The ninth and final contestant to earn nods from the viewers on the night was Comfort, who found it difficult to control her emotions on learning that she had made it to the next stage. This meant that for Dotun and Faith Mac, their respective journeys at Nigerian Idol Season 6 had come to an end.
For her performance, Comfort went with a cover of Adekunle Gold’s “Ire.” The first few seconds were fraught with nerves, but she recovered quickly to deliver a strong performance, which Seyi Shay praised for the confidence displayed.
At this stage of Nigerian Idol Season 6, power is solely in the hands of the viewers, as they get to determine who stays and who leaves. You can vote for your favourite contestant via the Africa Magic website and mobile site by selecting contestants of your choice and entering your number of votes and click VOTE. Voting via these platforms are limited to 100 votes per user.
You can vote via the MyDStv App and MyGOtv Apps. Votes are free and are allocated based on your subscription packages. You can also send an SMS of your favourite contestants’ number to 32053, which costs N30 per SMS. Votes via SMS are limited to 100 votes per user and participating networks are Airtel & 9mobile. The voting window closes at 9pm on Wednesday, May 19, 2021.
Nigerian Idol Season 6 is sponsored by Bigi Drinks and Tecno Mobile. They can also follow this season of Nigerian Idol via the DStv app on multiple devices at no additional cost. The app is available for download on iOS and Android devices.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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