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TinTin, the “Koolness @ Classic FM

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His initiation into the music scene began at the age of 6 by learning the drums and progressing gradually to playing the piano, blowing the clarinet and mastering the percussions. With time, at a later age, in the early 1980s, he burgeoned as a multiskilled singer, songwriter, producer and arranger working with various emerging and established artists.
Born in Lagos, Nigeria in 1967, Augustine Imevbore a.k.a Tintin the Koolness, moved to Italy with his family at the age of 2 when his father became an official of the United Nations. He attended his early and middle schooling in an international college in Rome until the late 1980s when he left for the U.K to further his studies at the University of Warwick, majoring in politics and sociology.
Though shadowed by his studies, TinTin set time to strengthen his musical talents and expanded his creative abilities by playing in R&B and Rock groups, holding several hip-hop dance events and especially developing his DJ capabilities by rigorously working with various clubs and parties.
In 1991, he returned to Italy and put his dj angle to play by working for a renowned, Soul/ R&B station, known as ‘Radio Centro Suono’. His creativity, knowledge of the industry, the special blend of his voice and delivery, made him and the show the hottest trend in town. Requests poured in for him to interview visiting and local artists and to collaborate at major events and concerts. The popularity of Tintin guided him more into the entertainment field catapulting him into a status promoter for the radio and Vj (video jockey) for Orbit Satellite Television, granting him extra audience exposure in the Middle East as well. With the same sprint, the clubs in Italy swiftly welcomed his style of deejaying, snapping him up for work all over the country in clubs such as: Akab, Harlem, Spago, Baja, Blues Cafe, Open bar, Classico, Goa, Cocoa, The Saint, Cafe Latino, Black Planet, Ex-Magazzini, La Vetrina, Atom, Mantra, Woodo, La Saponeria, Millennium, Dry Dock, My Toy, MichelemmଠTribe Notturne, Brumama, Makkeroni, Gasoline, Shocking, Prince, Rock Cafe, Saatchmo, Cabiria, Dune and many more??
Tintin’s transfer to Radio Monte Carlo, Milano in 1999 to conduct the extravagant ‘Monte Carlo nights’ radio show, pushed him further into production, songwriting and recording. His many projects include collaborations and production work for: Twilight records ‘Urban Chill’, dance music productions with Feel Reel records and Dr.Feelx, Italian and International projects with Cenere, Papasun Style, Romina Johnson, Afro Cuba Beat, Gazzara (Irma records), soundtracks for CAM, Six AM project for X-Energy, Gospel music with Chicago Gospel Choir and Beepop/Doowop with the Platters. The desire to satisfy even the Latin quarter inspired Tintin’s neo-Latino hip-hop debut groove, ‘Baila Cochero’, released on AloMuzik LLC USA in 2001 which was soon followed by the reggaeton inspired top selling single, ‘Chico Te Amo’ released under the umbrella name of ‘TST PROJECT’ on Universal Records, Italia in 2004.
His return to Radio as Vj on the Hit channel/RTL radio later that year signaled his staying power in this genre, demonstrating what he says: ‘I’m back and the best is yet to come’. A true multidimensional artist worth tracking and surely one of the most popular artist/dj ambassadors to hip-hop and R&B music in Italy and Europe. Africa look out!
In November 2005, Tintin returned to Nigeria where he began to put his multidirectional skills to the service of the entertainment sector and set up MedSoul, an entertainment solutions company/record label. In August 2006, Tintin was the anchorman of the popular Nigerian Breweries television reality show ‘Gulder Ultimate Search III’, an experience that was bittersweet as his real potential was not properly used nor understood by the production company.
This did not demoralize him as he went on focusing on his goals. In 2007, Tintin’s MedSoul devised and executed a whole range of radio and television advertorials for the Yaradua and Goodluck Presidential campaign. These productions were what brought back the thirst for radio, not only from a production and programming perspective but also as a presenter like the days of old….
Here we are in 2009, the setting is Classic FM 97.3, 18 years after his radio debut, and Tintin is still taking things to another level.

 


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Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

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Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.

Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

Fela

This is coming after he was  posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.

Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.

The honorees were revealed on Monday night in the US, during an airing of American Idol.

Sade Adu, Nigerian-born British singer, will be honoured in the performance category.

However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.

Over 1,200 artists, historians and music industry professionals voted to decide the honorees.

The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.

 

 

 


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FG to Gift Nigerians over 100 Free TV Channels from May 15

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National Broadcasting Commission (NBC) is set to launch so-called  FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages.

FG to Gift Nigerians over 100 Free TV Channels from May 15

The launch is scheduled for  May 15.

Charles Ebuebu, director-general, NBC, who disclosed this, said the new platform will offer free-to-air access with no carriage fees, leveraging hybrid satellite and internet delivery via NigComSat-1R.

The new plan is not an upgrade, the NBC stressed. This is a rebuild, according to Ebuebu .

FreeTV will be true free-to-air – no encryption, no set-top box barrier.

Any DVB-T2/S2 television will work. A mobile app will extend reach to phones and tablets.

The platform will launch with over 100 national, regional and state channels across sports, news, children’s programming, education, entertainment and cultural content in Hausa, Yoruba, Igbo, Tiv, Ijaw, Edo, Fulfulde, Ibibio, Efik and Nupe – all in HD.

Crucially, the NBC has partnered with a Bulgarian firm, GARB (operating since 2006 and recognised by the European Broadcast Union), to deliver a 94 per cent-accurate audience measurement system using return-path data, app analytics, demographic panels, and Artificial Intelligence (AI).

To qualify broadcasters, must commit their channels, produce a minimum of 60 per cent local content, and promote FreeTV until January 2029.

After that, a regulated tiered rate card takes effect.

According to NBC, the strategic rationale is simple: build viewers first, monetise later.

The document further revealed that six regional production hubs in Lagos, Abuja, Port Harcourt, Enugu, Kano and Benin would function as local content factories, expected to generate 500 to 1,000 jobs per zone within two years.

 


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What Adekunle Gold’s Support Means for ‘The Gathering on 100

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Popular Nigerian artist Adekunle Gold has lent his support to the growing youth-driven movement behind The Gathering on 100, further amplifying conversations around what is fast becoming one of the most talked-about upcoming experiences among young Nigerians.

What Adekunle Gold’s Support Means for ‘The Gathering on 100

Adekunle Gold

Known for his music and his strong connection with youth culture and evolving creative expression, Adekunle Gold’s involvement signals a deeper alignment between the event and the kind of audience it is attracting, a generation that is bold, expressive, and constantly redefining what community looks like.

While details of his involvement remain understated, his visible support adds a new layer of support and cultural relevance to the movement. In a landscape where attention is currency, endorsements from artists of his stature often act as a signal, drawing more eyes, more curiosity, and ultimately, more participation, but beyond visibility, the significance lies in what it represents.

The new father has, over the years, built a reputation for embracing creativity in its many forms, from music to visual storytelling, fashion, and digital engagement. His brand has consistently resonated with young Nigerians navigating similar spaces of self-expression and identity.

From interactive experiences like live music sessions and open performance moments to fashion runways and content creation spaces, the event is designed to blur the lines between audience and participant. It invites attendees to move beyond observation and become part of the moment.

This is a concept that closely mirrors the kind of cultural shift Adekunle Gold has been part of, one where boundaries between creator and consumer continue to dissolve.

His support also reflects a broader trend within Nigeria’s entertainment industry, where artists are increasingly engaging with youth-led initiatives that go beyond traditional performances. Rather than simply appearing on stage, they are aligning with movements that foster community, creativity, and shared experience.

For fans and attendees, this adds another dimension to what The Gathering on 100 represents.

As registrations increase and conversations expand across social platforms, the movement is gradually taking shape through the collective interest of those drawn to it.

Head to gathering.com to register.


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