Broadcasting
Two Nigerians Win Cartoon Network Imagination Studios Competition

10 year-old Tiffany Obasohan and eleven year-old, Onyamaechi Christian Yobo from Nigeria have been announced overall winners in the drawing and storyboard categories respectively in the first Cartoon Network Imagination Studios competition, while Nyasha Mazarura, an eleven year-old from South Africa was the overall winner in the movie category.
The brand new initiative from Cartoon Network (DStv channel 301) is a specially-crafted, creative online platform, created to inspire, motivate and celebrate the wild imaginations of children.
In its first year, the competition drew a total of 5,159 entries, with activations implemented in over 200 schools in Nigeria, which resulted in inspiring the creativity of 18,056 learners.
Cartoon Network Imagination Studios provided a sneak-peek into the “real” Cartoon Network Studios and the initiative encouraged children aged nine to 14 years-old to explore their artistic talents via an online website, giving children insight into the making of their favourite cartoons, encouraging imaginative, unfiltered, creative thinking and providing the perfect constructive entertainment to combat boredom, while also having lots of fun!
“The website is an important milestone in the network’s commitment to helping children learn and develop their skills online – using the channel’s affinity with young audiences to do so”, said Pierre Branco, Vice President, Southern Europe and Africa for Turner International. “With Cartoon Network Imagination Studios, Cartoon Network would like to provide children with the unique opportunity to express their creativity through whichever medium they like best.”
After finding inspiration on the Cartoon Network Imagination Studios website, children had the opportunity to enter their very own original, unique creations following a comedy and humour theme – be it a new character drawing, storyboard or animation into the Cartoon Network Imagination Studios competition, which had three different categories: Drawings, Stories or Films.
“I found the inspiration to draw my character called Natallie Gelato from the Gelato store near my house where I love to eat”, said Tiffany Obasohan, winner in the drawing category. “Natalie is a villain, with super brain powers and drawn in the shape of an ice cream cone. She comes across as a very sweet girl, who is friends with Gumball’s sister Anais, but all the while she wants to take over Elmore with her evil powers.”
Nyasha Mazarura, winner in the movie category, says that her characters called “PB and J”, two Peanut Butter and Jelly superhero toasties, try to keep the evil, bad guy, Mr. Pepper-shaker, at bay in Veggie-ville, whilst he profusely tries to over win them by making them sneeze!
The storyboard winner, Onyemaechi Christian Yobo, illustrated a Spider Monkey vs Lion Lord, two extravagant characters fighting in a boxing ring, whilst Ben10 is in the audience watching the fight.
The winners in each of the categories walked away with some amazing prizes, some of which are a Samsung Galaxy Note 10.1. As part of their prize package the winner’s illustrations will be fully transformed, while getting the opportunity to see their creations come to life, as each winning project will be aired on Cartoon Network, DStv channel 301 across Africa mid August
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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