Broadcasting
Showmax Collaborates With CANAL+ to Premiere Epic, Action, Fantasy Series this September

Showmax has just dropped the trailer for Blood Psalms, an epic action-packed African fantasy series. A co-production with CANAL+, Blood Psalms will premiere on Showmax on 28 September, 2022 with new episodes every Wednesday for 11 weeks.

Set in Ancient Africa, one thousand days after the fall of Atlantis, Blood Psalms explores the story of the five surviving houses of Kemet as they find themselves beset with fears of a prophesied end of days.
Bokang Phelane has the role of a lifetime as Princess Zazi, a fiercely determined teenage princess who must navigate primordial curses, long-standing ancestral vendettas, and her inexplicable role as the damning prophecy’s chief harbinger.
Mothusi Magano, winner of four SAFTAs and an African Movie Academy Award (AMAA), plays her father, mad king Letsha, while SAFTA winner and 2022 DSTV Mzansi Viewers’ Choice nominee, Zolisa Xaluva (Gomora, Knuckle City) plays her lover, General Toka, the head of her father’s Akachi army.
“Blood Psalms is the biggest and most ambitious series we’ve ever made, completely unlike any other African series you’ve ever seen,” says Nomsa Philiso, executive head: programming at MultiChoice. “We couldn’t be more excited.”
“This show was specifically created as a reimagining of ourselves as Africans, as an answer to ‘Who are we?’,” says Phelane. “It’s done in a very entertaining way, with a lot of drama and action.”
The trailer gives first glimpses of the star-studded cast, which includes SAFTA winners Bongile Mantsai (Knuckle City), Hamilton Dlamini (Five Fingers For Marseilles), Hlubi Mboya (Isidingo), S’dumo Mtshali (iNumber Number, Is’thunzi), Siv Ngesi (DAM), Thishiwe Ziqubu (The Imposter), and Warren Masemola (The Republic), as well as SAFTA nominees Enhle Mbali Mlotshwa (Rockville), Niza Jay (The Wound), Richard Lukunku (Happiness Is A Four-Letter Word), Sello Maake kaNcube (The Herd), Thando Thabethe (Reyka), Thembekile Komani (Knuckle City) and Zikhona Sodlaka (The Wife), not to mention AMAA nominee Faniswa Yisa (Knuckle City, DAM) and the likes of Faith Baloyi (Flatland), Lemogang Tsipa (Shaka Ilembe), and Thabo Rametsi (Kalushi, Silverton Siege).
Show creators Layla Swart and Jahmil X.T. Qubeka from Yellowbone Entertainment were responsible for South Africa’s 2020 Oscar entry, Knuckle City. The boxing drama was the most awarded film at the 2020 SAFTAs, where it took home six awards, including Best Director for Qubeka and Best Editor for Swart, and the most nominated film at the 2020 AMAAs, where it won two awards.
“What we’re trying to do is to reclaim the continent’s history from an African perspective,” says Swart. “Blood Psalms has elements of every African culture’s mythology and looks at various different tribes – the Akachi, the Uchawi, the Ku’ua, the Chini, and Great Nziwemabwe – as they migrated south from Kemet, which is now Egypt, and formed their cultures.”
Shot in the Eastern Cape, Gauteng and North West provinces, Blood Psalms is a Showmax Original in partnership with CANAL+, the Department of Trade, Industry and Competition, the Eastern Cape Economic Development Corporation (ECDC) and the MultiChoice Innovation Fund.
Broadcasting
MTN Launches One TV with Free-to-View, Pay-as-You-Go

MTN Group has begun rolling out MTN One TV, a new entertainment proposition designed to make digital video content more accessible, relevant, and flexible for customers across African markets.

Introduced in line with MTN’s Ambition 2030 strategy, MTN One TV brings together local storytelling, live channels, international programming, and market-specific viewing options tailored to how customers across the continent access and pay for digital entertainment.
The proposition is designed to give customers greater choice in how they watch content, with viewing models that may vary by market and can include free-to-view content, advertising-funded experiences, pay-as-you-watch access, and subscription offerings.
Depending on local availability, customers may also be able to pay through airtime, Mobile Money, and other locally supported payment methods, helping to reduce common barriers to streaming access.
Beyond enhancing customer experiences, MTN One TV creates new opportunities for African creators, broadcasters, advertisers, and ecosystem partners by helping connect content to wider audiences through MTN’s scale across connectivity, payments, and digital services.
By bringing together a broad mix of content experiences under a single proposition, MTN aims to support greater content discovery, broader audience reach, and sustainable growth across Africa’s digital entertainment ecosystem.
Anchored in MTN’s strategic platforms of Connectivity, Fintech, and Digital Infrastructure, MTN One TV forms part of the Group’s broader ambition to build digital experiences that create value for customers while enabling participation and growth across Africa’s digital economy.
“Entertainment is increasingly becoming an important gateway to digital participation,” said Selorm Adadevoh, MTN group chief commercial, strategy and transformation officer.
“Through MTN One TV, we are leveraging the scale of our connectivity, fintech, and digital capabilities to make relevant content more accessible while creating new opportunities for Africa’s creative and digital economies. This is aligned with our ambition to deliver digital solutions for Africa’s progress.”
MTN One TV is being introduced progressively across MTN markets through a phased rollout approach that reflects local market needs, existing services, and partnership opportunities.
Over time, MTN will bring together a combination of video capabilities, content partnerships, and customer experiences under the MTN One TV brand to create a more consistent and scalable entertainment proposition across its footprint.
Through MTN One TV, MTN continues to extend its role beyond connectivity by combining entertainment, payments, and digital services to deliver experiences tailored to the needs of African consumers.
The rollout supports MTN’s Ambition 2030 vision of leading digital solutions for Africa’s progress while expanding access to digital entertainment across the continent.
Broadcasting
IATA Drops Bombshell: Nigeria Among World’s Most Expensive Countries to Run an Airline

International Air Transport Association (IATA) has identified Nigeria as one of the most expensive countries in the world for airline operations, citing high taxes, charges and operational costs that continue to weigh heavily on local carriers.

IATA’s Regional Vice President for Africa and the Middle East, Kamil Al-Awadhi, disclosed this during the association’s Annual General Meeting held in Rio de Janeiro.
Al-Awadhi said that although Nigeria’s Minister of Aviation and Aerospace Development, Festus Keyamo, had been pursuing reforms aimed at improving the aviation sector, airlines operating in the country still faced enormous cost pressures.
According to him, the high-cost operating environment has continued to affect the profitability and competitiveness of Nigerian airlines, making it difficult for the industry to realise its full potential.
He noted that excessive taxes, regulatory charges and other operating expenses remained major obstacles to airline growth across the region, with Nigeria ranking among the most challenging markets from a cost perspective.
Al-Awadhi urged member states of the Economic Community of West African States to adopt a proposed 25 per cent reduction in aviation taxes and charges to ease the burden on airlines and passengers.
According to him, lowering taxes and charges would reduce airfares, stimulate passenger traffic and strengthen the competitiveness of carriers operating within West Africa.
He stressed that a more supportive policy environment was critical to unlocking the economic benefits of aviation, including increased trade, tourism and regional integration.
Industry stakeholders have consistently advocated lower taxes and regulatory fees, arguing that the current cost structure makes air travel less affordable and limits the growth of the sector.
IATA’s latest remarks add to calls for governments in West Africa to implement policies that will promote a more sustainable and competitive aviation industry across the region.
Broadcasting
NASENI Trains 50 Women in Kano on Renewable Energy Technologies Under She-Powers Initiative

The National Agency for Science and Engineering Infrastructure (NASENI), under the leadership of its Executive Vice Chairman/CEO, Khalil Suleiman Halilu, has trained 50 women in Kano State on inverter and battery technologies through its She-Powers Energy Initiative.

The three-day programme, held at the Technology Incubation Centre, Farm Centre, Kano which ended yesterday, was designed to equip participants with practical renewable energy skills, promote women-led enterprises, and enhance sustainable livelihoods.
The initiative forms part of NASENI’s broader commitment to empowering women, creating economic opportunities, and expanding participation in Nigeria’s growing clean energy sector. It also aligns with the Renewed Hope Agenda of President Bola Ahmed Tinubu by supporting job creation, entrepreneurship, and inclusive economic development.
Through targeted interventions such as the She-Powers Energy Initiative, NASENI continues to demonstrate its commitment to leveraging technology and innovation to improve lives and drive sustainable development across the country.
Photos: Participants at the She-Powers Energy Initiative training organised by the National Agency for Science and Engineering Infrastructure (NASENI) held at the the Technology Incubation Centre, Farm Centre, Kano yesterday.
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