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Why Debt Financing is so Important for the African Business Market

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By Nathaniel Nyika, Chief Investment Officer at Norsad Capital

Small and medium-sized enterprises (SMEs) are the beating heart of Africa’s economies. According to the World Economic Forum, as engines of growth, SMEs are responsible for around 80% of the continent’s employment, ultimately helping to reduce poverty and income inequality, enabling the establishment of a new middle class and driving demand for new goods and services.

That’s why creating an enabling environment for SMEs to access finance will enhance their ability to not only contribute to Africa’s labour force, but also facilitate the continent’s development and economic growth while driving the innovation needed to help solve the socio-economic issues it continues to contend with.

However, despite Africa’s booming startup ecosystem, which boasts a value of $6.6 billion, the continent’s SMEs still find it challenging to secure equity funding (source of information). In addition to this, rising geopolitical tensions, global economic volatility and record inflation highs have created a more competitive fundraising environment, with investors becoming more risk-averse. This could spell even greater trouble in access to financing as Africa has long been perceived as a high-risk environment for investors as a result of a fundamental misunderstanding of the continent as a homogenous entity rife with political instability, weak infrastructure, and other challenges.

It is clear that SMEs have a significant role to play in helping to realise Africa’s economic potential. But, in order to turn this potential into reality, there needs to be a shift away from traditional equity funding towards a more debt-focused approach.

Removing the negative perception of debt.

There is a lot of power in debt. Debt is how the world creates wealth and at moderate levels it can improve welfare and enhance growth. As such, debt financing offers SMEs the ability to receive funding without having to dilute equity. Essentially, the lender gains no control over the business and once the debt is repaid the relationship with the lender ends, unlike traditional equity funding where the business sells a portion of its equity in return for capital.

Additionally, it is a lot easier for SMEs to forecast their expenses as a loan payment is consistent while interest on said debt financing can often be tax-deductible.

Filling the funding gap by embracing venture debt

Over the last couple of years, Africa’s SME ecosystem experienced significant growth in spite of global economic uncertainty, attracting record amounts of funding against the global trend of a funding decline. According to the African Private Equity and Venture Capital Association (AVCA), funding for African startups were on track to hit record levels as venture capital deals reached $3.5 billion in the first half of 2022 alone – more than double the amount raised in the same period in 2021.

This year, however, Africa’s startup investment landscape faced significant headwinds as venture capital decreased by a whopping $1.4 billion (43%) in the first six months of 2023. (source of information, it’s important to state because it involves numbers and we cannot say we own the information as Norsad)

In this challenging financing landscape, venture debt (a type of loan aimed at early-stage, high-growth companies with venture capital backing) could prove to be particularly important for Africa’s SME ecosystem and the continent’s growth as a whole.

Unlike with other types of lending, SMEs will not need to showcase any positive earnings or cash flow in order to receive venture debt funding. As such, access to finance is exponentially improved in comparison to traditional equity.

Able to be used as performance insurance, funding for acquisitions or capital expenses, or to bridge the gap between venture capital rounds and carrying strong and stable interest rates, venture debt is extremely attractive for both SMEs, fund investors and development finance institutions alike.

With around 51% of all Africa’s startups and SMEs in need of more funding than they can currently access, Africa’s potential for growth is becoming stuck in a state of stagnation. Improving access to funding will help to equip SMEs with the tools and resources needed to innovate, create and discover in ways that entire communities stand to benefit. Venture debt offers the continent a well of potential to empower SMEs to bring their groundbreaking ideas to life and drive Africa’s growth, development and competitiveness.


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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Obi, NDC Presidential Candidate Faces N50Bn Defamation Claim over Alleged Podcast Remark

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Abayomi Arabambi, national vice chairman (South-West) of the Labour Party, has demanded a public apology, a retraction, and N50 billion in damages from Peter Obi, presidential candidate of the Nigeria Democratic Congress (NDC), over an alleged defamatory statement made during a podcast interview.

Obi, NDC Presidential Candidate Faces N50Bn Defamation Claim over Alleged Podcast Remark

The demand was contained in a letter issued by the law firm Neplus Ultra Attorneys and signed by Anderson U. Asemota, Peter O. Asimegbe, and Stanley C. Eziefulle on behalf of Arabambi.

According to the letter, the legal dispute arose from comments allegedly made by Obi during the interview, where he reportedly stated that Arabambi “does not have an address.”

Arabambi’s legal team described the statement as false, malicious, and defamatory, arguing that it portrayed their client as a faceless individual without legitimacy, credibility, or standing in public life.

The lawyers further claimed that the interview was widely circulated on television stations and digital platforms, exposing Arabambi to public ridicule and damaging his reputation.

“Our client has had a known residential and business address, maintains professional and political affiliations within Nigeria, and has never been a person whose whereabouts or identity were unknown,” the letter stated.

The legal team maintained that the alleged publication caused embarrassment and harmed Arabambi’s public image and political standing.

As part of their demands, the lawyers called for an unreserved public apology to be aired on national television, published on Obi’s verified social media platforms, and carried as full-page apologies in national newspapers.

They also demanded the payment of N50 billion as compensation for the alleged injury to Arabambi’s reputation, dignity, political standing, and public image.

 


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Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home – Steve Babaeko

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When Nigerians began arriving back home on emergency flights following an ultimatum from anti-migrant groups in South Africa, Steve Babaeko, alongside The Nigerian Institute of Hospitality and Tourism (NIHOTOUR), saw an opportunity to step up for his fellow citizens.

Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home - Steve Babaeko

Steve Babaeko

The CEO of X3M Ideas explains that he saw a deep obligation, one that had nothing to do with advertising and everything to do with hospitality. For Babaeko, it was a reminder that an agency owes a duty of care to the community it exists within.

That conviction shaped the creative agency’s partnership with the Nigerian Institute of Hospitality and Tourism (NIHOTOUR) for the newly launched ‘Welcome Home’ pilot programme at Murtala Muhammed International Airport (MMIA) in Lagos. Rather than simply crafting a messaging campaign around the crisis, X3M Ideas helped design a tangible, physical system.

“This wasn’t built as a campaign about a crisis,” Babaeko said. “It was a hospitality agency deciding what it owes its own citizens the moment they land.”

For Babaeko, what X3M has built is infrastructure, something returnees can physically walk through, use, and benefit from the instant they clear the arrival gate.

With the MMIA pilot now officially running, NIHOTOUR directs returnees to immediate support services and issues them a Returnee Card. This card grants individuals a free first night at partner hotels, immediate transport assistance from the airport, and fast-tracked business registration support.

Furthermore, the initiative features a dedicated Restart Desk to assist returnee entrepreneurs and tradespeople with job placement referrals and business registration. This operates alongside a public Homecoming counter that tracks the cumulative number of returnees welcomed, businesses restarted, and jobs facilitated.


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Spotify partners Afro Nation Portugal to expand African music experience

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Spotify has announced a partnership with Afro Nation Portugal as the festival’s official sponsor and exclusive streaming partner for the 2026 edition, in a move aimed at bringing African music and festival experiences to a wider global audience.

Spotify partners Afro Nation Portugal to expand African music experience

The collaboration will provide fans with a dedicated Afro Nation destination on Spotify, featuring official festival playlists, participating artists and selected performance videos after the event.

The 2026 edition of Afro Nation Portugal is scheduled to hold from July 3 to July 5 in Portimão, Portugal.

Spotify said the partnership would enable fans to engage with the festival before, during and after the live event, regardless of their location.

The streaming platform noted that the initiative aligns with its continued investment in promoting African music and supporting its growing international audience.

Speaking on the partnership, Spotify’s Content Marketing Manager for Sub-Saharan Africa, Mr Rifumo Mdaka, described Afro Nation as a global showcase for African music and culture.

“Afro Nation is more than a festival; it is a global expression of African music, fan culture and creative influence.

“Our partnership is about helping that moment travel further through our first collaboration with Afro Nation of this nature.

“By bringing the festival to Spotify, we are giving fans a place to connect with the artists, performances and stories that define the festival long after the final set,” he said.

According to Spotify, the collaboration will also include exclusive festival content, artist discovery features, curated playlists and fan-focused storytelling.

The company said it would document the journey of a selected fan travelling to the festival as part of efforts to showcase the growing global appeal of African music.

Also speaking, Director of Global Partnerships at The Malachite Group and Afro Nation, Ms Clémence Blum, said the partnership represented a major step in expanding the festival’s global reach.

“Afro Nation has always been more than a festival. It is a platform built to celebrate African music, support artist breakthroughs and connect a global community through culture.

“Our partnership with Spotify reflects the shared role we both play in helping artists reach new audiences and giving fans deeper ways to engage with the music they love,” she said.

Spotify said selected live performances from the festival would be made available on the platform after the event, allowing fans around the world to relive the performances on demand.

The company added that the partnership reinforces its commitment to promoting African music, supporting artists and strengthening connections between creators and audiences across the globe.


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