Broadcasting
NTA Serves Breakfast with a.m Express
a.m Express, the best thing to have hit the television recently is rocking over 30 million viewers across Nigeria and the promoters of the early morning breakfast show of the Nigeria Television Authority (NTA) network are happy about it.
The show is a combination of a variety of programming on NTA and serves as a platform for various network centers of the NTA to feature the culture, lifestyle and places in Nigeria, real-time.
The show made its debut on November 25, 2002 and has since become the flagship of all breakfast programmes in Nigeria.
It is broadcast from 6:30 – 9:00am daily.
a.m Express originated in Lagos and for three years, was transmitted only from the Lagos network center of the NTA. Today it has grown in leaps and bounds and is phenomenal.
Eleven zones of the NTA contribute to the programme. These include Lagos, Abuja, Benin, Port-Harcourt, Enugu, Kaduna, Jos, Sokoto, Maiduguri, Ibadan and Makurdi.
Daily broadcasts are limited to five stations with Lagos and Abuja as constant contributors.
It is designed in such a way, to originate from a particular station everyday, which then hooks up other stations for their contributions.
a.m Express boasts of a wide range of segments. It starts with ‘Food for Thought’, which is meant to stimulate everyone’s psyche and make one face the day with a positive attitude and healthy mind.
The aerobics section on the other hand, is created to help individuals develop a healthy body.
The business segment covers such areas as the Banking sub-sector, Stock Exchange, Real Estate, Oil and Gas.
The entertainment segment highlights the Nigerian music scene, art and craft from Nigeria, sports, life and leisure and health tips while the Metropolis segment gives information on land and air traffic situation across the states.
News from the originating zone and newspaper reviews are also included to keep the populace well informed.
The show features interviews and discussions with experts and influential personalities in the society in order to highlight their contributions in nation and capacity building in Nigeria.
a.m digest is a social diary that covers live events and special occasions across the country and is a recent introduction into the show, being a brain child of Jimmy Atte, executive director of Programmes, NTA.
Mrs. Felicia Ema, assistant director of programmes, Lagos Network Center, said "a.m Express is an NTA programme with the major objective of promoting the positive aspect of the Nigerian culture, highlighting the beauty and diversity in the customs of the people."
According to her, the show offers a unique blend of programme types on all aspects of human endeavour, ranging from business matters, socials and entertainment; adding that it has never failed for one day and has the prospects of out-living its developers, if well nurtured.
Popular faces on the programme include, the legendary Yinka Craig, Mariam Anazodo, Thelma Obaze, Techla Wilkie, Tony Ajibosin, Jumai Yusuf, Deborah Agboola, among others.
But dearth in equipment, funding, availability of guests, are identified as the challenges encountered in the course of producing the show.
a.m Express is a recipient of numerous international and local awards among which are the NUJ, Abuja Council award for the promotion of African culture and freedom of speech; the 2005 U.S Commercial Service awards in support of the CTO event; the 2004 CMA awards as the most popular breakfast show on TV; the 2004 ministry of culture and tourism award for excellent performance.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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