Broadcasting
Terrorism Report: NBC Recants, Denies Gagging Media

National Broadcasting Commission (NBC), has made a major turnaround as it denied reports it directed media houses to stop reporting details of terrorist attacks.

Balarabe Ilelah, director-general of the Commission, said that NBC “letter are not intended and by no means capable of being construed or interpreted as a sweeping gag on broadcast stations and journalists in the country”.
Recall that the NBC had on July 16, cautioned media stations to desist from “giving details of either the security issues or victims of these security challenges so as not to jeopardise the efforts of the Nigerian soldiers and other security agents.”
The letter titled, ‘Newspaper Reviews And Current Affairs Programmes: A Need For Caution’, was signed by Francisca Aiyetan, director, Broadcast Monitoring, on behalf of Balarabe Ilelah, director-general of the Commission.
Part of the letter reads: “Headlines of most Newspapers on a daily basis are replete with security topics. While bringing information on security to the doorsteps of Nigerians is a necessity, there is a need for caution as too many details may have an adverse implication on the efforts of our security officials who are duty-bound to deal with the insurgency.
“The Commission, therefore, enjoins broadcasters to collaborate with the government in dealing with the security challenges by;
“Not glamourising the nefarious activities of insurgents, terrorists, kidnappers, bandits etc
“Advising guests and/or analysts on programmes not to polarise the citizenry with divisive rhetoric, in driving home their point.
“Not giving details of either the security issues or victims of these security challenges so as not to jeopardise the efforts of the Nigerian soldiers and other security agents.
The Commission also reminded the broadcast stations to be guided by provisions of Sections 5.4.1(f) and 5.4.3 of the NBC Code which states thus:
“The broadcaster shall not transmit divisive materials that may threaten or compromise the divisibility and indissolubility of Nigeria as a sovereign state.
“In reporting conflict situations, the broadcaster shall perform the role of a peace agent by adhering to the principle of responsibility, accuracy and neutrality.”
The letter general public outcries with many Nigerians asking the federal government withdraw the obnoxious directive.
Reacting to the outcries, Balarabe Ilelah, said: “Your letter date July 17, 2021 in respect of the above captioned matter refers.
He was referring to Socio-Economic Rights and Accountability Project (SERAP) which has been in the fore front of the fight against the directive and had gone to court to challenge it.
Ilelah replied SERAP saying that “I write to inform you that the letter from the National Broadcasting Commission dated July 7, 2021 reminding broadcast stations in the Country to be cautious of divisive materials that may threaten or compromise the indivisibility and indissolubility of the country as a sovereign state in line with the provisions of sections 5.4.1(I) and 5.4.3 of the Nigeria Broadcasting Code when reviewing Newspaper Headlines did not in any way direct stations to stop reporting details of terrorist attacks and other violations across the country.
“Furthermore, the contents of the letter are not intended and by no means capable of being construed or interpreted as a sweeping gag on broadcast stations and journalists in the country.
“The Commission as a statutory body established by law is conscious of the Rights and Freedoms contained in the 1999 Constitution and other International instruments, treaties and covenants guaranteeing rights to certain rights and obligations and would not take any action that deliberately infringes on any of these rights.
“The Commission is also conscious of the present security challenges in the Country and advising broadcast stations to also be conscious and exercise caution by not glamorizing the nefarious activities of insurgents, terrorists, kidnappers, bandits etc. by ensuring that their transmissions conform with extant provisions of the Nigeria Broadcasting Code as well as professional ethics of the profession, these are consistent and not incompatible with the constitution 1999. The African Charter on Human and Peoples Rights and article 19 of the International Covenant on Civil and Political Rights.
“Please note that nowhere in the body of the letter complained of are there any words or phrases stopping broadcasters from reporting any case or threatening fines and other punishment other than reminding them of the existing provisions of the code and urging them to perform the role of peace Agents; In the interest of National Security. These can definitely not be seen as suppressing freedom of expression by any means or endanger the job of journalists in the country.
“The Commission even as a parastatal of the Federal Government cherishes a free press and expansion of Civic space; the Commission was not a party or in any way involved in the events that led to the suspension of twitter bY the Federal Government as its regulatory powers do not extend to Social Media Platforms. Also, the Bill for an Act to amend the National Broadcasting Commission Act, Cap N11, Laws of the Federation, 2004 has no single provision that if passed into law, may further suppress media freedom, freedom of expression and access to information and we challenge SERAP to bring out any clause inserted by NBC in the Bill for such purpose as the bill is already in the public domain.”
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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