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The Teju Babyface Show Premieres On Silverbird Tv

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The Teju BabyFace Show can best be described as the African variant of a comedy confluence where Johnny Carson’s Tonight Show meets Ellen Degeneres’ Ellen Show with a little touch of the Chris Rock pop magic. According to the originator, the show was inspired by the need to fill the vacuum in TV comedy – motivated by a burning need to give discerning viewers a garden variety of creative comic expressions.
Contrary to earlier perception, the show is not anchored in a similar style with Jon Stewart or Jay Leno, but finds more affinity with Arsenio Hall, Johnny Carson, Ellen Degeneres, and Benny Hill. Since comedy to Teju is a calling, the show as he revealed feels like a second skin to him, in that he aspires to reach a level where the studio feels like home, and the set becomes as comfortable as an octogenarian’s favorite rocking chair, where he’s able to showcase compelling whiz and mastery of the comic arts like one of his influences, Johnny Carson.
Unlike some comedy shows that employ brash tact when “interrogating” guests, Teju’s guests never appear embarrassed by his jokes, on the contrary the guests become too relaxed that they attempt very smart witty jibes at Teju himself, making the atmosphere with his guests reeking of mutual respect and overwhelming camaraderie, that most times his celebrity guests become reluctant to leave the set.
However, The Teju BabyFace Show is not just about making viewers laugh, because the various segments of the show act as a subliminal medium for social reformation – using comedy as a tourniquet to mend broken hopes and dreams, and a gramophone that brings societal ills to light in a bid to tweak the conscience of a people, in order to forge the concepts of harmony, tolerance, discipline, and patriotism. Yet each segment of the show exercises subtlety when dealing with serious issues, assuming the role of an impartial umpire with regards to sensitive matters.
Built on a healthy blend of humor and wits, the Teju BabyFace Show thrives on its ability to explore contemporary social issues and developing stories with brilliant satirical sketches that appear neither offensive nor patronizing – yet delivered with poignant and therapeutic imagery. 
On the parade of high profile celebrity guests, Teju admitted that the choice was not a cosmetic affair, but a deliberate process of inviting personalities whose character and achievements may impart positively on the viewers. Reacting to questions on how he was able to relate with these high profile individuals, Teju confessed to having applied decorum with some guests, despite the fact that he had a great time with all of them “All the guests that came on the show were awesome, though you can imagine I had to be a tad less flippant with the First Lady of Lagos…yet at some point I still bared the ‘craze’, but what I did was flip it down a little teeny bit.” In the case of the veteran highlife musician, King Sunny Ade (KSA), Teju Babyface confessed to having been simply blown away by how funny and knowledgeable KSA was.
One may wonder how challenging it was for Teju to switch from stand-up to TV, but according to this intellectual comedian, both mediums are not really different, since they all involve talking to people, “they only differ in content, in terms of delivery, length and material – so it wasn’t difficult for me since I’m already used to talking to people all the time” he revealed.
Funding the production of a TV show like this one wasn’t an easy venture, “we didn’t have a dime to start, and this project has gulped a lot of funds already”, he remarked, stating that the financial challenges he experienced while starting and the divine provision and goodwill were motivation enough for him to believe that this show was destined to be a success, “that God used the Holy Spirit to supernaturally provide for us every step of the way is validation over and over again that The Teju BabyFace Show has come to stay”.
The Teju BabyFace Show premiered in Africa last Tuesday, the May 4 on Silverbird Television between 8pm and 9pm. Some of the celebrity guests to watch out for in the first season include Tuface Idibia, Basorge Tariah Jnr., Tunde and Wumi Obe (TWO), King Sunny Ade (KSA), Her Excellency, Mrs Abimbola Fashola (first lady of Lagos State), Asa, Richard Mofe Damijo (RMD), the late DaGrin, and many others.

 


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Broadcasting

Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

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Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.

Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.

The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.

According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.

Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.

Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”

Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.

“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.

Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.

Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.

“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.

Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.

She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.

Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.

According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.

“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.

She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.

Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.

She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.

 


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CANAL+ Partners Samsung to Pre-Load DStv Stream on New Samsung TVs In Nigeria, Other African Countries

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Following an expanded partnership between CANAL+ and Samsung Electronics, the DStv Stream app will now be pre-installed on new Samsung Smart TVs sold in Nigeria and 17 other African countries.

The agreement covers English and Portuguese-speaking African markets, including Nigeria, Kenya, Angola, Tanzania, Uganda, Zambia, Zimbabwe and South Africa. It marks the first pre-installation rollout of a MultiChoice Group streaming application on Samsung Smart TVs.

The development comes after the completion of the combination between CANAL+ and MultiChoice Group. It also extends an existing relationship between both companies that already spans 40 markets across Europe, French-speaking Africa, and Asia.

Through the integration, Samsung customers can now access DStv Stream directly from the television home screen. The app provides access to premium sports and entertainment content, including coverage of the FIFA World Cup 2026, English Premier League football, domestic and international rugby, and local and international television programming.

With the introduction of this connected television which kicked off on June 1, televisions can now connect to the internet, allowing users to stream content directly without requiring a separate decoder or satellite dish. The pre-installation of the app removes the need for users to search for and download it themselves, reducing friction and improving content discoverability.

The rollout is one of the first major distribution initiatives following the integration of CANAL+ and MultiChoice. The combined group has identified streaming growth and enhanced digital distribution as key priorities across Africa, where connected television adoption continues to increase.

David Mignot, CEO of CANAL+ Africa and CEO of MultiChoice Group, affirmed, “We are delighted to extend our longstanding partnership with Samsung across new English and Portuguese-speaking African countries. It marks a significant milestone in the synergies created by the combination of CANAL+ and MultiChoice Group.

“Mignot added, “As viewing habits continue to evolve rapidly across the continent, strengthening the accessibility and discoverability of our content offer on connected devices is key. By expanding the availability of our applications on Samsung Smart TVs across key African markets, we are making it even easier for millions of MultiChoice Group’s subscribers to seamlessly access the content that define the uniqueness of the CANAL+ and MultiChoice Group experience.”

This extended partnership is expected to strengthen Samsung’s position as a key distribution partner for streaming services globally while providing CANAL+ and MultiChoice with a broader route to market as competition intensifies among international and regional streaming platforms across Africa.


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Court Deals Fresh Blow to NBC, Throws Out Appeal over Broadcast Fines

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The Court of Appeal in Abuja has dismissed an appeal filed by the National Broadcasting Commission (NBC) challenging a Federal High Court judgment that restrained the commission from imposing fines on broadcast stations.

Court Deals Fresh Blow to NBC, Throws Out Appeal Over Broadcast Fines

Delivering judgment, Justice Jane Esienanwan Inyang held that the appeal was fundamentally defective and therefore incompetent.

The appeal stemmed from a Jan. 17, 2024 judgment delivered by Justice Rita Ofili-Ajumogobia of the Federal High Court, Abuja, which barred the NBC from enforcing N5 million fines imposed on several broadcast stations in 2022.

The sanctions had been issued over allegations that the stations aired documentaries on banditry and insecurity considered by the commission to be capable of undermining national security.

The affected broadcasters included Multichoice Nigeria Limited, owners of DStv, TelCom Satellite Limited, Trust TV Network Limited and NTA StarTimes Limited.

The suit was instituted by Media Rights Agenda (MRA), which challenged the legality of the fines imposed by the commission.

In her ruling, Justice Inyang pointed to a discrepancy in the appeal documents, noting that the respondent before the Federal High Court was listed as the “National Broadcasting Commission,” while the notice of appeal identified the appellant as the “Nigerian Broadcasting Commission.”

According to the court, the inconsistency was substantial enough to deprive it of the jurisdiction required to entertain the appeal.

“The notice of appeal is the foundation of an appeal and a condition precedent to the exercise of appellate jurisdiction by this court,” the judge held.

Consequently, the appeal was struck out without consideration of the substantive issues raised by the commission.

The ruling represents another setback for the NBC in its efforts to defend its authority to sanction broadcast organisations through administrative fines.

In April 2026, the Court of Appeal similarly dismissed a separate appeal by the commission against another judgment that restricted its powers to impose fines on broadcasters.

Earlier, in May 2023, the Federal High Court in Abuja ruled that the NBC lacked the judicial authority to impose penalties on media organisations without recourse to the courts.

The controversy over the commission’s sanctioning powers dates back to March 2019 when the NBC imposed N500,000 fines on 45 broadcast stations for alleged violations of the Nigerian Broadcasting Code during the general elections.

At the time, the then Director-General of the commission, Is’haq Kawu, said the sanctions were imposed for ethical breaches and violations of broadcasting regulations.

Legal analysts say the latest judgment reinforces previous court decisions limiting the commission’s authority to impose fines on broadcasters without judicial intervention.


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