Broadcasting
The Teju Babyface Show Premieres On Silverbird Tv
The Teju BabyFace Show can best be described as the African variant of a comedy confluence where Johnny Carson’s Tonight Show meets Ellen Degeneres’ Ellen Show with a little touch of the Chris Rock pop magic. According to the originator, the show was inspired by the need to fill the vacuum in TV comedy – motivated by a burning need to give discerning viewers a garden variety of creative comic expressions.
Contrary to earlier perception, the show is not anchored in a similar style with Jon Stewart or Jay Leno, but finds more affinity with Arsenio Hall, Johnny Carson, Ellen Degeneres, and Benny Hill. Since comedy to Teju is a calling, the show as he revealed feels like a second skin to him, in that he aspires to reach a level where the studio feels like home, and the set becomes as comfortable as an octogenarian’s favorite rocking chair, where he’s able to showcase compelling whiz and mastery of the comic arts like one of his influences, Johnny Carson.
Unlike some comedy shows that employ brash tact when “interrogating” guests, Teju’s guests never appear embarrassed by his jokes, on the contrary the guests become too relaxed that they attempt very smart witty jibes at Teju himself, making the atmosphere with his guests reeking of mutual respect and overwhelming camaraderie, that most times his celebrity guests become reluctant to leave the set.
However, The Teju BabyFace Show is not just about making viewers laugh, because the various segments of the show act as a subliminal medium for social reformation – using comedy as a tourniquet to mend broken hopes and dreams, and a gramophone that brings societal ills to light in a bid to tweak the conscience of a people, in order to forge the concepts of harmony, tolerance, discipline, and patriotism. Yet each segment of the show exercises subtlety when dealing with serious issues, assuming the role of an impartial umpire with regards to sensitive matters.
Built on a healthy blend of humor and wits, the Teju BabyFace Show thrives on its ability to explore contemporary social issues and developing stories with brilliant satirical sketches that appear neither offensive nor patronizing – yet delivered with poignant and therapeutic imagery.
On the parade of high profile celebrity guests, Teju admitted that the choice was not a cosmetic affair, but a deliberate process of inviting personalities whose character and achievements may impart positively on the viewers. Reacting to questions on how he was able to relate with these high profile individuals, Teju confessed to having applied decorum with some guests, despite the fact that he had a great time with all of them “All the guests that came on the show were awesome, though you can imagine I had to be a tad less flippant with the First Lady of Lagos…yet at some point I still bared the ‘craze’, but what I did was flip it down a little teeny bit.” In the case of the veteran highlife musician, King Sunny Ade (KSA), Teju Babyface confessed to having been simply blown away by how funny and knowledgeable KSA was.
One may wonder how challenging it was for Teju to switch from stand-up to TV, but according to this intellectual comedian, both mediums are not really different, since they all involve talking to people, “they only differ in content, in terms of delivery, length and material – so it wasn’t difficult for me since I’m already used to talking to people all the time” he revealed.
Funding the production of a TV show like this one wasn’t an easy venture, “we didn’t have a dime to start, and this project has gulped a lot of funds already”, he remarked, stating that the financial challenges he experienced while starting and the divine provision and goodwill were motivation enough for him to believe that this show was destined to be a success, “that God used the Holy Spirit to supernaturally provide for us every step of the way is validation over and over again that The Teju BabyFace Show has come to stay”.
The Teju BabyFace Show premiered in Africa last Tuesday, the May 4 on Silverbird Television between 8pm and 9pm. Some of the celebrity guests to watch out for in the first season include Tuface Idibia, Basorge Tariah Jnr., Tunde and Wumi Obe (TWO), King Sunny Ade (KSA), Her Excellency, Mrs Abimbola Fashola (first lady of Lagos State), Asa, Richard Mofe Damijo (RMD), the late DaGrin, and many others.
Broadcasting
SERAP, NGE Sue NBC over Threat to Sanction Broadcasters

Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE) have jointly sued the National Broadcasting Commission (NBC) over what they described as an “arbitrary, unconstitutional, and unlawful” threat to sanction broadcast stations and presenters.

The development was disclosed in a Sunday statement signed by Kolawole Oluwadare, deputy director, and Onuoha Ukeh, general secretary of the Nigerian Guild of Editors.
According to the statement, SERAP and NGE challenged a recent directive by NBC, warning presenters and journalists against “expressing personal opinions as facts,” “bullying or intimidating guests,” and failing to maintain neutrality.
The statement reads, “SERAP and the Nigerian Guild of Editors (NGE) have filed a lawsuit against the National Broadcasting Commission (NBC) over the arbitrary, unconstitutional, and unlawful ‘Formal Notice’, which threatens to sanction broadcast stations and presenters for allegedly ‘expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality.’
“The NBC had recently threatened to sanction broadcast stations and presenters who ‘express personal opinions as facts’ or ‘bully and intimidate guests,’ claiming it had ‘identified a sustained increase in breaches of the 6th Edition of the Nigeria Broadcasting Code across news, current affairs, and political programmes.’”
In the suit marked FHC/L/CS/854/2026 filed last Friday at the Federal High Court in Lagos State, SERAP and NGE asked the court to determine whether the various provisions of the Nigeria Broadcasting Code relied upon by the NBC in the directive are inconsistent with the Nigerian Constitution 1999 (as amended) and the country’s international human rights obligations.
According to the statement, the groups disclosed that Femi Falana (SAN), human rights lawyer, would lead a team of senior lawyers to represent SERAP and NGE in the lawsuit.
SERAP and NGE asked the court to declare that the provisions of the 6th Edition of the Broadcasting Code used by the NBC are vague and constitute a fundamental breach of press freedom guaranteed by the Nigerian Constitution and international human rights standards.
The statement added, “SERAP and NGE are asking the court for a declaration that the provisions of the 6th Edition of the Broadcasting Code used by the NBC are vague and overly broad and constitute a fundamental breach of freedom of expression and media freedom guaranteed by the Nigerian Constitution and international human rights standards.”
The groups also sought an interim injunction to restrain the NBC, its agents and other authorities from imposing sanctions on broadcast stations and presenters based on what they described as “unlawful provisions of the 6th Edition of the Broadcasting Code”, pending the hearing and determination of the motion.
“SERAP and NGE are also seeking an order of interim injunction restraining the NBC, its agents or privies, whether jointly or severally or any other authority, from imposing sanctions on broadcast stations and presenters based on the patently unlawful provisions of the 6th Edition of the Broadcasting Code, pending the hearing and determination of the motion on notice filed simultaneously in this suit,” the statement concluded.
Broadcasting
Glo-sponsored African Voices Spotlights Ejatu Shaw

Globacom continues to celebrate African creativity as its sponsored programme African Voices on CNN International features London based photographer and multidisciplinary artist Ejatu Shaw this week. The episode highlights her journey, her art, and the stories behind her work.

Ejatu Shaw’s journey into photography began in 2013 during a family trip to Sierra Leone, a moment that sparked a passion which has since shaped her creative path. Born in 1996, the British Sierra Leonean artist later went on to earn a master’s degree in photography arts from the University of Westminster in 2020.
Her work explores identity in a personal and expressive way, drawing from her Islamic faith and African heritage. She is inspired by classic African studio photographers such as Malick Sidibé, Sory Sanlé, and Omar Yahia Barram. Through self-portraits and visual storytelling, she brings her memories and experiences to life.
Shaw’s talent continues to gain global recognition. In 2025, the British Fashion Council named her a New Wave Creative.
She has also photographed top names including Angela Bassett, Cynthia Erivo, and Usain Bolt, and worked on projects for major platforms like EBONY, The Guardian, The Sunday Times, and Vogue. She also designed the album cover for Craig David.
The programme will air on Saturday at 7:30 a.m. and 11:00 a.m. On Sunday, it will show at 3:30 a.m. and 6:00 p.m., with repeats on Monday at 3:00 a.m. and 5:45 p.m.
Broadcasting
QEDNG Summit 2026 set for August 11 in Lagos

QEDNG Creative Powerhouse Summit will hold its second edition on August 11 in Lagos, bringing together leaders across the creative, business and policy spaces.

Convened by Mighty Media Plus, publishers of online newspaper QEDNG, the summit brings together conversations at the intersection of creativity, enterprise and influence, with a focus on strengthening Nigeria’s creative economy.
Reflecting on the inaugural edition, Iyanda said the summit drew participation from respected figures across sectors, including group managing director of SO&U Udeme Ufot as chairman and founder of The Africa Soft Power Group Dr Nkiru Balonwu as keynote speaker, alongside panellists such as filmmaker Kunle Afolayan, All Africa Music Awards (AFRIMA) founder Mike Dada and executive director of the National Film and Video Censors Board (NFVCB) Dr Shaibu Husseini who contributed to discussions on the direction of the creative economy.
“The first edition showed that there is a strong interest in serious engagement around the creative economy. We had contributions from experienced voices who helped set the tone for the kind of platform we are building,” Iyanda said.
Building on the success of its inaugural edition, the summit continues to expand its scope, attracting a diverse mix of industry leaders, entrepreneurs, policymakers and emerging talents.
“This summit is designed as a meeting point for ideas, influence and execution. It is not just about conversations, but about outcomes that strengthen the creative economy,” Iyanda added.
He noted that the timing of the summit is significant as the country’s creative sector continues to evolve.
“Nigeria’s creative sector has grown in visibility, but the structures that support it are still evolving. The QEDNG Creative Powerhouse Summit is part of the effort to bring clarity, direction and serious engagement to that growth,” he said.
The 2026 edition will feature keynote addresses, panel discussions and curated sessions addressing themes around innovation, growth, funding and the global positioning of Nigerian creative talent.
According to Iyanda, the long-term goal is to build a platform that remains relevant across generations.
“Our goal is to build a platform that remains useful over time, one that documents progress, connects stakeholders and contributes meaningfully to policy and practice,” he said.
Further details on speakers, partners and the full programme will be announced in the coming weeks.
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