Broadcasting
AMAA-StarTimes Short Film Festival Empowers Local Filmmakers

This year the African Movie Academy Awards (AMAA) has partnered with StarTimes, the biggest pay-tv company in Nigeria, hosted the AMAA-StarTimes Short Film Festival (The Shorts).

The Event is organized to motivate young and promising filmmakers on the African continent by providing a bigger platform for talented young people to succeed.
The festival has shortlisted over 200 short films. Selected from over 500 entries across Africa, the short films were aired daily on the ST Nollywood Plus channel on StarTimes at 8 pm. The pay-tv company has also added the films on the StarTimes-ON mobile app to run throughout the festival period.
Recently in June, StarTimes, in partnership with The Africa Movie Academy Awards (AMAA), rewarded outstanding short filmmakers across Africa. Held in Lagos, the award ceremony had industry experts in attendance, including Femi Odugbemi, Tunde Kelani, Peace Anyiam-Osigwe of AMAA, Femi Adebayo, alongside StarTimes team led by CEO, Alex Jian, and content Director, Viki Liu.
Edmond Tawale from Uganda emerged winner of the special prize for a documentary with the movie titled Ateker. Edmond got prize money of $1000.
The outstanding short film winners are Frank Abasiekong from Nigeria as 2nd runner-up for his short film titled Room 10; Frank Dzikonu from Ghana as 1st runner-up for his animation movie titled Sad Story of Kojo; while Enobong Nkanta from Nigeria emerged as the winner for his short film titled Mama’s Song. The 2nd runner-up got $1000, the 1st runner-up got $2000 and a mobile phone; while the winner got $3000 and a laptop.
Speaking at the Award ceremony, Peace Anyiam-Osigwe, Founder of AMAA said, “I’m delighted with this initiative to reward our young filmmaker and happy with the synergy StarTimes is having with the movie industry. Filmmakers need to understand the process of filmmaking.
We approached StarTimes for partnership and StarTimes is willing to help us nurture these resourceful people. We have to clear the stage for young and upcoming filmmakers. If we catch them young and structure them properly, it will help the growth of having better films being made along the way.”
Also speaking, the CEO of StarTimes, Alex Jian said, “We are here to award excellence, creativity, hard work, and originality. It’s our goal to provide a bigger platform for talented young people to succeed on their dream roads. StarTimes has been deeply engaged with Nollywood since last year, starting with the production of Ile Alayo Season 1, a great work directed by our friend and ambassador Femi Adebayo.
During the process, we noticed the great potential of the whole industry, and we are surprised by many young content creators. They are passionate, hardworking, and full of inspiration.
As a Pay-TV platform rooted in Africa, StarTimes aims at providing the best content to its audience. And we are very willing to support content creators in all kinds of ways because when they grow, the industry grows; if they succeed, we succeed.”
Broadcasting
NBC Tasks Broadcasting Stations over 2028 DSO Global Deadline

Mrs. Clementine Wamba, head, Digital Switch Over (DSO) at the National Broadcasting Commission (NBC), has stressed the need for broadcasting stations and practitioners nationwide to work towards meeting the 2028 global deadline for the switch over.

She made the call in her presentation titled, “DSO Big Picture: Free TV Audience Measurement and the Evolving Media Landscape”, at the 2026 NBC South West Summit held in Ibadan.
Wamba harped on the need for practitioners to adopt DSO in the transmission of news and other programmes in order to meet future challenges, stating that any country that fail to align with the DSO by 2028 will be shut out of practice.
This development, according to her, may result in job losses and other consequences that could hinder the growth of the industry in Nigeria, noting that Free TV is tailored towards the DSO, with provision for many channels in contrast to the age-long analogue system.
According to her, “The Digital Switch Over is a technological improvement on the age-long analogue style of broadcasting in the country. With the adoption of the DSO, practitioners will be in tune with global practice of broadcast journalism.
“Also, its benefits include efficient use of spectrum, changing of industry landscape, more access to national development programmes and better viewing experience.”
Broadcasting
NBC Scraps Annual Digital Access Fee on DSO

National Broadcasting Commission (NBC) has said that Nigerians will no longer pay annual Digital Access Fees under the renewed Digital Switch Over (DSO) project.

Charles Ebuebu, director-general, NBC, disclosed this in an exclusive interview with the News Agency of Nigeria (NAN) on Wednesday in Abuja,
Ebuebu said viewers only need to purchase an approved decoder and satellite dish which cost below N20,000 to enjoy free television permanently.
“Previously, users paid an annual digital access fee of about N1,500, described as an administrative charge.
“The new system removes that annual fee. It provides free access to free-to-air television channels without any payment.
“Premium channels will be introduced later. Viewers who want those additional channels will be able to access them through paid services.
“Nigerian content on free-to-air channels remains free to watch. Unlike Pay TV, this platform does not require monthly subscriptions for its basic service,” he said
Ebuebu said approved decoders for the FreeTV will cost less than N20,000 and authorised sales outlets will soon be announced.
He urged Nigerians to wait for official information on approved dealers for the DSO decoders, warning that unauthorised sellers are exploiting growing public demand.
He reiterated that people only need a free-to-air decoder, along with a satellite dish instead of the old antenna system to receive the DSO signal.
“Once the equipment is installed, viewers can access all available channels across the country without paying any subscription fees,” he stressed
The DG dismissed claims by some retailers that there are different categories of decoders sold at varying prices, stressing that such sellers are not authorised by the commission.
According to him, the NBC will soon publish the list of approved dealers, official prices, and locations where genuine decoder boxes and accessories can be purchased.
The NBC boss said the DSO project is designed not only to improve television broadcasting but also to stimulate economic growth by creating jobs, attracting investment, and opening up opportunities for businesses that support the broadcasting industry.
Ebuebu noted that content producers and broadcasters stand to benefit significantly from the nationwide reach of the DSO platform.
Unlike the previous system, where many stations had limited regional audiences, he said the new platform will make their channels available to viewers across Nigeria.
He added that the introduction of audience measurement technology will provide scientific and reliable data on television viewership.
Ebuebu added that audience measurement technology will give advertisers greater confidence in placing adverts and enable broadcasters to demonstrate the true size and reach of their audiences nationwide.
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
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