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BBA3: More than just a reality show

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By Sunday, November 23, the curtain will be drawn on Big Brother Africa season 3 (BBA3). Described as “the biggest show on earth”, the Big Brother reality show has a global appeal with variants of this epic reality TV hosted in several countries of the world. The African edition, which premiered in 2003, had a second season in 2007. The third season, which began on Sunday, August 24 when DStv subscribers across Africa watched the live screening of the unveiling of BBA3 housemates stepping into the Big Brother House situated in Johannesburg, South Africa, winds down on November 23 when the winner is expected to be announced.
Prior to the BBA3 debut in Nigeria, a serious debate raged over whether the show should be made available to Nigerians or not. Analysts and commentators argued for and against the programme. Some of the issues bordered on the value of the show and what lessons it hoped to impart to its numerous followers across the continent. While some believed the Big Brother show has got the potential to bring Africa together by acting as a potpourri of cultures, some others believed otherwise, citing the voyeurism-focused aspect of its production, which they claimed, tends to corrupt young minds. Rave reviews of the two previous editions dwelt so much on sexuality of the housemates and their unrestricted liberty to alcohol, cigarette, etc, points which threatened to take away the immense credit Big Brother reality show has as a fusion of African cultures and a barometer to measure our response to one another across the continent as one big African family.
Undaunted by the clamour to ban BBA3, a spirited campaign to sustain the show was mounted by those who enjoyed the “reality” in reality shows being served spontaneously and uncensored. This set of people did many opinion articles to tackle those who agitated against the show, believing that the latest season will pull surprises given its “wild, wicked and wacky” label prior to the debut.
These supporters argued that Nigeria has got more problems to contend with than bothering herself with a mere entertainment program on pay-TV, which is accessible to only a handful of Nigerians who could afford the ‘high’ subscription rate out of a population of about 150 million. Nevertheless, both the enthusiast and the doubters looked forward to incidents that would help strengthen their position or crush the opposition’s argument once the show kicked off.
Over 80 days in the BBA3 House now, media reports have confirmed that the lessons to be derived from the show are many. There has been an opportunity for cultural exchange; a quick reminder of the BBA1 Ugandan housemate, Gaetano Juko Kagwa, who was swapped with a Briton, Cameron Stout, from the Big Brother UK House. Gaetano spent four days in UK, an experience which he relished deeply. In the current season, Zimbabwean Munya Chidzonga swapped places with Finnish Johan Grahn, giving viewers an insight into the Finnish way of life while Munya went to Finland to showcase African culture.
These supporters of BBA had also argued that the Big Brother Africa reality show is the only show currently in the continent that connects all African nations 24/7. They said, though it allows us a sneak peek into the various low and high turns in the lives of the individuals chosen to ‘represent’ Africa, as is true with reality shows, it is discovered that these are human beings like all of us with flesh and blood, who might make mistakes and might seek a chance to correct the mistakes as they move on with their lives outside the Big Brother House. Of course, not all housemates would spend a total of 91 days in the house but most of these ordinary Africans have turned celebrities overnight, and now have to summon courage to take their individual careers and dreams to the next level.
The intrigues in the BBA3 House so far have led to a new wave of interest in the show, as viewers now ask, “whether Big Brother Africa is a mere reality show or a long-lasting training ground for the participants who have been drilled through weekly creative tasks to gauge team work and individual talent?” Big Brother introduced a number of dynamics this season to rev up excitement in both housemates and viewers. The anxiety started mounting right from the first day until all those considered real threats were being gradually evicted from the show. Even at that, viewers’ excitement has been sustained by the quality of programming and content, as Big Brother tasked housemates on global warming, the future of Africa, United Nations’ effort at peace-keeping, sustaining African tradition and value system, parenting, honing individual skills, intergalactic exchange conference, etc.
Overall, viewers have declared the current edition as an unusual expedition for both participants and viewers through comments in the papers and on the Internet. Many who had expected the show this season to concentrate on voyeurism as a selling point have been thoroughly disappointed. Shifting the shower hour to 11:00pm in Nigeria as opposed to the initial 5:00am became necessary to avoid controversy. Yet, that what was considered an integral feature of BBA1 and BBA2 had been tacitly cut out and did not affect the quality of the show so far is a testimony to the fact that the Big Brother reality show is not really about sex but people.
Nigerians were privileged to watch homeboy Uti Nwachukwu play the game with fellow Africans for over 40 days. While some felt he did not fare well, especially when he broke things in the house after Lucille’s eviction, a large number of followers expressed satisfaction that Uti did not disgrace Nigeria in the BBA3 House. He paraded himself as the real ‘big brother’ Nigeria is to other African countries.
Unlike many other reality shows, the Big Brother has brought a lot of innovation into reality television. Reality television, as reality show is also known, is a genre of television programming which presents purportedly unscripted dramatic or humorous situations, documents actual events, and usually features ordinary people instead of professional actors. The term ‘reality television’ started to gain currency in Africa since 2000 with the first season of Big Brother US, although the genre has existed in one form or another since the early years of television dating back to the 1940s. Big Brother Africa show came to inspire many other reality TV shows across the continent.
The Big Brother it was that introduced the cinema verite feel of many of today’s reality shows. It adapted and finetuned the concept of putting strangers together in the same environment for an extended period of time (91 days in the case of BBA) and recording the drama that ensued. It interspersed events on screen with after-the-fact confessionals during a daily Diary Session. Big Brother added to reality television template the idea of competition and elimination, in which contestants battle against each other and are removed from the show through weekly eviction until only one winner emerges. The Big Brother has had a global impact, having been successfully syndicated in dozens of countries across the world. The Nigerian version dubbed Big Brother Nigeria (BBN) held in 2006.
Analysts of reality television have critically observed that viewers of reality television watch the show because of its ability to provide schadenfreude – satisfaction or pleasure felt at someone else’s misfortune or humiliation. They argued that viewers do not watch reality television for precious insight into the human condition but for those awkward scenes that make us feel a smidge better about our own little unfilmed lives.
BBA3 viewers have derived immense pleasure through housemates’ scheming, which helps generate tension in the House. Big Brother adds to the intrigue by introducing twists and changing the rules of the game as he pleases. Some say they have gained a lot from the various tasks assigned the housemates. Some of the tasks stretched their imagination, compelling viewers to rate the housemates and judge them based on their cooperation with one another, establishing an age-old wisdom that team work is a critical factor necessary for survival in life. Viewers are quick in identifying those who are team players and those who are not.
BBA3 housemates danced together, cooked together, shared traditional African folklore together, just the way we love it African-style. These hitherto total strangers tried conscientiously to tolerate each other in the rather unusual environment Big Brother had confined them in. It was a total package; the Big Brother reality show is a lifetime lesson in endurance, patience, tolerance, determination and focus.
BBA reality show affords viewers an insight into the minds of other viewers in distant places, availing them of an opportunity to interact on regular basis on the Oboma network where you can make friends and boost your chances for future social and economic partnerships. The show has justified its rating by giving viewers more than they desired, and in spite of the whittling down of instantaneous actions with new rules and restrictions for the housemates, Nigerians (both on the right and the left wings of the argument for its ban) became the eventual winners when the ‘sanity’ the newly-introduced rules have brought to bear on the screening of the current edition is considered.
The current BBA3 is a great improvement in terms of intrigue, which brings us back to the “wild, wicked and wacky” slogan of this edition. Right from the word go, the 12 housemates made it point-clear they were in the house for the ultimate prize. Though alliances were quickly formed, it was part of the strategies to prevent housemates from nominating each other, especially when a bond of friendship had been tacitly signed.
Nigerian housemate, Uti Nwachukwu (the third BBA3 housemate to be evicted) bestrode the house like the lord of the manor, commanding respect from all other mates. He bullied, cajoled and did pull a few other stunts to register his presence and personality. For all his efforts, he got the Ghanaian Mimi terrified to the point that she sought relief in getting him out of the house at all cost. She eventually achieved her aim.
With just a few days to go in the BBA season 3, viewers have begun to analyze how truly “wild, wicked and wacky” the show has been. And how truly it has been reflective of Africa’s mood towards one another. Whether as a people, our much-touted unity in diversity is a ruse or reality? Through the housemates, we are reminded that Africa is not just about 12 countries, only that these 12 countries are the ones that have representatives in the show. Other African nations support with their comments and votes, thus affirming we are one big family.
Viewers now seem to have a clear indication of who the eventual winner of the $100,000.00 cash prize might be. Angolan Ricco remains the only one on whom every African is willing to stake their money. The young man has been nominated repeatedly without being evicted. His mates who got evicted told Africans he is a strong character without pretensions. Africa loves him and they have demonstrated this love repeatedly by returning him to the House every time he came up for eviction.
Though they range in size, age and character, the housemates, each with his or her uniqueness, have consistently reminded us of our diversity and the need to find unity, peace and economic prosperity in the things that join us together as one people with a common African destiny. BBA3 has been more than a reality show, it is a statement confirming Africa’s destiny as one indivisible entity which must rise together against all odds and emerge soon as world’s super-power.


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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