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StarTimes Declares Readiness for Digital Migration with Set Up Boxes

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The June 17, 2015, digital Migration deadline set by the International Telecommunications Union for member nations especially in Nigeria is fast becoming a reality as stakeholders are gearing up for the transition process.

However, the pioneer and sole licensed Digital terrestrial Television (DTT) Operator in Nigeria, StarTimes, told Nigeria CommunicationsWeek it was ready for the process with the much needed set up boxes.

The National Broadcasting Commission (NBC) has taken upon itself to successfully speed up the process by starting the digital migration with a test city – Jos, on 5th of June 2014 which will be replicated in other major cities.

The transition from analog to digital broadcasting involves many changes of the transmission signals as well as making sure that members of the public buy high definition television sets and get rid of standard definition television sets.

The transition to digital broadcasting will mark the end of free television programmes.

However, television sets that receive analog signals via antenna (these antennas have analog funers) will be out of place in the digital era. In this state of affairs, old antennas will need to be upgraded to meet up with the technology.

Digital signals are routinely transmitted using terrestrial methods.

The transmission method has different names in different parts of the world. DVB-T is the name used in Europe, Australia and Africa. DVB-T allows service providers to match, and even improve on, analogue coverage – at a fraction of the power.

Irete Anetor, public relations manager of StarTimes told Nigeria CommunucationsWeek that the transmission method extends the scope of digital terrestrial television into the mobile field, which was simply not possible before.

“The digital signals after migration is transmitted using DVB-T and they go from aerial antenna to aerial antenna, from signal blaster to home receiver. StarTimes is ready to give Nigerians the digital broadcasting they deserve,” he said.

However, the DVB-T broadcasters transmit data using a compressed digital audio-video stream, with the entire process based on the MPEG-2 standard.

These transmissions can include all kinds of digital broadcasting, including HDTV and other high-intensity methods.

This is a vast improvement over the old analog signals, which required separate streams of transmission. Oddly enough, some DVB-T transmissions take place over analog networks, with the antennas and receivers getting some helpful technological upgrades along the way.

As the days draw near, the focus shouldn’t just be on the availability of set up boxes but also on the quality of the DVB T Technology of the set up boxes.

NTA-STAR TV Network Ltd- StarTimes is a joint venture between Nigerian Television Authority (NTA) of Nigeria and Star Communication Network CO, Limited of China and was incorporated in August 2009 as a private limited liability company. The company was officially launched on the 29th of July 2010.

The immediate mandate of the joint venture is to provide pay TV services, using digital terrestrial television (DTT) technology to build a multiple frequency platform.

The project intends on the long term, to expand its business concerns to include provision of advertisement and signal transfer services, mobile phone television as well as wireless internet services.

Operations of StarTimes Digital Terrestrial Television (Popularly known as DTT) first commenced in Abuja, Lagos, Kano, Ibadan and Port-Harcourt and in 2012 StarTimes extended her services to 11 more cities which include: Aba, Benin, Enugu, Ilorin, Jos, Kaduna, Makurdi, Onitsha, Sokoto, Uyo and Yola.

In 2013, its spreads it’s Digital Terrestrial strength to 16 more cities and they are Abeokuta, Akure, Oshogbo, Lokoja, Zaria, Kastina, Gusau, Minna, Lafia, Owerri, Awka, Warri, Calabar, Suleja, Binin-Kebbi and Yanegoa.

“It’s the desire of StarTimes to cover the remaining states before the end of 2014,” Anetor added.

 

 


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Nigeria CommunicationsWeek believes that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. So since 2007, we have devoted our energy to independent reportage of technology and how they affect lives.

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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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