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Showmax Collaborates With CANAL+ to Premiere Epic, Action, Fantasy Series this September

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Showmax has just dropped the trailer for Blood Psalms, an epic action-packed African fantasy series. A co-production with CANAL+, Blood Psalms will premiere on Showmax on 28 September, 2022 with new episodes every Wednesday for 11 weeks.

Set in Ancient Africa, one thousand days after the fall of Atlantis, Blood Psalms explores the story of the five surviving houses of Kemet as they find themselves beset with fears of a prophesied end of days.

Bokang Phelane has the role of a lifetime as Princess Zazi, a fiercely determined teenage princess who must navigate primordial curses, long-standing ancestral vendettas, and her inexplicable role as the damning prophecy’s chief harbinger.

Mothusi Magano, winner of four SAFTAs and an African Movie Academy Award (AMAA), plays her father, mad king Letsha, while SAFTA winner and 2022 DSTV Mzansi Viewers’ Choice nominee, Zolisa Xaluva (Gomora, Knuckle City) plays her lover, General Toka, the head of her father’s Akachi army.

“Blood Psalms is the biggest and most ambitious series we’ve ever made, completely unlike any other African series you’ve ever seen,” says Nomsa Philiso, executive head: programming at MultiChoice. “We couldn’t be more excited.”

“This show was specifically created as a reimagining of ourselves as Africans, as an answer to ‘Who are we?’,” says Phelane. “It’s done in a very entertaining way, with a lot of drama and action.”

The trailer gives first glimpses of the star-studded cast, which includes SAFTA winners Bongile Mantsai (Knuckle City), Hamilton Dlamini (Five Fingers For Marseilles), Hlubi Mboya (Isidingo), S’dumo Mtshali (iNumber Number, Is’thunzi), Siv Ngesi (DAM), Thishiwe Ziqubu (The Imposter), and Warren Masemola (The Republic), as well as SAFTA nominees Enhle Mbali Mlotshwa (Rockville), Niza Jay (The Wound), Richard Lukunku (Happiness Is A Four-Letter Word), Sello Maake kaNcube (The Herd), Thando Thabethe (Reyka), Thembekile Komani (Knuckle City) and Zikhona Sodlaka (The Wife), not to mention AMAA nominee Faniswa Yisa (Knuckle City, DAM) and the likes of Faith Baloyi (Flatland), Lemogang Tsipa (Shaka Ilembe), and Thabo Rametsi (Kalushi, Silverton Siege).

Show creators Layla Swart and Jahmil X.T. Qubeka from Yellowbone Entertainment were responsible for South Africa’s 2020 Oscar entry, Knuckle City. The boxing drama was the most awarded film at the 2020 SAFTAs, where it took home six awards, including Best Director for Qubeka and Best Editor for Swart, and the most nominated film at the 2020 AMAAs, where it won two awards.

“What we’re trying to do is to reclaim the continent’s history from an African perspective,” says Swart. “Blood Psalms has elements of every African culture’s mythology and looks at various different tribes – the Akachi, the Uchawi, the Ku’ua, the Chini, and Great Nziwemabwe – as they migrated south from Kemet, which is now Egypt, and formed their cultures.”

Shot in the Eastern Cape, Gauteng and North West provinces, Blood Psalms is a Showmax Original in partnership with CANAL+, the Department of Trade, Industry and Competition, the Eastern Cape Economic Development Corporation (ECDC) and the MultiChoice Innovation Fund.


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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Falana Wins $25,000 Damages from Meta Over Fake Illness Video

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Lagos High Court at TBS has awarded $25,000 in damages in favour of Mr. Femi Falana (SAN) in his $5 million lawsuit against Meta Platforms Inc., the US-based technology company owned by Mark Zuckerberg, over the alleged invasion of his privacy.

Falana Wins $25,000 Damages from Meta Over Fake Illness Video

Early in 2025, a video was published on Facebook claiming that Falana was suffering from a terminal illness, which prompted the suit

Delivering judgment on Tuesday, January 13, Justice Olalekan Oresanya held that a global technology company such as Meta, which hosts pages for commercial benefit, owes a duty of care to persons affected by content disseminated on its platform.

Falana, through his lawyer, Mr. Olumide Babalola, accused Meta of publishing motion images and voice captions titled “AfriCare Health Centre” on its platform, suggesting that he suffered from a disease known as prostatitis.

He argued that the publication constituted an invasion of his privacy as guaranteed under Section 37 of the Constitution of the Federal Republic of Nigeria, 1999 (as amended).

Falana said the false video about his health status had tarnished his image and reputation built over the years.

He also contended that the publication, which he described as false, offensive and disturbing, painted him in a false light and caused him mental and emotional distress.

In its judgment, the court rejected the argument that digital platforms can rely solely on “hosting” or “intermediary” defences where the platform monetises content and the harm arising from misinformation is reasonably foreseeable.
Falana’s lawyer said the decision reinforces a standard of platform accountability under Nigerian law, aligning with emerging global jurisprudence.

The court further held that “the fact that the applicant is a public figure does not rob him of his right to privacy.” It found that the publication of false medical information intruded into the claimant’s private life, regardless of his public standing.

Babalola said the finding settles an important misconception in Nigerian legal practice and affirms that health data enjoys heightened protection, even for public figures.

The court also held that Meta determines the means and purposes of processing content, monetises pages, and controls distribution algorithms, thereby acting as a joint data controller with page owners.

Consequently, Meta was held vicariously liable for the offensive video.

Babalola said: “This is a major development under the NDPA and weakens the ‘mere platform’ defence traditionally relied upon by Big Tech.”

The court further ruled that Meta breached Section 24 of the NDPA by processing personal data that was inaccurate, harmful, lacked a lawful basis and was unfair to the learned Senior Advocate. The false health information was held to amount to unlawful processing per se.

It emphasised that where the risk of inaccuracy is foreseeable, particularly in relation to sensitive personal data, a platform owes a heightened duty to ensure accuracy and integrity.

The court held that Meta failed to deploy adequate safeguards to prevent or mitigate the harm.

As a global technology company with vast resources, Meta was expected to implement effective content-review mechanisms, rapid takedown processes and safeguards proportionate to the risks posed by misinformation. Its failure to do so, the court held, amounted to regulatory non-compliance.


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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