Broadcasting
Unlocking Nigeria’s Digital Economy: What 2025 Means for Investors by Reuben Kalu

In recent years, Nigeria has made considerable strides in embracing the digital revolution. As 2025 unfolds, the nation’s digital landscape reveals a mix of tremendous growth, evolving technologies, and lingering challenges. Drawing insights from the latest “Digital 2025” global report by DataReportal, we examine how Nigeria is positioned to harness emerging digital trends and what the outlook means for individuals, businesses, and policymakers.

Internet Penetration: A Nation Going Online
The internet is fast becoming a lifeline for many Nigerians. According to recent trends, Nigeria, like much of Sub-Saharan Africa, is witnessing a steady increase in internet penetration. The “Digital 2024 October Global Statshot Report” already highlighted a surge in internet usage last year, and 2025 is expected to continue on an upward trajectory.
From urban hubs like Lagos and Abuja to emerging towns across the country, mobile internet access is enabling millions to connect, learn, and transact in ways that were unimaginable just a decade ago. This surge is largely driven by affordable smartphones, expanding mobile networks, and a youthful population eager to explore digital tools.
Social Media: A Digital Community on the Rise
Social media engagement in Nigeria continues to climb. The latest insights from DataReportal’s “Digital 2025: The State of Social Media” show that less than half of the connected population in Sub-Saharan Africa were using social media at the beginning of 2025. Still, the numbers are climbing, and Nigeria is a key player in this trend.
Platforms like WhatsApp, Facebook, Instagram, and TikTok dominate the social scene, not only for social interaction but also for business marketing, civic engagement, and education. Influencer culture, social commerce, and video content are reshaping how Nigerians consume and create information. Small businesses, in particular, are leveraging these platforms to reach wider audiences and scale faster than ever before.
The AI Wave: Nigeria’s Emerging Potential
Artificial Intelligence (AI) is no longer a far-off concept—it’s here, and it’s making waves. While the global spotlight is on AI’s transformative power, Nigeria stands at the threshold of an AI-driven future. According to DataReportal’s “AI Making Gains” section, the global adoption of AI tools is accelerating, and while Nigeria-specific data is limited, the implications are significant.
In Nigeria, startups and tech innovators are beginning to integrate AI into their products and services. Chatbots are enhancing customer service, AI-driven tools are streamlining data analysis, and educational platforms are adopting machine learning for personalized learning experiences. As digital literacy improves and AI tools become more accessible, we can expect broader adoption across industries like transportation, health and hygiene, fintech, and agriculture.
E-Commerce and Mobile Payments: The Rise of Digital Transactions
With a growing number of internet users and smartphones, e-commerce in Nigeria is thriving. Homegrown platforms like Jumia and Konga, alongside global entrants, are transforming how Nigerians shop. Whether it’s fashion, electronics, or groceries, consumers are embracing the convenience of online shopping.
At the heart of this revolution is mobile payments. From USSD codes to digital wallets and banking apps, cashless transactions are becoming the norm. This trend not only enhances transaction speed but also supports financial inclusion for underserved populations. The push towards a digital economy is evident, and with increased trust in payment systems, e-commerce growth is set to skyrocket.
Digital Infrastructure and Literacy: Bridging the Gap
Despite the progress, Nigeria still grapples with infrastructural and educational gaps. Internet accessibility in rural areas remains inconsistent, and electricity challenges hinder digital participation. Moreover, digital literacy is uneven, with many citizens unaware of the full potential of online tools.
To bridge this divide, stakeholders must invest in public-private partnerships. Government initiatives focused on expanding broadband coverage, coupled with community-based digital skills programs, can empower more Nigerians to participate in the digital economy.
Data Privacy and Cybersecurity: A Growing Concern
As digital adoption rises, so does the risk of cyber threats. Personal data protection, financial fraud, and online harassment are becoming more prevalent issues. For Nigeria to maintain momentum in its digital journey, there must be stronger emphasis on cybersecurity education and regulation.
The Nigeria Data Protection Commission (NDPC) is already taking steps in this direction, but more collaboration is needed between the government, private sector, and civil society to create a safe digital environment.
Opportunities Ahead: What This Means for Nigerians
For individuals, the digital transformation means access to better education, remote job opportunities, and faster communication. For entrepreneurs and businesses, it opens up new markets, smarter tools, and innovative business models. For the government, digital tools offer better citizen engagement, streamlined services, and improved transparency.
Youth, in particular, are set to benefit immensely. With the right training and exposure, Nigeria’s young population can drive tech innovation, develop world-class products, and position Nigeria as a global digital force.
A Digital Nigeria is Taking Shape
The digital outlook for Nigeria in 2025 is both exciting and transformative. With rising internet usage, growing social media communities, and increasing AI integration, Nigeria is clearly on the path to becoming a major player in the global digital economy.
But this future won’t build itself. It will require intentional investment, smart policies, and a collective effort from every sector of society. The opportunities are vast—and for those ready to embrace the digital leap, the rewards will be even greater.
As we navigate the rest of 2025 and look to the years beyond, one thing is certain: Nigeria’s digital journey is just beginning, and the best is yet to come.
Broadcasting
NBC Scraps Annual Digital Access Fee on DSO

National Broadcasting Commission (NBC) has said that Nigerians will no longer pay annual Digital Access Fees under the renewed Digital Switch Over (DSO) project.

Charles Ebuebu, director-general, NBC, disclosed this in an exclusive interview with the News Agency of Nigeria (NAN) on Wednesday in Abuja,
Ebuebu said viewers only need to purchase an approved decoder and satellite dish which cost below N20,000 to enjoy free television permanently.
“Previously, users paid an annual digital access fee of about N1,500, described as an administrative charge.
“The new system removes that annual fee. It provides free access to free-to-air television channels without any payment.
“Premium channels will be introduced later. Viewers who want those additional channels will be able to access them through paid services.
“Nigerian content on free-to-air channels remains free to watch. Unlike Pay TV, this platform does not require monthly subscriptions for its basic service,” he said
Ebuebu said approved decoders for the FreeTV will cost less than N20,000 and authorised sales outlets will soon be announced.
He urged Nigerians to wait for official information on approved dealers for the DSO decoders, warning that unauthorised sellers are exploiting growing public demand.
He reiterated that people only need a free-to-air decoder, along with a satellite dish instead of the old antenna system to receive the DSO signal.
“Once the equipment is installed, viewers can access all available channels across the country without paying any subscription fees,” he stressed
The DG dismissed claims by some retailers that there are different categories of decoders sold at varying prices, stressing that such sellers are not authorised by the commission.
According to him, the NBC will soon publish the list of approved dealers, official prices, and locations where genuine decoder boxes and accessories can be purchased.
The NBC boss said the DSO project is designed not only to improve television broadcasting but also to stimulate economic growth by creating jobs, attracting investment, and opening up opportunities for businesses that support the broadcasting industry.
Ebuebu noted that content producers and broadcasters stand to benefit significantly from the nationwide reach of the DSO platform.
Unlike the previous system, where many stations had limited regional audiences, he said the new platform will make their channels available to viewers across Nigeria.
He added that the introduction of audience measurement technology will provide scientific and reliable data on television viewership.
Ebuebu added that audience measurement technology will give advertisers greater confidence in placing adverts and enable broadcasters to demonstrate the true size and reach of their audiences nationwide.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
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