Broadcasting
Nollywood’s “Real Me Show†Debuts Soon
Nollywood reality TV show, “Real Me Show”, the first-ever celebrity show in the country is set for a smooth take-off.
Francis Onwochei of Frankochei Productions, one of the principal partners behind the project, said that as soon as the team finalizes the key issues relating to architecture, design layouts, pre-production configuration and production-related infrastructural issues with their foreign production partners who are expected in the country soon.
Big names in Nollywood such as Zik Zulu Okafor of Zulu Films, Chidi Nwokeabia and Charles Inojie of Macnuel Productions, the initiator of the project, are jointly responsible for the Nigerian leg of the production.
Onwochei disclosed that most of Nollywood’s top rated actors have given their written consents to participate in the show, which holds somewhere on Victoria Island. According to him, selection of Housemates will be done through a popularity vote by teeming Nollywood fans. Only celebrities that garner the highest votes will receive the red carpet welcome into the house.
Eight males and eight females are expected to be voted into the 21-day show and every housemate will be entitled to a minimum of N2million with the ultimate prize of N10million, in addition to a brand new SUV. Voters will also automatically qualify for draws.
The Real Me Show, he said, promises to be an explosive television reality programme, which will present Nigeria’s finest actors in their true colours. The housemates will engage in series of activities in and outside the house in a bid to unravel their real personae.
Viewers will then vote in or out, their preferred or non-preferred celebrity housemates via text messages. Onwochei said that apart from being aimed at unraveling the real personae behind celebrated Nollywood stars, the project is meant to establish a connection between the stars and their fans in a refreshingly new way.
“Celebrity Housemates are assured of a very decent show. We shall not encourage nudity. So rest assured, no one will be captured in the bathroom nor will the participant be made to expose any indecent manner to the viewing public. Besides, we shall abide strictly by the relevant broadcast codes applicable in Nigeria. Nothing shall be done to denigrate our stars," Onwochei assured.
According to Onwochei, the entertainment quotient will equally be fever pitch from day one to the last day when the ultimate winner as voted by the viewers will emerge.
“It will put in perspective the role-model values of the respective stars and challenge relevant government and corporate organizations to positively tap into these platforms for their various communication programmes.”
Onwochei reiterated that the Real Me Show platform provides a unique opportunity for many victories for Nollywood as an industry, the celebrity housemates, millions of viewers in Nigeria and beyond, and the project sponsors who will be announced in due course.
Broadcasting
NBC Tasks Broadcasting Stations over 2028 DSO Global Deadline

Mrs. Clementine Wamba, head, Digital Switch Over (DSO) at the National Broadcasting Commission (NBC), has stressed the need for broadcasting stations and practitioners nationwide to work towards meeting the 2028 global deadline for the switch over.

She made the call in her presentation titled, “DSO Big Picture: Free TV Audience Measurement and the Evolving Media Landscape”, at the 2026 NBC South West Summit held in Ibadan.
Wamba harped on the need for practitioners to adopt DSO in the transmission of news and other programmes in order to meet future challenges, stating that any country that fail to align with the DSO by 2028 will be shut out of practice.
This development, according to her, may result in job losses and other consequences that could hinder the growth of the industry in Nigeria, noting that Free TV is tailored towards the DSO, with provision for many channels in contrast to the age-long analogue system.
According to her, “The Digital Switch Over is a technological improvement on the age-long analogue style of broadcasting in the country. With the adoption of the DSO, practitioners will be in tune with global practice of broadcast journalism.
“Also, its benefits include efficient use of spectrum, changing of industry landscape, more access to national development programmes and better viewing experience.”
Broadcasting
NBC Scraps Annual Digital Access Fee on DSO

National Broadcasting Commission (NBC) has said that Nigerians will no longer pay annual Digital Access Fees under the renewed Digital Switch Over (DSO) project.

Charles Ebuebu, director-general, NBC, disclosed this in an exclusive interview with the News Agency of Nigeria (NAN) on Wednesday in Abuja,
Ebuebu said viewers only need to purchase an approved decoder and satellite dish which cost below N20,000 to enjoy free television permanently.
“Previously, users paid an annual digital access fee of about N1,500, described as an administrative charge.
“The new system removes that annual fee. It provides free access to free-to-air television channels without any payment.
“Premium channels will be introduced later. Viewers who want those additional channels will be able to access them through paid services.
“Nigerian content on free-to-air channels remains free to watch. Unlike Pay TV, this platform does not require monthly subscriptions for its basic service,” he said
Ebuebu said approved decoders for the FreeTV will cost less than N20,000 and authorised sales outlets will soon be announced.
He urged Nigerians to wait for official information on approved dealers for the DSO decoders, warning that unauthorised sellers are exploiting growing public demand.
He reiterated that people only need a free-to-air decoder, along with a satellite dish instead of the old antenna system to receive the DSO signal.
“Once the equipment is installed, viewers can access all available channels across the country without paying any subscription fees,” he stressed
The DG dismissed claims by some retailers that there are different categories of decoders sold at varying prices, stressing that such sellers are not authorised by the commission.
According to him, the NBC will soon publish the list of approved dealers, official prices, and locations where genuine decoder boxes and accessories can be purchased.
The NBC boss said the DSO project is designed not only to improve television broadcasting but also to stimulate economic growth by creating jobs, attracting investment, and opening up opportunities for businesses that support the broadcasting industry.
Ebuebu noted that content producers and broadcasters stand to benefit significantly from the nationwide reach of the DSO platform.
Unlike the previous system, where many stations had limited regional audiences, he said the new platform will make their channels available to viewers across Nigeria.
He added that the introduction of audience measurement technology will provide scientific and reliable data on television viewership.
Ebuebu added that audience measurement technology will give advertisers greater confidence in placing adverts and enable broadcasters to demonstrate the true size and reach of their audiences nationwide.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Telecom2 days agoHelios Towers Secures $29m Facility to Expand Across Africa
News2 days agoValueJet Expands Fleet with Boeing Aircraft, Targets Wider African Network
Telecom2 days agoNCC Begins Stakeholder Consultation on MVNO Business Rules
E-Financial2 days agoFirst Securities Brokers Empowers Nigerians to Trade in the Stock Market with the Launch of FirstInvest App
Telecom2 days agoSurge in Fibre Cuts Hobbles Service Provisioning
E-Business2 days agoJumia Seeks for Payment Harmonisation, Stronger Policies to Boost Africa’s Digital Trade
Broadcasting2 days agoNBC Scraps Annual Digital Access Fee on DSO
News2 days agoCourt Orders Final Forfeiture of 48 Properties Linked to Former AGF Abubakar Malami














