Broadcasting
AFRIMA Demands Justice For Slain AKA; Urges Governments In Africa To Protect Music Stars
The International Committee of the All Africa Music Awards (AFRIMA), has implored governments of African countries to arrest the growing cases of violent deaths against music stars on the continent just as it urged the South African authorities to expedite the process of prosecution of the killers of rapper Kiernan Forbes popularly known as AKA.
AFRIMA recalls that the 35-year-old AKA was killed in a cold-blooded shooting on February 10, 2023, at a nightclub in Durban, South Africa and the awards body is demanding that everyone linked to his gruesome murder be expeditiously brought to justice.
President and Executive Producer, AFRIMA, Mike Dada, in a statement, said governments of African nations must make deliberate efforts to prevent violent attacks against music talents, averring that the disturbing trend could potentially erode the gains recorded in the creative industry over the years if not checked.
Dada said the murder of AKA is a wake-up call to governments across the continent to scale up their security architecture to encourage the protection of talented individuals. He suggested that efforts should be sustained to checkmate the proliferation of small arms especially.
AFRIMA said the senseless killing of AKA utterly hurts African creative space, insisting that South African authorities must arrest and prosecute everyone involved in the dastardly act.
“We strongly demand from the government of South Africa to arrest and prosecute all the persons involved in the killing of AKA to serve as a deterrent to criminally-minded individuals who cut short the lives of talents at their prime. The crime deterrent is for criminals to know that there is a big chance for them to be arrested, prosecuted and convicted; we strongly call for justice to be sufficiently served in this case.
“However, this is also a call to the governments of various countries across the continent of Africa to react to this gruesome killing by addressing the challenge of the proliferation of small arms. The trend of arms proliferation in Africa has had an impact on the continent’s internal security, which has led to violence and the deaths and injury of thousands of innocent citizens including our music stars and we encourage steps that will lead to the protection of the lives of our talented stars.
“Our ideals include using the platform of AFRIMA to promote the strength of Africa and tell a positive story of the continent and we believe we can tackle poverty, inequality, unemployment, climate change and other challenges bedeviling our dear continent through music but the lives of creative talents should be protected to fully realise these lofty dreams,” he said.
Similarly, speaking on AKA’s killing, AFRIMA’s Country Director, South Africa, Lekunutu Seboko, said the government of the country must back up its promises and assurances with concrete action by solving the murder case in good time. He believes bringing the perpetrators of the heinous crime to book will deepen the trust and belief in a better future for not only the music stars in the country but all South Africans, where they can feel safe and secure in their homes and communities.
“AKA’s sudden death is a deeply disturbing tragedy and development in South African music; the ghastly manner of his death has had international reverberations and our government must endeavour to bring his assailants to book to prove to the world that we indeed operate a system that uplifts justice and sanity.
“Undoubtedly, the African music landscape is diminished by his untimely death; but it is now the responsibility of South African authorities to ensure that justice prevails. We understand that some arrests have been made, but the process of bringing everyone connected to his death to book must be swift because justice delayed is justice denied,” he said.
AFRIMA also reacted to the sudden death of another South African rapper Costa Titch who died in March while performing on stage.
Dada said the invaluable contributions of Costa Stitch, whose real name was Constantinos Tsobanoglou, and AKA to Africa’s creative and music ecosystem would be sorely missed.
He added that African music was yet to come to terms with the sudden demise of the two great artists, describing them as true musical giants whose incredible songs and voices touched countless lives.
He added that AKA set the bar high for South African hip-hop just as Costa Titch took it up a notch and the two superstars collectively and collaboratively projected African music and culture on the world stage with many songs they did together.
He added that the two music icons were prominent figures in the AFRIMA community, recalling that AKA was a winner while Costa Titch won multiple nominations.
Dada said: “The deaths of AKA and Costa Titch will continue to cause significant reverberations across the African music fraternity because their contributions to the art were simply magical. Their music, messages, and successes gave hope to young Africans mired in poverty, violence, and uncertainty. Their works did not only elevate the hip-hop genre to the mainstream of South African music but impacted the global music audience in a manner that deepened the acceptance of African music and culture on a large scale.
“Their losses are personal to us in AFRIMA because they have been part of our journey. We recall that AKA won the Best African Collaboration award in the 2015 edition of AFRIMA for his effort on ‘All Eyes on Me’ which features Burna Boy, Da LES and others, while Costa Titch got a historic six nominations in the recently held 2022 edition. The greatness of their crafts is still being acknowledged even in their graves.
“We are still sombre and sad about their sudden departures. They inspired the whole of our continent; full of faith, courage, and strength, they have left a huge void in the music industry and their invaluable contributions to the African music ecosystem would be missed forever.”
A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.
NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.
Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.
Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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