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Yetunde Ayeni-Babaeko’s White Ebony Raises Awareness of Albinism

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SMO Contemporary Art is delighted to present White Ebony, an exhibition of twenty thought-provoking photographs by social activist photographer Yetunde Ayeni-Babaeko, which captures the complexity of life that Persons with Albinism (PWAs) face daily.

 

White Ebony is being showcased by Temple Muse for the next two months to support the recognition and protection of persons with albinism in commemoration of the International Albinism Awareness Day, which comes up on June 13th every year.

 

White Ebony challenges preconceived notions on albinism with powerful images which reflect a Renaissance beauty through sensitive lighting, composition, and layered stylistic interpretations.

 

White Ebony takes the viewer on an emotional journey that is filled with nuance as well as controversial in its stark positioning and challenging suggestions.

 

Each work reflects both internal struggles while working through layers of identity and self-actualization, and points to the urgent need to stop the stigmatisation of persons with albinism.

 

According to the United Nations, “people with albinism face multiple forms of discrimination worldwide.

 

Albinism is still profoundly misunderstood, socially and medically. The physical appearance of persons with albinism is often the object of erroneous beliefs and myths influenced by superstition, which foster their marginalization and social exclusion.”

 

Ayeni-Babeko, worked closely with members of The Albino Foundation in Lagos, and after in-depth interviews and insightful group discussions, began interpreting their reality through photographs which explore both the alienation and struggles experienced by persons with albinism, as well as celebrates their lives and achievements.

 

“As in her previous exhibitions, which have tackled issues such as the challenges survivors of breast cancer face, or photographing dancers performing within slums to highlight the needs of populations living in shantytowns,  Ayeni-Babaeko’s amazing artistry is heightened by her commitment to social change and supporting marginalized communities,” said Sandra Mbanefo Obiago, the exhibition curator and expert in development communications, who has worked on three previous shows with the photographer.

 

“It’s easy to create a striking image of a person with albinism because of how unique they are.

 

“But these models were not just put in front of my camera for me to photograph them. I was able to really connect with them through long conversations about their daily struggles, sharing with me what their life is like and all this knowledge translated into this new body of work,” explained Yetunde Ayeni Babaeko while presenting White Ebony.

 

“My work is not there to make you feel good, its purpose is to trigger you to think and expand your knowledge.”

 

Jake Epelle, Founder and President of the Albino Foundation, said “Working with a sensitive photographer like Yetunde has been a great creative approach to raising awareness about the challenges people with albinism face every day,”

 

“Much more needs to be done to advocate for the recognition and respect of the rights and socio-economic inclusion of people living with albinism.

 

“The Foundation works with governments and development institutions to improve the health and social wellbeing of PWAs in Nigeria.”

 

“Hogan Lovells is committed to supporting important social causes such as raising global awareness of albinism, as well as celebrating the arts as a way of strengthening society,” commented Andrew Skipper, Partner and Head of Africa Practice of the international law firm, Hogan Lovells, which sponsored the exhibition.

 

“Yetunde’s work is a powerful example of art for social change and we are delighted to showcase her work,” said Avinash Wadhwani, CEO of Temple Muse, the design luxury concept store.

 

White Ebony runs from May 25th until July 19th, and a portion of the income from sales will go towards supporting people with albinism.

 

Yetunde Ayeni-Babaeko was born in Enugu, eastern Nigeria in 1978 to a Nigerian father and a German mother.

 

She graduated in photography from Macromedia, a school for art and design in Osnabrueck, Germany.

 

After working for a number of companies in Germany and Nigeria in advertising photography, she opened her own company, Camara Studios in 2007.

 

Besides her fashion and documentary photography, Ayeni-Babaeko has facilitated numerous workshops in partnership with the Goethe Institute, mentoring young female photographers.

 

Ayeni-Babaeko has published work in Germany, has had three solo exhibitions and taken part in numerous group shows in Nigeria including The Collectors Series, Eko Moves and Wanderlust curated by SMO Contemporary Art.

 

 

 


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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INEC Warns Broadcasters against Misinformation ahead of 2027 Polls

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Prof. Joash Amupitan, chairman, Independent National Electoral Commission (INEC), has urged broadcast organisations in Nigeria to exercise greater responsibility in the dissemination of information as the country prepares for the 2027 general elections.

INEC Warns Broadcasters against Misinformation ahead of 2027 Polls

Amupitan made the call on Wednesday, while addressing participants at the 81st General Assembly of the Broadcasting Organisations of Nigeria (BON), where he highlighted the growing influence of the media in shaping electoral processes.

He noted that the information environment has become increasingly significant in modern elections, warning that the spread of false or misleading information through broadcast channels could undermine public confidence in the electoral system.

According to the INEC chairman, media organisations must ensure strict compliance with the provisions of the Electoral Act 2026, particularly those relating to  political broadcasting. Politics

He explained that the law requires equitable access to broadcast platforms for all registered political parties, stressing that fairness in media coverage is essential to maintaining a level playing field during elections.

“With 22 registered political parties, fairness in airtime allocation and coverage is a legal obligation,” Amupitan said.

The INEC chairman also cautioned broadcasters against airing content that contains abusive, inflammatory, or divisive language capable of inciting ethnic, religious, or sectional tensions.

Such broadcasts, he said, could threaten national unity and disrupt the electoral process if not properly managed.

Amupitan further reminded media organisations about the 24-hour cooling-off period mandated by law before election day, during which all political campaigns and advertisements must cease.

He explained that the measure is intended to provide voters with time to reflect on their choices without being influenced by last-minute campaign messaging.

While acknowledging the constitutional guarantee of freedom of expression, Amupitan emphasised that the right must be exercised within the limits of the law.

He noted that the airwaves are a public resource and must therefore be used responsibly to ensure fairness, balance, and equal access for all political actors.

The INEC chairman also pointed to the collaborative roles of INEC and the National Broadcasting Commission (NBC) in regulating political broadcasting, although he acknowledged that certain challenges persist.

These challenges, he said, include regulatory overlaps, gaps in enforcement, and the increasing convergence of traditional broadcast media with digital platforms, which has made monitoring political communication more complex.

Amupitan also expressed concern over perceived incumbency advantages in state-owned broadcast stations and the growing commercialisation of political airtime, warning that these practices could disadvantage smaller political parties. Politics

To address these concerns, he called for stronger collaboration between regulatory agencies, clearer guidelines on equal access to media platforms, and improved systems for fact-checking and verification.

He also advocated increased transparency in political advertising, including the disclosure of sponsorship and pricing structures.

Amupitan urged broadcasters to prioritise accuracy and professionalism in their operations, encouraging them to verify information before dissemination and play an active role in combating fake news.

He also called on the media to contribute to voter education and civic mobilisation, noting that public participation is vital to strengthening Nigeria’s democratic process.

Reaffirming the commission’s commitment to transparency, the INEC chairman advised media organisations to rely on official INEC communication channels for verified electoral information.

He added that the credibility of the 2027 general elections would depend not only on electoral logistics and technology but also on the integrity of the country’s information environment.


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Multichoice Bleeds Customers in South Africa, Loses 580,000 Subscribers

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Rising cost of living, currency depreciation, and competition from streaming services have all conspired to see MultiChoice lose 589,000 South African subscribers in its latest financial year.

Multichoice Bleeds Customers in South Africa, Loses 580,000 Subscribers

The decline is across premium, mid-market and mass segments of its operation.

After completing its acquisition of MultiChoice, Canal+ has moved to stabilise the business.

MultiChoice’s new leadership under David Mignot, CEO,  hopes to “stop the bleeding and get back to growth”.

The new leadership has scrapped DStv’s annual price increase and decided to shut down Showmax, the in-house streaming platform that struggled to compete with Netflix and Amazon Prime Video.

Canal+execs have described Showmax as unsuccessful, noting that the difficult transition to online streaming, combined with currency devaluation in Nigeria and power cuts, had hurt MultiChoice’s profitability.

MultiChoice ended 2025 with 14.4 million subscribers across Africa, down from 14.9 million a year earlier, while revenue declined 6 percent to 2.4 billion euros.

 


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Broadcast Station Owners Reject IBAN’s Threat to Boycott Wike’s Media Engagements

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Owners of several television and radio stations have distanced themselves from a recent threat issued by the Independent Broadcast Association of Nigeria (IBAN), which called for a boycott of media engagements involving Nyesom Wike, minister of the Federal Capital Territory (FCT).

Broadcast Station Owners Reject IBAN’s Threat to Boycott Wike’s Media Engagements

Nyesom Wike, minister of the Federal Capital Territory

IBAN had threatened to withdraw coverage of the minister’s activities unless he retracted his comment on Channels Television’s Seun Okinbaloye and issue a public apology.

However, Ambassador Yusufu Mamman, chairman and owner of JKD Television (DSTV Channel 391) and Hamada Radio Networks, has dismissed the association’s statement as baseless.

Describing Ahmed Tijjani Ramalan, chairman, IBAN, as an impostor, Mamman argued that Ramalan has no authority to speak on behalf of broadcast station owners.

Mamman, who operates a television station and four radio stations, stated that he is not affiliated with any group called IBAN and would not support any action against the Minister, especially after Wike had already clarified his remarks.

“My attention has been drawn to an organisation called IBAN led by one Dr Ahmed Tijjani Ramalan, speaking for and Independent Broadcasters threatening to boycott media briefing by the FCT Minister, Nyesom Wike, unless he makes public apology in respect of his recent banters with Channels Television Anchor, Seun Okinbaloye.

“The position of so called IBAN is at best, an opinion of Mr Ramalan, who is never a broadcaster and had no idea of laws, norms, etiquette or professional broadcasting codes.

“Most importantly, Mr Ramalan has constituted himself into a fighting vehicle in courts against many broadcasting organisations and the National Broadcasting Commission.

Therefore, I urge the Minister to ignore his ranting.

“This is more so that on the live television program,  the Minister took time to clarify what he meant and his Spokesperson also issued a statement saying categorically that the Minister’s comment was figurative and didn’t mean any harm,” he said.


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