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NBC Begins Digital Broadcasting Switch-Over in Lagos, Others Tomorrow

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Emeka Mba, DG, NBC
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Nigeria Broadcasting Commission (NBC) has ruled out extension of digital switch over, as the first phase of the new era is expected to  begin in Lagos, Abuja, Port Harcourt, Kaduna and Kano from tomorrow, January 1, 2015.

Although, the government said it would complete switchover by January, for many other countries that might be looking for the opportunity to extend the transition, Hamadoun Toure,  out-going ITU secretary general, recently dashed the hope by ruling out any deadline extension for countries that will fail to meet the June 17, 2015 transition.

Speaking during an NTA programme on the Digital Transition on Tuesday, Engineer Edward Amana, chairman, DigiTeam, said in spite obvious challenges, the Commission will go ahead to switch-over from analogue to digital broadcasting.

He said, “We do not have a choice. We have to, because there are so many implications of cannot switch-over. We will become an island on our own. We cannot get protection from our neighbouring countries who have already gone digital. Apart from that, after the transition, the analogue equipment becomes obsolete. And for you to maintain the equipment it becomes extremely expensive. We are setting a target for ourselves to transit by 1th of January.

However, we are going to transit in phases. What we are going to do it take the major cities first and move to the rural areas. We will probably start Abuja, Lagos, Port Harcourt and Kano, Kaduna during the phase one. In phase two, we will move to other cities till we go round. As we move from cities to others, we can learn from the mistakes and correct ourselves. That way, we will be able to fast-track our transition.

He said the team has planned for public enlightenment campaigns, adding that if the public fail to appreciate the transition, it might affect the whole process.    

The assignment of the DigiTeam is to draw the roadmap for the transition from analogue to digital broadcasting in Nigeria.

What it entails is the processes to ensure all the television stations in Nigeria switch-off their analogue transmitters by January 1, 2015, while the digital transmission takes effect.

According to Amana, “There are many implications for this, both business models, regulatory issues and the people at home who currently have the analogue receivers in their homes. There is this apprehension that if we change from the analogue to digital, are we going to throw away our current television sets and buy new ones or what?

“Aside the inauguration of the team, government has to (improve) on the regulation; there are issues with the current regulations that need to be amended. To an extent, government has to provide some seed money for the transition. For the people at home; currently, if you have an analogue television, you will need to buy a set-up box to be able to enjoy the digital signals. And for the broadcasting houses, there are two categories of situation. The way they do their production now will have to change. Those who do not have digital equipment will have to upgrade their studios to be able to produce digital programming. And the programming will have to include some level of synopsis as a guide to the viewers at home, because they that are at homes will expect more from the programs broadcasters produce.

“The era will give producers enough capacity to innovate their programs. You can imbed in your programming a guide which gives a run-down of what is coming maybe in the next one week or so. So that, I as a viewer will check and find out the ones I want to watch and set my recorder to record during the period it is coming up. The synopsis gives the parent and idea if the program is suitable for the children to watch or not, so they can also help in censoring it their own way”.

From the transmission point of view, the Chairman said that the existing analogue has to change to digital as it will involve upgrading existing transmitters or acquiring new ones.

“But, we have agreed one, which government has adopted is, rather than ever station buying a digital transmitter, some signal carriers will be appointed that will be responsible for transmission, so that broadcasters can engage themselves in the production of local contents or programming. If you have the capacity, you should have the equipment to produce. Once the burden of buying new transmitter is taken off the shoulders of the broadcaster, the savings can go into content production,” he said.

On set-up boxes which are paramount to enable analogue Tv owners to enjoy the digital era, he said, “Let me take the example of America that we are a bit familiar with; what happened then was that the government provided the basic coupons for poor families who cannot afford digital television or set-up boxes. The basic set-up box was about $40 when they transited in 2009. Each family was a given a coupon to buy two, amounting to $80.

“For Nigeria, what we have recommended is that from the available statistics we have 20 million (analogue) television sets in circulation and we feel that this is good market for any manufacturer to put up such business in Nigeria.

“It is a guaranteed market of 20 million; the economy of scale will bring down the prices if done locally. We recommended for incentives like giving them some tax holiday, customer duty-free for the equipment that will be used to manufacture locally. We are targeting a price tag of N2500, which we feel should be affordable by Nigerian who has television already. So, we are not asking government o release money for subsidy or buy and give rather to create enabling environment to make it affordable. A family that can afford to buy a television set that costs over N10,000, they should be able to afford to buy the set-up box to enjoy the digital era”.

Amana admitted that the time available for transmission is too short.

“Fortunately, NTA has transmitting stations in over 102 locations in the country. Government has approved that NTA will be one of the carriers for the digital (network) transmission. What have been approved on the white-paper are: NTA and two others. Let me correct and impression. NTA the carrier will be different from the content provider. There will be separation, because it will be carrying signals of other competitors. The transmission end of the NTA will be licensed as one of the carriers; as an independent entity,” he added.

The DigiTeam chairman also said that content providers will be licensed by the NBC; apart from the existing broadcasters.


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NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

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Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.

Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.

According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.

“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.

She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.

Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.

She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.

While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.

“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.

Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.

James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.

Solafunmi Laelle, media strategist,  added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.

According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.

Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.

She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.

The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.

They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.


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Four Must-Watch African Films Debut Free on Glo TV

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Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.

“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.

Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.

Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.

The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.

Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.

Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.


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Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.

PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.

A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.

“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”

The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.

In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.


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