Broadcasting
SABRE EMEA: Africa PR & Comms Report Committee Hails BlackHouse Media, BCW, Clockwork, Edelman and Razor on Excellent Achievement

The coordinating committee of the Africa PR & Comms Report (APCR) has commended the top five PR consultancies across Africa – BCW, BlackHouse Media Group (BHMG), Clockwork, Edelman and Razor for their recognition by one of the most respected communications awards in the world.
These five companies from Nigeria and South Africa have been nominated in the 18th edition of PRovoke’s prestigious, SABRE Awards EMEA.
Over 400 campaigns were selected from more than 2,000 entries in this year’s keenly contested competition. The award, which recognizes superior achievement in branding, reputation and engagement, will announce the winners at The Guildhall in London on May 27.
The Awards benchmark the best PR work from across the globe. This year, 10 indigenous African agencies received 21 nominations on the shortlist, with the top five vying for the ‘2022 Africa Consultancy of the Year’ honour.
APCR Committee member, and Co-founder, Africa Communications Week, Eniola Harrison says, “As we work on producing the first-ever annual PR and Comms report from the continent, we are proud of the recognition African firms have received this year from the team at PRovoke.
“The continued growth and success of practitioners on the continent is a testament to the years of hard work, continued investment and the passion our leaders have not only for the profession, but also for the continent.
“And we look forward to providing the world with the much needed insights and perspectives so that this growth will only continue.”
BCW Africa is an award-winning African public relations network, with partners in over 50 African countries, and its headquarters in Johannesburg, South Africa. In 2021, the company’s CEO of over 30 years, Robyn de Villiers, stepped down, encouraging a new leadership of co-managing directors — Bridget von Holdt and Karl Haechler.
During that year, the agency fine-tuned its proprietary approach to developing communications strategy collaboratively with clients via deep-dive workshops, and increased its focus on issues management and crisis communications for a growing list of public sector and private clients across multiple sectors and countries.
AstraZeneca, Janssen Pharmaceuticals, CNN, Warner Media, Vedanta, Facebook, Danone Nutricia Côte d’Ivoire, Del Monte Kenya, Toyota Kenya, Kenya Civil Aviation Authority, Mastercard Foundation, Bank of Africa and Airtel Nigeria, are some of the company’s award-winning clients.
Founded by two journalists, Tom Manners and Nic Simmonds, in South Africa 11 years ago, Clockwork has quickly become one of the continent’s top agencies. In that short time, the company has won in the ‘African Agency of the Year’ category three times. With its focus on digital, the company has also expanded operations to the UK. Clockwork focuses on strategy, creativity and measurement across technology, gaming, entertainment and financial services.
Some of its campaign highlights include #RewriteOurProverbs to #WriteOffGBV for Green Door, as well as work for Meta, Netflix and Acer.
BlackHouse Media Group, a global public relations and communications company, working from Africa and the United Kingdom, intends to be Africa’s first truly global PR firm leveraging insights into different markets, relationships, industry expertise and technology.
Since its inception, in 2006, BHM has grown into a US$3.7m operation offering clients a range of services — reputation management and corporate comms, media relations and training, research, and social media among others.
The firm currently has its African operations steered by ID Africa, a pan-African communications advisory and execution company. Honeywell Group, Shoprite, ALAT, BMGF, Project Management Institute, Showmax and Jumia, MultiChoice DSTV, MTN Nigeria, Reckitt, X3M Ideas, Livespot 360, Nigerian Breweries, Lori Systems and Betway, are some of the company’s big-ticket clients.
On the list, the newest full entry into the market is Edelman, after acquiring longtime South African affiliate, Baird’s Renaissance, nine years ago. With its key location in South Africa, the agency took further steps in 2019 by acquiring arguably one of Kenya’s oldest PR firms, Gina Din Corporate Communication.
This acquisition has given the company a foothold in Tanzania, Rwanda, Uganda and Ethiopia. The company’s work for Unilever – “Brut Virtual Elevator Pitch,” #BeautyAtHomeWithU – has continued to be a big selling point. Edelman’s Trust Barometer has also expanded to the continent.
M&C Saatchi’s Razor launched in South Africa under the stewardship of Dustin Chick and Kalay Maistry only two years ago, but has quite rapidly become a must-watch within Africa’s communications industry.
The company boasts of expertise in financial services, technology, public advocacy and measurement with heavy investment in creative strategy and corporate storytelling. Clients include Anglo American, The Beverage Company, Investec and Innovation African, Tiger Brands, Audi, Dimension Data, BDO and Discovery Life.
Broadcasting
Obi, NDC Presidential Candidate Faces N50Bn Defamation Claim over Alleged Podcast Remark

Abayomi Arabambi, national vice chairman (South-West) of the Labour Party, has demanded a public apology, a retraction, and N50 billion in damages from Peter Obi, presidential candidate of the Nigeria Democratic Congress (NDC), over an alleged defamatory statement made during a podcast interview.

The demand was contained in a letter issued by the law firm Neplus Ultra Attorneys and signed by Anderson U. Asemota, Peter O. Asimegbe, and Stanley C. Eziefulle on behalf of Arabambi.
According to the letter, the legal dispute arose from comments allegedly made by Obi during the interview, where he reportedly stated that Arabambi “does not have an address.”
Arabambi’s legal team described the statement as false, malicious, and defamatory, arguing that it portrayed their client as a faceless individual without legitimacy, credibility, or standing in public life.
The lawyers further claimed that the interview was widely circulated on television stations and digital platforms, exposing Arabambi to public ridicule and damaging his reputation.
“Our client has had a known residential and business address, maintains professional and political affiliations within Nigeria, and has never been a person whose whereabouts or identity were unknown,” the letter stated.
The legal team maintained that the alleged publication caused embarrassment and harmed Arabambi’s public image and political standing.
As part of their demands, the lawyers called for an unreserved public apology to be aired on national television, published on Obi’s verified social media platforms, and carried as full-page apologies in national newspapers.
They also demanded the payment of N50 billion as compensation for the alleged injury to Arabambi’s reputation, dignity, political standing, and public image.
Broadcasting
Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home – Steve Babaeko

When Nigerians began arriving back home on emergency flights following an ultimatum from anti-migrant groups in South Africa, Steve Babaeko, alongside The Nigerian Institute of Hospitality and Tourism (NIHOTOUR), saw an opportunity to step up for his fellow citizens.

Steve Babaeko
The CEO of X3M Ideas explains that he saw a deep obligation, one that had nothing to do with advertising and everything to do with hospitality. For Babaeko, it was a reminder that an agency owes a duty of care to the community it exists within.
That conviction shaped the creative agency’s partnership with the Nigerian Institute of Hospitality and Tourism (NIHOTOUR) for the newly launched ‘Welcome Home’ pilot programme at Murtala Muhammed International Airport (MMIA) in Lagos. Rather than simply crafting a messaging campaign around the crisis, X3M Ideas helped design a tangible, physical system.
“This wasn’t built as a campaign about a crisis,” Babaeko said. “It was a hospitality agency deciding what it owes its own citizens the moment they land.”
For Babaeko, what X3M has built is infrastructure, something returnees can physically walk through, use, and benefit from the instant they clear the arrival gate.
With the MMIA pilot now officially running, NIHOTOUR directs returnees to immediate support services and issues them a Returnee Card. This card grants individuals a free first night at partner hotels, immediate transport assistance from the airport, and fast-tracked business registration support.
Furthermore, the initiative features a dedicated Restart Desk to assist returnee entrepreneurs and tradespeople with job placement referrals and business registration. This operates alongside a public Homecoming counter that tracks the cumulative number of returnees welcomed, businesses restarted, and jobs facilitated.
Broadcasting
Spotify partners Afro Nation Portugal to expand African music experience

Spotify has announced a partnership with Afro Nation Portugal as the festival’s official sponsor and exclusive streaming partner for the 2026 edition, in a move aimed at bringing African music and festival experiences to a wider global audience.

The collaboration will provide fans with a dedicated Afro Nation destination on Spotify, featuring official festival playlists, participating artists and selected performance videos after the event.
The 2026 edition of Afro Nation Portugal is scheduled to hold from July 3 to July 5 in Portimão, Portugal.
Spotify said the partnership would enable fans to engage with the festival before, during and after the live event, regardless of their location.
The streaming platform noted that the initiative aligns with its continued investment in promoting African music and supporting its growing international audience.
Speaking on the partnership, Spotify’s Content Marketing Manager for Sub-Saharan Africa, Mr Rifumo Mdaka, described Afro Nation as a global showcase for African music and culture.
“Afro Nation is more than a festival; it is a global expression of African music, fan culture and creative influence.
“Our partnership is about helping that moment travel further through our first collaboration with Afro Nation of this nature.
“By bringing the festival to Spotify, we are giving fans a place to connect with the artists, performances and stories that define the festival long after the final set,” he said.
According to Spotify, the collaboration will also include exclusive festival content, artist discovery features, curated playlists and fan-focused storytelling.
The company said it would document the journey of a selected fan travelling to the festival as part of efforts to showcase the growing global appeal of African music.
Also speaking, Director of Global Partnerships at The Malachite Group and Afro Nation, Ms Clémence Blum, said the partnership represented a major step in expanding the festival’s global reach.
“Afro Nation has always been more than a festival. It is a platform built to celebrate African music, support artist breakthroughs and connect a global community through culture.
“Our partnership with Spotify reflects the shared role we both play in helping artists reach new audiences and giving fans deeper ways to engage with the music they love,” she said.
Spotify said selected live performances from the festival would be made available on the platform after the event, allowing fans around the world to relive the performances on demand.
The company added that the partnership reinforces its commitment to promoting African music, supporting artists and strengthening connections between creators and audiences across the globe.
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