Broadcasting
Okoroji Calls for Collective Bargaining for Proposed Nollywood CMO

Chief Tony Okoroji, chairman, Copyright Society of Nigeria (COSON) has called for cooperation and mutual understanding in the establishment of the proposed Collective Management Organisation (CMO) for the Nigerian movie industry.
According to him selfish interest and personal gains should be discarded by all parties to ensure success of the CMO from take off.
He said: “Collective management cannot solve all the problems of the movie industry but it can help the industry speak more and more with one voice and create a lot more wealth for the practitioners. For an effective collective management system to evolve in the Nigerian film industry, a system that will make the likes of Hubert Ogunde happy where ever, they may be, the different practitioners, guilds and associations must understand that it is far better to come together and jaw-jaw rather than war-war. Everyone concerned must allow give-and-take and show some patience in the evolution of a model that adequately addresses the unique Nigerian situation”.
In a bid to ensure that its members and other stake holders reap the fruit of their labour and enjoy copyright royalties on their movies, soundtracks, etc, the Association of Nollywood Core Producers (ANCOP) in partnership with the International Federation of Film Producers Associations (FIAPF) recently put together an initiative to help practitioners hear from experts on the nitty-gritty of the essence or otherwise of the concept of collective management in the Nigerian movie industry.
The event tagged “A Forum on Copyright and Growth in Nollywood,” the initiative was aimed at proffering insights into the possible formation of a collective management organization that will set the machinery for the royalty collection in Africa’s biggest movie industry.
Delivering a paper titled ‘The Nigerian Film Sector and its related Copyright Challenges” Okoroji said the growth and achievement of Nollywood in the world has made it more pertinent that the issue of royalty payment is of paramount importance but “caution” he advised must be taken in its establishment.
Highlighting the success of Coson in it’s barely two years of existence, the Coson chairman stressed his conviction that a CMO for Nollywood can indeed function.
“From what I have seen Coson do in so short a time, I cannot but support the emergence a CMO for the Nigerian audio visual industry for several reasons. With increased bandwidth in the internet age and the exploding capability for live streaming and downloading of movies, it is inconceivable how any individual producer can monitor the proliferating use of his works, license such use and earn revenue from the use.”
He said one of the significant streams of income expected in the creative industries in Nigeria soon is the private copying levy provided for in Section 40 of the Nigerian Copyright Act which implementation is expected to start in 2013.
“Without a strong CMO in the industry, I see no way that any practitioner in the Nigerian Movie industry can benefit from the levy scheme which is already running reasonably well in Ghana. I also believe that with the big broadcast networks that offer filmmakers ‘take it or leave it’ contracts, collective management gives the industry much stronger muscle to negotiate better terms and protect the interest of the stakeholders.”
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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