Broadcasting
Rise of Afro-Futurism: African Story from Different Perspective through Technology

Fresh off the critical acclaim and success of Black Panther, Afrofuturism is experiencing a resurgence with the thirst for new perspectives on African stories in relation to technology to grab the attention of a wider audience.
Speaking on the focus on ‘Afrofuturism’, Jonathan Dotse – Ghanaian Afrofuturist and Science Fiction Writer presented his insights on the concept of Afrofuturism and its impact on Africa’s creative industries at the 5th edition of the Digital Dialogue, a thought-leadership platform established in 2012 and facilitated by MultiChoice to address various issues facing the video entertainment industry on the continent and share industry best-practice.
Dotse spoke about his influences behind his various works saying, “Back in 2009, I attempted to write science-fiction however, I was trying to write it from an Africa perspective but found it difficult to find a believable foundation to build my content. My ideas were based on a Western perspective so I began to think more about Africa and science-fiction in a constructive and realistic way while creating awareness for the lack of Afrocentric narratives in the genre.” Defining Futurism as “any mindset that predisposed society to express their belief in terms if something far larger than present and past,” Dotse explained further saying Afrofuturism is an ancient African cultural practice undertaken as ‘resistance to cultural hegemony and loss of identity’.
According to Dotse, the African-American diaspora has played a critical role in the recent resurgence of Afrofuturism, looking at various creative works including the Woyaya album by Ghanaian Afro-pop band Osibisa; American fiction writer Octavia Butler; American jazz composer Sun Ra; US music artist Janelle Monae as well as films like Les Saignantes by Jean-Pierre Bekolo; Pumzi by Wanuri Kahui from Kenya; Robots of Brixton by Kibwe Tavares; Kajola by Niyi Akinmolayan in Nigeria and District 9 by Neill Blomkamp from South Africa. “Expressions of Afrofuturism are present in all facets of African and African-Diaspora creativity. The African Diaspora has played a significant role in advancing defining Afrofuturism while various independence movements spurred much of the creative energy,” says Dotse.
Dotse also shared his belief that Afrofuturism has lead to a re-awakening of self-identity among African youth and its potential to grow the strength of ‘socio-political movements seeking to boost African representation in media’.
Dotse also expressed his belief that Afrofuturism will ignite and grow engagement of youth in science and technology and increasing accessibility to the tools of digital media creation and dissemination. He concluded his presentation by exploring the future prospects of Afrofuturism which include reconnecting traditional African culture with modern concepts of development and reconstructing the missing pieces of Africa’s lost history in technology to drive youth engagement in STEM and futurist thinking.
Broadcasting
MTN Launches One TV with Free-to-View, Pay-as-You-Go

MTN Group has begun rolling out MTN One TV, a new entertainment proposition designed to make digital video content more accessible, relevant, and flexible for customers across African markets.

Introduced in line with MTN’s Ambition 2030 strategy, MTN One TV brings together local storytelling, live channels, international programming, and market-specific viewing options tailored to how customers across the continent access and pay for digital entertainment.
The proposition is designed to give customers greater choice in how they watch content, with viewing models that may vary by market and can include free-to-view content, advertising-funded experiences, pay-as-you-watch access, and subscription offerings.
Depending on local availability, customers may also be able to pay through airtime, Mobile Money, and other locally supported payment methods, helping to reduce common barriers to streaming access.
Beyond enhancing customer experiences, MTN One TV creates new opportunities for African creators, broadcasters, advertisers, and ecosystem partners by helping connect content to wider audiences through MTN’s scale across connectivity, payments, and digital services.
By bringing together a broad mix of content experiences under a single proposition, MTN aims to support greater content discovery, broader audience reach, and sustainable growth across Africa’s digital entertainment ecosystem.
Anchored in MTN’s strategic platforms of Connectivity, Fintech, and Digital Infrastructure, MTN One TV forms part of the Group’s broader ambition to build digital experiences that create value for customers while enabling participation and growth across Africa’s digital economy.
“Entertainment is increasingly becoming an important gateway to digital participation,” said Selorm Adadevoh, MTN group chief commercial, strategy and transformation officer.
“Through MTN One TV, we are leveraging the scale of our connectivity, fintech, and digital capabilities to make relevant content more accessible while creating new opportunities for Africa’s creative and digital economies. This is aligned with our ambition to deliver digital solutions for Africa’s progress.”
MTN One TV is being introduced progressively across MTN markets through a phased rollout approach that reflects local market needs, existing services, and partnership opportunities.
Over time, MTN will bring together a combination of video capabilities, content partnerships, and customer experiences under the MTN One TV brand to create a more consistent and scalable entertainment proposition across its footprint.
Through MTN One TV, MTN continues to extend its role beyond connectivity by combining entertainment, payments, and digital services to deliver experiences tailored to the needs of African consumers.
The rollout supports MTN’s Ambition 2030 vision of leading digital solutions for Africa’s progress while expanding access to digital entertainment across the continent.
Broadcasting
IATA Drops Bombshell: Nigeria Among World’s Most Expensive Countries to Run an Airline

International Air Transport Association (IATA) has identified Nigeria as one of the most expensive countries in the world for airline operations, citing high taxes, charges and operational costs that continue to weigh heavily on local carriers.

IATA’s Regional Vice President for Africa and the Middle East, Kamil Al-Awadhi, disclosed this during the association’s Annual General Meeting held in Rio de Janeiro.
Al-Awadhi said that although Nigeria’s Minister of Aviation and Aerospace Development, Festus Keyamo, had been pursuing reforms aimed at improving the aviation sector, airlines operating in the country still faced enormous cost pressures.
According to him, the high-cost operating environment has continued to affect the profitability and competitiveness of Nigerian airlines, making it difficult for the industry to realise its full potential.
He noted that excessive taxes, regulatory charges and other operating expenses remained major obstacles to airline growth across the region, with Nigeria ranking among the most challenging markets from a cost perspective.
Al-Awadhi urged member states of the Economic Community of West African States to adopt a proposed 25 per cent reduction in aviation taxes and charges to ease the burden on airlines and passengers.
According to him, lowering taxes and charges would reduce airfares, stimulate passenger traffic and strengthen the competitiveness of carriers operating within West Africa.
He stressed that a more supportive policy environment was critical to unlocking the economic benefits of aviation, including increased trade, tourism and regional integration.
Industry stakeholders have consistently advocated lower taxes and regulatory fees, arguing that the current cost structure makes air travel less affordable and limits the growth of the sector.
IATA’s latest remarks add to calls for governments in West Africa to implement policies that will promote a more sustainable and competitive aviation industry across the region.
Broadcasting
NASENI Trains 50 Women in Kano on Renewable Energy Technologies Under She-Powers Initiative

The National Agency for Science and Engineering Infrastructure (NASENI), under the leadership of its Executive Vice Chairman/CEO, Khalil Suleiman Halilu, has trained 50 women in Kano State on inverter and battery technologies through its She-Powers Energy Initiative.

The three-day programme, held at the Technology Incubation Centre, Farm Centre, Kano which ended yesterday, was designed to equip participants with practical renewable energy skills, promote women-led enterprises, and enhance sustainable livelihoods.
The initiative forms part of NASENI’s broader commitment to empowering women, creating economic opportunities, and expanding participation in Nigeria’s growing clean energy sector. It also aligns with the Renewed Hope Agenda of President Bola Ahmed Tinubu by supporting job creation, entrepreneurship, and inclusive economic development.
Through targeted interventions such as the She-Powers Energy Initiative, NASENI continues to demonstrate its commitment to leveraging technology and innovation to improve lives and drive sustainable development across the country.
Photos: Participants at the She-Powers Energy Initiative training organised by the National Agency for Science and Engineering Infrastructure (NASENI) held at the the Technology Incubation Centre, Farm Centre, Kano yesterday.
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