Broadcasting
NCC Suspends Operating License of COSON
The Nigerian Copyright Commission (NCC) in line with the provision of Regulation 19 (2) of the Copyright (Collective Management Organizations) Regulation 2007 has suspended the Operating License of the Copyright Society of Nigeria (Ltd/Gte) (COSON) as a Collective Management organization for Music and Sound Recordings, following the approval of the Honourable Attorney General of the Federation and Minister of Justice, Mr. Abubakar Malami, SAN.
Mr. Afam Ezekude, director-general, NCC, who disclosed this in a document noted that the suspension is a follow-up to the continued failure and/or refusals of COSON to carry out the directive of the Commission issued vide its letter dated February 19, 2018.
The DG, had earlier conveyed the decision of the Commission to the General Manager of COSON, in a letter dated April 30, 2018.
According to the letter, COSON is to henceforth desist from negotiating and granting Copyright Licences, collecting Royalties on behalf of Copyright owners, or otherwise performing any functions of a Collective Management Organization, except otherwise directed by the Commission.
The Commission in a separate letter dated May 3, 2018 also directed the Management of COSON to refrain from making further withdrawals or expenses from the funds of COSON, within the period of suspension, except for purposes of meeting personnel emoluments. Other expenses of COSON, outside personnel emolument may however be made upon permission from the Director-General of the Commission.
Henceforth, the General Manager of COSON has been directed to forward to the Director-General, NCC, within 7 days, details of all bank accounts operated by COSON.
The DG said, the latter directive became necessary in view of the need to safeguard funds belonging to owners of Copyright in Music and Sound Recordings, whose works are administered by COSON, and to enable the Commission undertake necessary compliance checks in line with relevant provisions of the Copyright (Collective Management Organizations) Regulations 2007.
It would be recalled that the Commission received a petition from some members of the Governing Board of COSON, requesting the Commission to intervene and investigate the events at the Extra Ordinary General Meeting of COSON held on Tuesday, December 19, 2017.
After due consideration of the petition, the Commission issued directives to the Management of COSON, not to implement certain decisions irregularly taken at the extraordinary General Meeting held on December 19, 2017, which were ostensibly in breach of statutory provisions and regulations guiding the operations of COSON.
Following the issuance of the directive, the Commission received a letter dated February 23, 2018 signed by the General Manager of COSON, indicating clearly the unwillingness of Management of COSON to comply with the directive of the Commission.
Other activities of Management of COSON which are glaring in the public domain have also confirmed the refusal of the Management to comply with the directive of the Commission as it is obliged to do under relevant laws and regulation guiding its operations.
Ezekude, has observed that the development in its entirety does not augur well for the development of Copyright administration in Nigeria.
Aside undermining the efficient administration of COSON to the utter disadvantage of authors and right owners in Music Industry, the continuing defiance of COSON Management to the directive of the Commission is a clear indication of its unwillingness to operate within the framework of the Copyright Act and Regulations guiding operations of Collective Management Organizations in Nigeria, for which there are clear consequences and sanctions.
The Commission has therefore advised Management of COSON to take necessary steps to comply with the directives of the Commission failing which further sanctions may be imposed on it in accordance with the provisions of the law.
Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.
Fela
This is coming after he was posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.
Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.
The honorees were revealed on Monday night in the US, during an airing of American Idol.
Sade Adu, Nigerian-born British singer, will be honoured in the performance category.
However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.
Over 1,200 artists, historians and music industry professionals voted to decide the honorees.
The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.
National Broadcasting Commission (NBC) is set to launch so-called FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages.
The launch is scheduled for May 15.
Charles Ebuebu, director-general, NBC, who disclosed this, said the new platform will offer free-to-air access with no carriage fees, leveraging hybrid satellite and internet delivery via NigComSat-1R.
The new plan is not an upgrade, the NBC stressed. This is a rebuild, according to Ebuebu .
FreeTV will be true free-to-air – no encryption, no set-top box barrier.
Any DVB-T2/S2 television will work. A mobile app will extend reach to phones and tablets.
The platform will launch with over 100 national, regional and state channels across sports, news, children’s programming, education, entertainment and cultural content in Hausa, Yoruba, Igbo, Tiv, Ijaw, Edo, Fulfulde, Ibibio, Efik and Nupe – all in HD.
Crucially, the NBC has partnered with a Bulgarian firm, GARB (operating since 2006 and recognised by the European Broadcast Union), to deliver a 94 per cent-accurate audience measurement system using return-path data, app analytics, demographic panels, and Artificial Intelligence (AI).
To qualify broadcasters, must commit their channels, produce a minimum of 60 per cent local content, and promote FreeTV until January 2029.
After that, a regulated tiered rate card takes effect.
According to NBC, the strategic rationale is simple: build viewers first, monetise later.
The document further revealed that six regional production hubs in Lagos, Abuja, Port Harcourt, Enugu, Kano and Benin would function as local content factories, expected to generate 500 to 1,000 jobs per zone within two years.
Popular Nigerian artist Adekunle Gold has lent his support to the growing youth-driven movement behind The Gathering on 100, further amplifying conversations around what is fast becoming one of the most talked-about upcoming experiences among young Nigerians.
Adekunle Gold
Known for his music and his strong connection with youth culture and evolving creative expression, Adekunle Gold’s involvement signals a deeper alignment between the event and the kind of audience it is attracting, a generation that is bold, expressive, and constantly redefining what community looks like.
While details of his involvement remain understated, his visible support adds a new layer of support and cultural relevance to the movement. In a landscape where attention is currency, endorsements from artists of his stature often act as a signal, drawing more eyes, more curiosity, and ultimately, more participation, but beyond visibility, the significance lies in what it represents.
The new father has, over the years, built a reputation for embracing creativity in its many forms, from music to visual storytelling, fashion, and digital engagement. His brand has consistently resonated with young Nigerians navigating similar spaces of self-expression and identity.
From interactive experiences like live music sessions and open performance moments to fashion runways and content creation spaces, the event is designed to blur the lines between audience and participant. It invites attendees to move beyond observation and become part of the moment.
This is a concept that closely mirrors the kind of cultural shift Adekunle Gold has been part of, one where boundaries between creator and consumer continue to dissolve.
His support also reflects a broader trend within Nigeria’s entertainment industry, where artists are increasingly engaging with youth-led initiatives that go beyond traditional performances. Rather than simply appearing on stage, they are aligning with movements that foster community, creativity, and shared experience.
For fans and attendees, this adds another dimension to what The Gathering on 100 represents.
As registrations increase and conversations expand across social platforms, the movement is gradually taking shape through the collective interest of those drawn to it.
Head to gathering.com to register.
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